I watched that movie PALM SPRINGS recently. It’s a GROUNDHOG DAY time loop romantic comedy type thing that uses the concept in a smart way that makes it a parallel to depression and hopelessness, and it’s just a funny movie and I enjoyed it. I also really liked HAPPY DEATH DAY (GROUNDHOG DAY as a slasher movie) and its sequel HAPPY DEATH DAY 2 U was pretty good too.
But I feel a little weird about “GROUNDHOG DAY” being a genre now. The first is still the best and most profound iteration of the form, and it’s such a distinctive premise that any movie that does a spin on it can’t help but feel a little more like biting than following a tradition. So I wasn’t exactly jumping to see Joe Carnahan’s BOSS LEVEL, which is GROUNDHOG DAY crossed with an action movie. I’m not too excited about “life is a video game” concepts either, so the title didn’t help.
But I shouldn’t have hesitated because this is a whole lot of fun, one of Carnahan’s best, and I think the script by Chris & Eddie Borey (OPEN GRAVE) and Carnahan earns the use of the time loop. Most of these movies wisely never explain the reason for the phenomenon – this feels very different because it’s all about him figuring out what’s doing this to him and why, so he has a more traditional, specific problem to solve (though along the way he learns life lessons like in the other ones). (read the rest of this shit…)
NOMADLAND is a simple, quiet character and/or lifestyle study. It’s shot all on location, mostly outdoors, and feels largely improvised. It centers on the great Frances McDormand (
“The only thing that stops me from becoming evil, is fighting evil.”
So here we have a movie that has a KOMBAT-esque logo, a techno and industrial soundtrack (Front 242, Juno Reactor, KMFDM, Junkie XL, also Anthrax), a big climactic fight with a crude CGI monster, and yes, it is also a recognizable adaptation of the story of Beowulf (Lambert), the monster Grendel (uncredited Vincent Hammond, also a suit performer in 
When Soleil Moon Frye was seven years old, she starred in the NBC sitcom Punky Brewster, playing a spunky kid in a magenta jean vest abandoned by her mother at a grocery store and adopted by an old widower, brightening his life with the rainbow-colored shine of what she called, for some reason, “Punky Power.” Apparently the ratings were low, but kids loved the character so much they sold dolls of her and gave her her own Saturday morning cartoon show (co-starring a wish-giving hedgehog leprechaun named Glomer).
“Even scumbags like us could change the future!”
CAMINO is a 2015 actiony thriller starring Zoë Bell. I’ve wanted to see it for years, but there was a whole rigamarole with streaming exclusivity and then not being available at all but eventually it came out on disc (which is how I saw it) and I think you can also watch it on Prime and there’s a special edition blu-ray coming out in June. So here we are.
There’s a new MORTAL KOMBAT movie about to enter our realm, and it’s crazy to think they’ve been developing this thing for over a decade! It made me want to journey back to the beginning of that process and revisit what happened when director Kevin Tancharoen tried to reimagine the fighting tournament game turned movie series.
A few weeks ago I reviewed a 2019 movie I was really excited about called 
DELIVERY BOYS is a breakdancing movie that, according to IMDb, was released in April of 1985. That puts it only a few months after 
Let me give you a behind the scenes on the making of this review series: I had been meaning to revisit 
