I did a couple extra reviews last week, so I ran out of back log and I don’t have anything new to post like I normally would on a Monday… but I sort of need to play it by ear this week anyway. I’ll see if I’m able to concentrate enough to finish the ones I’ve been working on or if it will even feel right to post anything. Like, I might not post a monster movie review right away if a new civil war starts. Maybe wait until a couple days after the first important battle out of respect or whatever. But I promise I have some good stuff coming soon.
Anyway I just want to say stay safe everybody, take care of your mental state, we’re in this together, nazi presidents fuck off, let’s blow up this stupid Death Star and get ready for the next one.
Two Halloweens ago we discussed Tobe Hooper’s first masterpiece. This is his second. He didn’t even want to direct it at first, sort of got pushed into it, but damn did he rally. In many ways THE TEXAS CHAINSAW MASSACRE 2 is the Tobe Hooperest movie ever made.
A rare movie-watching phenomenon that I love: rewatching one I saw decades ago, and have always believed sucked, but discovering that I really like it now. It happened with 
Earlier in this year’s too brief Slasher Search, I reviewed 
Two years ago, but it seems closer to ten, a nice deputy editor for a new publication approached me to write a piece. He had been reading me forever and was working for this company with a bunch of money invested in it, could pay pretty well and expose me to some new readers not only on the web but a print magazine he compared to Rolling Stone. I said yes and we were going back and forth about what my first piece should be, and then my mom died.
THE MAN NEXT DOOR is a 1997 film that only came out on VHS. The cover has a big skull, a scary house and a very dated font choice. It’s written and directed by Rod C. Spence, known for his raw suspense. Or perhaps he’s known for editing 2000s reality TV shows like Survivor, The Apprentice, American Chopper and Jersey Shore, which he did for a while after this (and 
I don’t have a car and there’s not a drive-in near me, but I think it’s great that the drive-in movie experience is making a comeback in response to the pandemic. Nature finds a way. In honor of this great revival I offer you a drive-in double feature: two horror movies about a car. In fact, about the car.
As we’re all aware, this has been a hell of a year for the box office, with hits like BAD BOYS FOR LIFE, 
This is a rare event for me, to watch a prequel to a movie I haven’t seen and don’t plan to see. The original OUIJA from 2014 was a PG-13 horror movie co-produced by ghost-merchants Blumhouse and remakers Platinum Dunes, “based on Ouija by Hasbro.” It’s the same writers as KNOWING, which could be a plus, but I didn’t know that until just now. So it didn’t seem like a movie for me, and nobody told me otherwise.
