Can’t believe I just wrote that subject line. I always thought Prince was an ageless immortal. I don’t know if I’ll end up writing a piece about him or not. You all know how much I love him.
It’s kind of beautiful that he died in the studio, at least. I’m glad it wasn’t in that random hospital when he made the emergency landing recently. And I’m glad I went through the trauma of worrying about him during that or I’d be blindsided today.
That guy had a talent and a drive beyond human comprehension. I don’t know what will happen with his legendary vaults of unreleased music, but even among the official releases there is more than most people can handle. So his life was a gift to us all.
I just put on Lovesexy. It’s weird, but that’s the one that really made me fall in love with Prince’s music. I mean, I enjoyed “Purple Rain” and “When Doves Cry” and “Little Red Corvette” and everything in the ’80s. And I actually I got into Batman and Diamonds and Pearls and even the symbol album, but it was when a friend played me Lovesexy that it went from flirtation to love. These weirdly, uniquely Prince funk sounds that bleed into each other, Sheila E playing some weird super drum set, Prince singing about heaven and hell and sex and weird unexplained characters (Spooky Electric?), background voices and chants fading in and out. “And while you’re at it tell your mom about THIS!”

ALMOST HUMAN is a very simple low budget movie from first-time-director Joe Begos. (He has since become a second-time-director with THE MIND’S EYE, which premiered at the Toronto International Film Festival to enthusiastic reviews, and recently got picked up for distribution.) The story begins with the protagonist Seth (Graham Skipper, TALES OF HALLOWEEN) running to his friend Mark (Josh Ethier, also the producer and sound designer and an editor on many other movies)’s house in terror from some lights he saw and can’t seem to explain. Against Seth’s pleas, Mark goes outside to investigate, and he disappears.
I’m about 13 years late on this one, but it turns out there’s a reason Charlize Theron got an Oscar for MONSTER. Jeez. Playing Aileen Wuornos, “the first female serial killer,” she not only transforms herself, she transforms Wuernos.
Disney’s 1967 animated version of THE JUNGLE BOOK was pretty much a hangout movie. A bunch of animal dudes kickin it in the jungle, occasionally singing songs. Like 
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When one of us says “Carrie,” I bet we all think of the same thing: Brian DePalma’s iconic 1976 film, an American classic. It’s the first and still-second-best movie based on a Stephen King book, so of course we could also be talking about that 1974 novel (the fourth that King wrote, but first he got published). Or we could be talking about the 2002 made-for-TV version, or the 2013 remake, or I suppose the 1952 William Wyler movie which in my opinion is not based on King’s book. Anyway this week I’d like to take a look at the different incarnations of King’s story. (Not the failed Broadway musical though. I never saw it.)
Sometimes you’re watching a movie and you’re not really getting anything out of it, but you power through it just so you can say you watched some weird thing that nobody ever heard of. Or at least that’s what I do sometimes. Maybe that explains some things.

















