RE-ANIMATOR is one of those good old ’80s college buddy movies, you know? You got the tall, blandly handsome star student Dan (Bruce Abbott), he’s fucking the dean’s daughter Megan (Barbara Crampton), there’s an uptight professor, Dr. Hill (David Gale – the one from SAVAGE WEEKEND, who I still don’t think is the same one THE LIFE OF DAVID GALE is about), who disapproves of the relationship. Then a new student comes to Miskatonic U., the socially inept but brilliant Herbert West (Jeffrey Combs), who maybe got kicked out of his school in Switzerland, or maybe had to flee. A troublemaker! Double secret probation!
Dan seems like a jock, Herbert like a nerd. Dan is a normal person, Herbert a creepy weirdo. And they become roommates! It would be fun if it was about Dan trying to loosen him up, bringing him to parties and stuff, or to pledge at a fraternity, but maybe that’s in the sequels.
GIRLS NITE OUT would’ve been a decent title for KILLER PARTY. I’m not completely sure how it applies to this one. It’s another college movie, and it focuses at least as much on male basketball players angry about their girlfriends leaving them as it does on the group of sweater-wearing girls whose idea of a nite out is to follow along with a scavenger hunt contest put on by the campus radio station for part of the movie until it gets cancelled due to murders.
After the massive success of A NIGHTMARE ON ELM STREET in 1984, you’d think Wes Craven would’ve been sitting comfortably atop the horror director pyramid. Yet his directational followups were just the ’85 TV movie CHILLER, the ’86 silly robot movie DEADLY FRIEND, and a couple episodes of the new Twilight Zone. It wasn’t until ’88 that he did something he seemed passionate about, the pretty respected voodoo thriller THE SERPENT AND THE RAINBOW. By ’89, only five years after the birth of Freddy, he was already at that sad “time to come up with the next Freddy” stage you’d expect him to go through eventually. 
Before he did PHANTASM, a 22 year old Don Coscarelli wasn’t even looking to be a horror director. He got together the people he knew and filmed in his neighborhood and made this sweet coming-of-age type comedy about growing up in the California suburbs of the ’70s. Kenny (Dan McCann) is a kid about 12 or 13, his company is Doug (PHANTASM star A. Michael Baldwin) and Sherman (Jeff Roth), a goofy younger kid from across the street who they pick on but start becoming real friends with when they see him getting beat up by Johnny Hoffman (Willy Masterson), the same neighborhood bully they live in terror of.
WE ARE WHAT WE ARE (Somos lo que hay) is a one of a kind horror movie out of Mexico. Well, it was one of a kind until they just did an American remake, but it sounds like they changed things up for that one anyway.
If you haven’t seen the blog 
THE BIRD WITH THE CRYSTAL PLUMAGE is a Dario Argento movie I hadn’t seen before. This is his directational debut, so it shows what he was up to before the ones I’m most familiar with, DEEP RED, SUSPIRIA and INFERNO. He’s not yet the sicko artiste who made those three, but you can see him headed in that direction.
Well, shit. I hope ESCAPE PLAN isn’t the last gasp for straight ahead R-rated theatrically released movies from the ’80s action icons. I guess Schwarzenegger has another one in the works called SABOTAGE. And there’s always the off chance that an EXPENDABLES sequel could be made where they’re trying harder and it mostly works on its own merits, not just nostalgic references and goodwill. We action fans all kinda hoped the EXPENDABLESes would remind the rest of the world that they used to love those types of movies and reignite their popularity, so we could all go see them on the big screen with the loud speakers and with a big crowd excited to experience it together and maybe afterwards there would be some high-fiving, possibly some push ups.
This has been a source of mystery for a couple years now, the weird sounding horror-western that Wesley Snipes filmed right before he got convicted. In fact the prosecutors tried to accuse him of running when he flew to Namibia to film it. Were they just trying to fuck up his life, or did they really believe he was crazy enough to start over there, become the African DTV Roman Polanski? I mean, that would be kinda cool though.
Have you guys seen this? THE WIZARD OF OZ? I think it’s pretty well known. Last month they had a one-week re-release in 3D Fake Imax, so I took the opportunity to see it then and I thought I should write a little about it. If you have the 3D getup at home the converted version is now on blu-ray if you’re interested.
