Here’s a weird thing about gigantic blockbuster movies based on popular licensed characters: you can end up making a sequel aimed less at the fans of the first movie than at the people who saw it once and have still not stopped complaining about it. At least that’s the fool’s errand that director Zack Snyder and writer David S. Goyer (this time rewritten by Academy Award winner Chris Terrio) chose for themselves on BATMAN von SUPERMAN: DAWN OF JUSTICE, which selects as its primary theme the criticisms that people had of part 1.
To this day I don’t feel like I understand the widespread outrage at MAN OF STEEL for having a comic book style battle between super beings where buildings were destroyed in the process. I still haven’t noticed this standard applied to any other movie or comic book (including the cover of the very first issue of Superman!) and I stand by everything I said in this essay about how wild misinterpretations of MAN OF STEEL have become conventional wisdom. Still, I gotta thank all of you for doing that because I suspect it inspired the most intense and cinematic section of BATMAN vehemently opposed to SUPERMAN, in which we see the Superman v Zod battle from an even more human perspective than before. Specifically, from Bruce Wayne’s point-of-view as he runs fearlessly into the destruction and tries to help.
We only see the Kryptonians in tiny glimpses, far away, high in the sky. Mostly we see raining glass and brick and glowing energy beams in their wake. They truly are gods. And now we specifically see that rubble landed on one guy and are told that a woman is missing. And Bruce Wayne doesn’t like it.
GONE GIRL is the new David Fincher popular fiction adaptation, another murder mystery but this time I guess you could say with a lighter touch than SEVEN, ZODIAC or THE GIRL WITH THE DRAGON TATTOO. Nick Dunne (Ben Affleck, PAYCHECK) comes home on his fifth anniversary to find his wife Amy (Rosamund Pike, DOOM) missing. They were unhappy and he’s not good at faking it, so suspicion quickly falls on him. Meanwhile Amy had a tradition of leaving a series of clues for an anniversary treasure hunt, initially romantic, these days bitter and mean. While Nick and lead investigator Rhonda Boney (Kim Dickens, HOLLOW MAN) follow the trail of cute riddles, we start to see Amy’s diary entries telling the story of their relationship from her perspective. And this may shock you but it eventually turns out that there’s more to the story!
This is one that you really need to see without knowing any more than that, so I’m not even gonna attempt a spoiler-wary review. From this point on don’t read unless you’ve already seen it or are mortally wounded and aren’t gonna make it another 2 hours and 25. In which case thank you, I am honored and flattered that you chose to live out your last moments here on outlawvern.com. You know I hope this isn’t too forward of me but if you don’t have any heirs and it’s not too much to ask maybe consider making a bunch of expensive purchases through my Amazon links before you kick. I really appreciate it man, thanks alot bud and good luck to you. (read the rest of this shit…)
Remember when John Woo did a science fictional movie a while back that everybody said was shitty? This was after we’d all kind of given up on him, so I never saw it. Until now.
Ben Affleck, the director of ARGO, stars as Michael Jennings, an amoral engineering genius of a futurist Seattle, some time after the near-future one in STEALTH. (In the future the borders of Seattle will be stretched so far that they will include Vancouver, BC, which is all we see in this movie other than one helicopter shot over Seattle Center). His introduction is funny because he gets to do a John Woo slo-mo strut toward the camera wearing shades (it’s important to the plot that he’s finicky about sunglasses) and, uh, holding a computer monitor under his arm.
ARGO is based on an amazing true story, recently declassified and told in this great Wired article. During the Iran hostage crisis, it turns out, the CIA managed to rescue a group of stranded American workers using an unusual cover story: they were part of a Canadian film crew scouting exotic locations for a STAR WARS inspired sci-fi fantasy epic. John Chambers, the genius makeup artist behind the PLANET OF APES series (and played by John Goodman here), had done “some contract work” for the CIA according to the article (let’s hope he gets a whole series of MISSION: IMPOSSIBLE style thrillers) and helped to set up real Hollywood producers and offices for the fake movie. The now-worshipped-by-nerds comic book artist Jack Kirby (seen only in a cameo here, played by DEATH WISH V’s Michael Parks) provided the artwork that they used as pre-production set and costume designs. (read the rest of this shit…)
WARNING: contains spoilers for PEARL HARBOR and World War II
After three financially successful action movies in a row (BAD BOYS, THE ROCK, ARMAGEDDON), Michael Bay got a once-in-his-career itch to make An Important Movie. He probly had SAVING PRIVATE RYAN on the brain, and definitely TITANIC.
