Posts Tagged ‘Dennis Haysbert’
Monday, February 2nd, 2026
Sam Raimi is back! With a new movie. Not one of his best, but hey – we got a new Sam Raimi movie. SEND HELP was brought to him by screenwriters Damian Shannon & Mark Swift (FREDDY VS. JASON, FRIDAY THE 13TH 2009), but it follows part of the DRAG ME TO HELL template in that it’s about a timid woman who doesn’t fit in and gets overlooked and mistreated by the sexist assholes at her corporate job, then finds her inner viciousness to be able to compete with them. A difference is that in the earlier film the horror scenario comes as punishment for the shitty thing she does to get ahead. This one is about how getting stranded on an island with her asshole boss becomes her opportunity to unleash her mean side.
Linda Liddle (Rachel McAdams, PASSION) has worked for seven years as a corporate strategist, though her new boss thinks she’s an accountant. The previous CEO promised her a promotion to vice president, but then he died and his son Bradley Preston (Dylan O’Brien, AMERICAN ASSASSIN) took over. To Linda’s shock he gives the promotion to Donovan (Xavier Samuel, THE LOVED ONES, Bernard Rose’s FRANKENSTEIN), an idiotic Patrick Bateman type who’s pretty new there, steals credit for her work and happens to have been Bradley’s frat brother. (read the rest of this shit…)
Tags: Bill Pope, Bob Murawski, Damian Shannon, Dennis Haysbert, Dylan O'Brien, Mark Swift, Rachel McAdams, Sam Raimi, stranded on an island, Xavier Samuel
Posted in Reviews, Comedy/Laffs, Horror, Thriller | 15 Comments »
Thursday, December 14th, 2023
HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
It’s possibly Mann’s best movie, and certainly ranks high among crime movies of the ‘90s (which is saying something), in my view a masterpiece of the genre. It has that rare quality of feeling like a sprawling epic and a simple, intimate story at the same time. Like a Sergio Leone movie in that one specific sense.
It is pretty simple, in the same way that MANHUNTER is. You’ve got these two men who are on opposite sides of the law, which makes their lives pretty similar. They respect each other’s professionalism but, unlike John Woo characters, would sooner shoot each other than be on the same side. Pretty early in the movie, famously – legendarily, really – they suddenly parley, have coffee together and talk about it, kind of warn each other but both seem to enjoy talking to somebody else who gets what it’s like to live that life. At the time the hype was about Robert De Niro and Al Pacino doing a scene together – two titans had not come together like this since Mickey Mouse and Bugs Bunny in WHO FRAMED ROGER RABBIT – but now that novelty has long since faded and the scene still feels monumental. (read the rest of this shit…)
Tags: Al Pacino, Amy Brenneman, Ashley Judd, bank robbers, Bud Cort, Danny Trejo, Dennis Haysbert, Diane Venora, Everlast, Hank Azaria, Hazelle Goodman, Henry Rollins, Jeremy Piven, Jerry Trimble, Jon Voight, Kevin Gage, Michael Mann, Mykelti Williamson, Natalie Portman, Robert De Niro, Ted Levine, Tom Noonan, Tom Sizemore, Tone Loc, Val Kilmer, Wes Studi, William Fichtner, Xander Berkeley
Posted in Reviews, Crime | 29 Comments »
Thursday, March 29th, 2018
I’m not sure if SUTURE (1993) counts as a neo-noir, but it seems a little related to other ’90s indie crime movies like RED ROCK WEST and THE UNDERNEATH and stuff. The plot definitely seems like something out of an old crime novel. Clay (Dennis Haysbert, NAVY SEALS, ABSOLUTE POWER, The Unit, SIN CITY: A DAME TO KILL FOR) is a guy from rural California who has come to visit his half brother Vincent (Michael Harris, ZAPPED AGAIN!, SLUMBER PARTY MASSACRE III, MR. STITCH) in Phoenix. They’d never met until recently, at their father’s funeral, when they were surprised to find out how uncannily they resemble each other.
Vincent is very rich, lives in a fancy modern house with art and slicks his hair back and generally reminds you of AMERICAN PSYCHO. Clay keeps worrying that Vincent will think he wants money from him, which he doesn’t. In fact, it’s Vincent who wants something from Clay, and it’s much more than money. He gets Clay to put on his clothes and drive his car and then blows him up, to fake his own death. Terrible hospitality from this fuckin guy, jesus christ.
Clay survives, though. His face is messed up and he doesn’t remember who he is, but everybody assumes he’s Vincent and tells him about “his” life, including that he’s a suspect in his father’s death. (read the rest of this shit…)
Tags: David Graf, David Siegel, Dennis Haysbert, Mel Harris, neo-noir, Sab Shimono, Scoot McGehee, Steven Soderbergh
Posted in Reviews, Thriller | 4 Comments »
Tuesday, August 9th, 2016
Maybe you didn’t know this, but there are straight-to-video sequels to JARHEAD, the 2005 Sam Mendes war film based on the memoir by Anthony Swofford. They’re not about Swofford, or other real people. They’re just unrelated fictional stories about Marines in the Middle East. Part 2 I’m afraid was too generic for me to finish, but part 3 has Scott Adkins in it and is directed by William Kaufman, whose HIT LIST is a good high concept DTV Cuba Gooding Jr. thriller and even had some unexpected War On Terror commentary, making him an interesting choice for this.
Well, I’m not sure “interesting” is a word I’d use to describe JARHEAD 3, but it’s not bad. Charlie Weber (CRUEL INTENTIONS 3, VAMPIRES SUCK) plays Albright, a pretty new but promising young Marine assigned to defend a U.S. Embassy. Adkins plays his Gunnery Sergeant Raines, who the men think of as a Buddha of the Marines. We only know this because PR department interviewer Blake (Dante Basco, who I know as one of the stars of FUNK BLAST, a movie ride that once existed at Seattle’s EMP, and you know as Rufio from HOOK, and we all know as Pinball from BLOOD AND BONE) says so. I wish there was more in the movie to back it up. (read the rest of this shit…)
Tags: Chad Law, Charlie de Melo, Charlie Weber, Dante Basco, Dennis Haysbert, DTV, DTV sequels, Hadrian Howard, Michael D. Weiss, Scott Adkins, Stephen Hogan, William Kaufman
Posted in Reviews, War | 12 Comments »
Friday, November 22nd, 2002
FAR FROM HEAVEN is the lovingly crafted new film from Todd Haynes (VELVET GOLDMINE), about an upper class socialite house wife (the great Julianne Moore from JURASSIC PARK PART 2 and ASSASSINS) dealing with the shameful prejudices and social pressures of the time. When she discovers that her husband (one of the Quaids, I think Randy) kissing a man, she tries to be loving and understanding about it. Her friends joke about her liberalism and call her “Red” but she naively deals with it as a medical problem, and brings him to a doctor to be “cured”. Soon she strikes up a friendship with her black gardener (the president from that stupid tv show 24) and again tests the limits of her liberalism when she finds that both whites and blacks scorn their innocent relationship.
Part of what makes it work is that the styles of acting, the dissolve-heavy editing, and the music by Elmer Bernstein are all taken directly from the films of that time period. It’s as if Haynes had travelled back in time and created a movie that he wishes they could’ve made back then, dealing with issues no one wanted to face, ones that are still embarassingly relevant today. It’s all a perfect re-creation of the melodramas of Douglas Sirk. (read the rest of this shit…)
Tags: Dennis Haysbert, Dennis Quaid, Julianne Moore, Todd Haynes
Posted in Drama, Reviews, Romance | 1 Comment »
