THE WOMAN KING has an irresistible hook that made it a hit: Did you know there was an all-female military regiment in 1800s West Africa, “THE MOST EXCEPTIONAL FEMALE WARRIORS TO EVER LIVE”? Now that you do, wouldn’t you like to see them kicking ass on screen, fighting off the invading “Europeens,” with Academy Award winner Viola Davis as their badass leader?
For me the answers to those questions were no, I don’t think I did, and yes, of course I would. I meant to see it in theaters, but I missed it. Reviews were mostly positive, but I remember them seeming a little subdued. Maybe I misread them, or maybe they wanted it to seem more like a Very Important awards season type movie to really get behind it. I think it has plenty of substance to it, but director Gina Prince-Bythewood (THE OLD GUARD) doesn’t treat that like the main attraction, and she shouldn’t have to. There’s a precedent for crowd-pleasing historical action dramas winning best picture, but BRAVEHEART and GLADIATOR could pass for highfalutin without having to address any issues, you know? They just had to make a rousing speech about bravery and killing a motherfucker, nobody expected them to say something deep about the world’s problems. (read the rest of this shit…)
THE OLD GUARD is a pretty good Pandemic Summer blockbuster, because I’m sure it would’ve felt underwhelming if it had been advertised for months and played on the big screen, but as a movie I read mentioned once or twice and never saw promoted until shortly before it dropped on Netflix, it was enjoyable.