Ever since James Cameron’s movie broke all box office records studios had been threatening to make asses of themselves by blatantly trying to catch more lightning in that same melodramatic-love-story-during-historic-disaster bottle. Jan de Bont almost did a love-story-on-the-Hindenburg movie, for example. PEARL HARBOR wasn’t as obvious of a copycat as that because 1) it was a love story set against a war movie as much as a disaster and 2) the love song on the end credits was by Faith Hill instead of Celine Dion. Totally different. (read the rest of this shit…)
In the popular song and cartoon RUDOLPH THE RED-NOSED REINDEER, “reindeer games” are the fun group activities that all the popular reindeers enjoy but Rudolph is excluded from due to his low social caste. In the movie REINDEER GAMES the character “Monster” (Gary Sinise) uses it as a synonym for “funny business,” something that he threatens Rudy (Ben Affleck) not to participate in. This misuse of Christmas terminology doesn’t bother Rudy or probly occur to him, but it does bug him when Clarence Williams III keeps referring to “Santa’s dwarves.” So he does have a certain amount of respect for Christmas tradition.
REINDEER GAMES is not a Christmas movie in the sense that it’s about Christmas, or about somebody coming to a realization about the meaning of Christmas, at least not a very convincing one. But I can guarantee you this much: it takes place in December, with a heist planned for Christmas Eve, and with the participators all dressed as Santa Claus. So there are some discussions of cranberries and what not. Maybe a mention of sugar plums, I can’t remember for sure. (Have you ever had sugar plums? They’re actually really fuckin good. I wish I knew a place that sold them. I might have visions of them dancing in my head now that I remembered them.) (read the rest of this shit…)
THE TOWN is a real well done, more-realistic-than-most crime drama. Not exactly a heist movie, because although it’s leading up to an elaborate caper it’s not as much about the planning and executing of the thing as it is about the people who do it. It’s also one of these movies people from Boston make where they’re real anxious to show off every last detail about the Boston neighborhoods and culture. I haven’t been there much so I got no clue how accurate it is, but it seems believable enough. There’s a part where they have coffee at Dunk’n Donuts, that part was real I know. (read the rest of this shit…)
Carnahan fans have been waiting a while now for his follow-up to NARC, and it seems crazy that it’s almost here.
If you’re a fan, you might want to hop over to CHUD, where Devin Faraci has been fielding questions that Carnahan’s been answering on his very own blog.
In the meantime, let’s see what our own Vern has to say about this film that I’m eagerly looking forward to:
You know what this movie is, it’s a remake of BOBBY. Almost the whole movie takes place in and around this hotel. And you got your huge all-star cast of characters with their various intersecting stories going on. But instead of them all living their lives and making corny speeches not knowing Bobby Kennedy is about to be assassinated, they are all trying to sneak into the hotel to kill Jeremy Piven. And instead of tons of stock footage of Kennedy speeches there is all kinds of fighting and guns. So it’s a reflection of our times. Or a very loose remake. A reimagining. (read the rest of this shit…)
Hey, everyone. “Moriarty” here with some Rumblings From The Lab.
God bless Vern. He’s proof positive that anyone can turn their life around if they try. For those of you who haven’t enjoyed his writing here or on his own website, Vern’s a former convict who has channeled his post-prison energy into writing movie reviews. He loves bad-ass films, but he’ll write about the most surprising stuff sometimes. In the last few days, he’s sent me two great reviews, so I decided to run them together. I’d agree with him on one, but not the other, and I’ll let you figure out which one I mean. Vern… take it away.
GINGER SNAPS
Harry, I guess I don’t read your sight closely enough. I never heard of this picture other than it was playing the seattle international film festival and some people said it was good. I didn’t know what it was about but I remembered the title so I pulled it out of a box of garbage like wishmaster 3 and children of the living dead. This was a box of artisan entertainment’s straight to video garbage that not even my video store connection was going to consider watching. They were just gonna dump em off to charity.
