"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘self-indulgence’

So long 2015, you hustlin sonofabitch

Thursday, December 31st, 2015

tn_mcqueentoastWell, it’s been a year again. 365 days of 2015ness have passed, that much I know for sure. I did not manage to become a successful or highly paid individual yet. I lost some family. The world lost Darren Shahlavi, Roddy Piper and Wes Craven. A bunch of less celebrated people got shot and blown up all around the world. I’m against it. Stop doing that.

I’m gonna focus on the positive though. My life is mostly good, and I make it through the bad days in part because of you guys and what we do here. I think I had a year of writing that I can be proud of. Let’s go over some highlights.

As is my tradition now, I started the year with Clint, revisiting THE OUTLAW JOSEY WALES. Later in the month I saw his AMERICAN SNIPER, which I still think is more complex than it got credit for. And if you think that makes me a war apologist, fuck you. I didn’t see you seeking out actual Iraqi films about the war like AHLAAM to write about too. That was me that did that.

Speaking of Bradley Cooper movies, I finally reviewed THE MIDNIGHT MEAT TRAIN, so I can include a link whenever I mention Cooper for any reason. In that sense I really made alot of progress this year.
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The Spirit

Saturday, January 3rd, 2009

Yes, as you’ve heard by now, THE SPIRIT is a terrible movie. But don’t fall into the trap I did. Just because almost everyone agrees that it’s terrible doesn’t mean it’s funny or interesting to watch. I thought it looked bad from the trailers and really had no interest until I started seeing some of these reviews comparing it to various landmarks in bad movie history. The more vicious the reviews got the more I started to think shit, I kind of want to see that. People acted like it was some bizarre Ed Wood type shit that they couldn’t believe they were seeing.

Well, there are a couple weird touches. For some reason Samuel L. Jackson’s villain character, The Octopus, talks about eggs all the time. Seriously, he just keeps bringing them up – “I beat you like an egg,” “I don’t have egg on my face,” etc. etc. It’s worse than Tarantino’s obsession with feet. Also there’s a part where SPY KIDS style home computer effects depict a little tiny head attached to a foot that hops around on a table in front of him and he keeps saying it’s “plain damn weird.” I kind of wish writer/director Frank Miller was in the theater to experience the uncomfortable silence as the scene milked the “joke” over and over again for a couple minutes, clearly convinced it was hilarious. (read the rest of this shit…)

Hell Ride

Tuesday, October 28th, 2008

The first time I saw KILL BILL VOLUME 2, when Michael Madsen got chewed out by his boss at the strip club, I thought Who is that guy? Because he had such a presence, he seemed so perfect to play that type of sleazy (but completely justified in this case) boss, but I didn’t think I recognized him from anything. Turns out he was Larry Bishop, son of Joey Bishop. He’s an actor going back to WILD IN THE STREETS and an I DREAM OF JEANNIE episode, and the guy who directed that movie MAD DOG TIME a while back. Well, Tarantino obviously liked him so he helped him to make a biker movie, this time not just as director but as writer/director/producer/star.

Tarantino put his name on the movie as a presenter, hooked Bishop up with Dimension Films, and loaned him the use of Michael Madsen and David Carradine for a while. He also seems to be a big inspiration on the attitude of the movie, which is basically a western on motorcycles with lots of weird non-sequitur shit thrown in. The movie also has some pretty hip marketing, one of the first incidents in modern times of a movie released with a cool illustrated movie poster that remains as the DVD cover. Everyone knows you’re supposed to throw away the poster and put a shitty photoshop collage of the actor’s heads on the DVD. That’s in marketing 101. This one breaks that rule. (read the rest of this shit…)

The Brown Bunny

Wednesday, November 30th, 2005

You probaly heard what Vincent Gallo’s THE BROWN BUNNY is all about, and so did I. I’m not gonna pretend I didn’t know what I was getting into. Obviously I’ve heard alot about this movie since its notorious debut over there in the Cannes. Most people said it really sucked, it sucked the big one. They said Academy Award nominee Chloe Sevigny really blew it by being in this one. Doesn’t matter if she did a good job, they said, because this movie really blows. They had a real hard time swallowing it. A real long, hard time. Also there is a blow job at the end I guess.

Gallo plays Bud Clay, a streetwise motorcycle racer who has just finished a fierce competition in New Hampshire. Now he has to get back to L.A. to have his bike tuned up by Renaldo (sort of his Q or Whistler), and only one thing can stop him: pining. He misses his former girlfriend Daisy (Chloe Sevigny) and he’s on a mission to find her. The mystery leads him on a deadly trail from Daisy’s parents house, to a pet shop, to a gas station, to a hotel, to another hotel, to Las Vegas, to another hotel, etc. Mostly down streets though. When I say “deadly,” by the way, I mean “boring.” (read the rest of this shit…)

VERN Does Double Duty: GINGER SNAPS and JAY & SILENT BOB STRIKE BACK!!

Thursday, August 9th, 2001

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

God bless Vern. He’s proof positive that anyone can turn their life around if they try. For those of you who haven’t enjoyed his writing here or on his own website, Vern’s a former convict who has channeled his post-prison energy into writing movie reviews. He loves bad-ass films, but he’ll write about the most surprising stuff sometimes. In the last few days, he’s sent me two great reviews, so I decided to run them together. I’d agree with him on one, but not the other, and I’ll let you figure out which one I mean. Vern… take it away.

GINGER SNAPS

Harry, I guess I don’t read your sight closely enough. I never heard of this picture other than it was playing the seattle international film festival and some people said it was good. I didn’t know what it was about but I remembered the title so I pulled it out of a box of garbage like wishmaster 3 and children of the living dead. This was a box of artisan entertainment’s straight to video garbage that not even my video store connection was going to consider watching. They were just gonna dump em off to charity.

So this is the story of the teen horror picture that almost got away. The one that played a couple film festivals and then got dumped straight to video in the US by Artisan Entertainment, due October 23. I mean you can understand with all the high quality pictures showing this summer there’s really no room to put another really good one out there. What good is another good movie. They are so abundant right now what really is the point, right? Can’t think of more than one or two good ones off hand, but I’m sure I’m forgetting something.

GINGER SNAPS is not a movie about cookies. It’s GINGER SNAPS as in THE SNAPPING OF GINGER or GINGER FINALLY SNAPS or THE STORY OF GINGER ACTUALLY SNAPPING. This is a horror picture for the strong independent women. That doesn’t mean it’s for pussies, ’cause it’s gorey and intense. (read the rest of this shit…)