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Posts Tagged ‘KiKi Layne’

The Old Guard

Wednesday, July 15th, 2020

THE OLD GUARD is a pretty good Pandemic Summer blockbuster, because I’m sure it would’ve felt underwhelming if it had been advertised for months and played on the big screen, but as a movie I read mentioned once or twice and never saw promoted until shortly before it dropped on Netflix, it was enjoyable.

In the opening scenes it almost seems like another one in the tradition of CLOSE and EXTRACTION – militarized elite mercenaries or whatever, all geared up with their guns and armor and headsets, on a mission to rescue kidnapped kids in a Muslim country (South Sudan this time). But there are little hints that something else is up – wait, is that guy carrying a sword? They have a team, too, instead of one burnt out loner who’s messed up about losing a kid. Their leader is Andy (Charlize Theron, with hair and physicality that reminded me she was AEON FLUX), who thinks they should be laying low, but reluctantly agrees to meet with this ex-CIA guy Copley (Chiwetel Ejiofor, TRIPLE 9) for intel.

It turns out to be a trap. They breach the place and the walls close in on them and some guys come out and machine gun them. A minute later is when we get to the real premise – the team wake up, the bullets drop out of their wounds, they heal and they stand up and kill those motherfuckers with that sword and a cool ax and some kung fu and shit. (Fight coordinator: Daniel Hernandez, xXx: RETURN OF XANDER CAGE, AVENGERS: ENDGAME, VENOM.) (read the rest of this shit…)

If Beale Street Could Talk

Monday, January 14th, 2019

After MOONLIGHT I was gonna see the new Barry Jenkins movie no matter what. Didn’t have to ask what it was about. Probly wouldn’t sound like my thing anyway. If I had asked, the answer might’ve been something like “in early ’70s Harlem, a young woman and her family try to clear her fiance who has been falsely accused of rape.” But that would’ve been misleading because it’s not at all a thriller or a legal drama. There aren’t any plot twists or shocking revelations. We never see a courtroom. The background is the inescapable, self-perpetuating undertow of an unequal justice system, but the foreground is a story about love, not just between this couple but between them and their families.

Like MOONLIGHT it’s gorgeously lit and photographed by James Laxton (YOGA HOSERS), has thick mood and atmosphere, a strong sense of the character of its setting, and a cast full of revelatory performers, people you just want to be around, faces you want to (and get to) stare at in vivid closeup. The two lovers, Tish Rivers (KiKi Lane making a great debut) and Fonny Hunt (Stephan James, who played John Lewis in SELMA and Jesse Owens in RACE), absolutely beam with infatuation. We hear a little bit about them growing up as best friends, but we don’t need it. Their eyes tell us how enamored they are of each other.

But Fonny is, as Tish puts it, “behind glass” when she brings him news that they’re going to have a baby. And not for the last time we will hear firm, assurances that things will be okay, people will stick together, odds will be overcome. (read the rest of this shit…)