So this is the story of the teen horror picture that almost got away. The one that played a couple film festivals and then got dumped straight to video in the US by Artisan Entertainment, due October 23. I mean you can understand with all the high quality pictures showing this summer there’s really no room to put another really good one out there. What good is another good movie. They are so abundant right now what really is the point, right? Can’t think of more than one or two good ones off hand, but I’m sure I’m forgetting something.
GINGER SNAPS is not a movie about cookies. It’s GINGER SNAPS as in THE SNAPPING OF GINGER or GINGER FINALLY SNAPS or THE STORY OF GINGER ACTUALLY SNAPPING. This is a horror picture for the strong independent women. That doesn’t mean it’s for pussies, ’cause it’s gorey and intense. (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
* * * *
Recent commentary and jibber-jabber
Mr. Majestyk on Gina: “Best movie I’ve watched this year. Here are my comments from the COSMOPOLIS review for posterity: “A sleazy exploitation thriller,…” May 9, 05:21
VERN on Gina: “Yeah, that’s fair. I guess it’s that our stereotype of rednecks is different. Maybe it’s mostly just weather related. You…” May 9, 01:35
MaggieMayPie on Companion: “This was more light hearted/funny than I expected it to be. It makes sense now to hear that Hancock comes…” May 8, 21:55
Matthew B. on Gina: “I guess this is a quirk of Canadian linguistic habits, but that town is *absolutely* what we would call “redneck.”” May 8, 18:58
walkerp on Gina: “Oh that’s interesting, the version I saw in the theatre here (Montreal) at some retrospective had an incredibly hot solo…” May 8, 15:12
ron on Companion: “what got me to go check this out was another credit you didnt mention: hancock created “CAUTIONARY TALES OF SWORDS”…” May 8, 14:34
Jules on Companion: “That means either 2002 or 2005. Look forward to it!” May 8, 14:18
ron on Havoc: “i knew the discourse on this was going to be annoying because a) its not another raid b) its incredibly…” May 8, 14:05
VERN on Companion: “Jules, will indeed be starting a summer retrospective series soon, thanks for asking. It won’t go quite that far back…” May 8, 12:59
Charles on The Shrouds: “Toxic, I am so sorry for your loss.” May 8, 09:32
CJ Holden on The Shrouds: “While for some really weird reason “body horror” became one of those overused internet buzzwords that people apply to anything…” May 8, 08:34
Kevin on Companion: “@Bill Reed: that comparison to “Abigail” is quite apt. @The Allusionist: I described it to a friend who was reluctant…” May 7, 18:04
Jules on Companion: “A little off-topic, but what do we think are the odds that Vern has a SUMMER OF series on tap?…” May 7, 17:14
Palermo on The Shrouds: “I’ll probably check this out tomorrow night. I agree with you about the overuse of the term “body horror.” I…” May 7, 15:44
CJ Holden on Havoc: “I had quite the good time with it. Okay, when we hit the 40 minute mark and so far the…” May 7, 12:51
(HEAVY SPOILER REVIEW)
GONE GIRL is the new David Fincher popular fiction adaptation, another murder mystery but this time I guess you could say with a lighter touch than SEVEN, 
Remember when John Woo did a science fictional movie a while back that everybody said was shitty? This was after we’d all kind of given up on him, so I never saw it. Until now.
ARGO is based on an amazing true story, recently declassified and told in 
released May 25th, 2001
In the popular song and cartoon RUDOLPH THE RED-NOSED REINDEER, “reindeer games” are the fun group activities that all the popular reindeers enjoy but Rudolph is excluded from due to his low social caste. In the movie REINDEER GAMES the character “Monster” (Gary Sinise) uses it as a synonym for “funny business,” something that he threatens Rudy (Ben Affleck) not to participate in. This misuse of Christmas terminology doesn’t bother Rudy or probly occur to him, but it does bug him when Clarence Williams III keeps referring to “Santa’s dwarves.” So he does have a certain amount of respect for Christmas tradition.
THE TOWN is a real well done, more-realistic-than-most crime drama. Not exactly a heist movie, because although it’s leading up to an elaborate caper it’s not as much about the planning and executing of the thing as it is about the people who do it. It’s also one of these movies people from Boston make where they’re real anxious to show off every last detail about the Boston neighborhoods and culture. I haven’t been there much so I got no clue how accurate it is, but it seems believable enough. There’s a part where they have coffee at Dunk’n Donuts, that part was real I know. 
SPOILER ALERT !!
