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Archive for the ‘Science Fiction and Space Shit’ Category

Star Wars Episode 2: Attack of the Clones (No Baggage Review)

Monday, May 5th, 2014

tn_aotcnobaggageplease friends: it would be nice to play along with the no baggage concept in the comments instead of going over the same prequel discussion for the one thousand billionth time for chrissakes have some god damn respect, manners and honor thanks nerds

Remember in the opening of Star Wars part 1 there were two of these “Jedis” who were sent to intervene in a tax dispute or whatever and they got attacked by robots? Well, we learn in the opening of part 2 that these types of issues are popping off all over the galaxies now. Escalation. These “Separatists,” led by ex-Jedi turned nobleman Count Dooku (Christopher Lee, CIRCLE OF IRON), are trying to secede from the Republic and it’s getting to the point where there just aren’t enough Jedi to fly around and baby these fuckin whiners, so some of the people in the Senate are talking about finally making a “Grand Army of the Republic” to give them the smackdown. In other words, they’re saying “this means star war.”

Padme Amidala (still Natalie Portman from LEON) is no longer Queen of Naboo, but she’s become one of their Senators, and is the leader of the opposition to the army-making proposition, so some sneaky no-account motherfuckers are trying to kill her. In the first scene her ship gets blown up and she gets killed, except it turns out it’s one of her doubles and she was on a different ship with her new head of security Captain Typho (Jay Laga’aia, DAYBREAKERS). This was kinda cool because she had all those doubles in part 1 and she just used them for sneaking out and seeing the world, but this is the logical conclusion of that concept. They’re there to get assassinated in her place. That’s gotta be a hell of a feeling, that it’s somebody’s job to look like you and take an explosion for you, and then the poor girl apologizes. (They just leave her body on the landing platform. Bus your table, people.) (read the rest of this shit…)

Star Wars Episode 1: The Phantom Menace (No Baggage Review)

Sunday, May 4th, 2014

tn_phantommenace'I guess now they’re saying May 4th is Star Wars Day. Yet another fake holiday created by Hallmark and Kenner. At first I assumed they chose May 4th because it’s 21 days before the anniversary of when STAR WARS was released and they are planning seven STAR WARS trilogies. But then somebody explained that it’s supposed to sound like “may the fourth be with you.” Get it. From the nerds who brought you Talk Like a Pirate Day: Seriously, A Whole Day of This Would Be Fun Ye Guys.

Well I’m sorry to perpetuate it, but I decided to use this as an excuse to try to finish a project I started last year when the Star Warses came out on the blu-ray and I watched all six of them again.

I like these movies. Like anybody I especially like the original versions of the original three. But – I think I mentioned this before – one thing I am sick of god damn ever fucking hearing about is fuck George Lucas, he changed the movie that I like, he made a new movie that had farting in it, he owes me, this is at least equal to child rape, most likely way worse, now I finally understand the type of psychological struggle that a 14 year old molested junkie prostitute is going through, boo fucking hoo, etc. Not that it was not a legitimate topic at one time, and inspired by true incidents, but now it’s a decades old discussion done by everybody always and still people will bring it up as if it’s a fresh wound or, worse, as if it’s some sort of rebellious cry against the system if they point out the same damn thing that everybody of their generation also thinks and always will.

I mean honestly, I don’t know how you could verify this but I bet there are more than a billion words on the internet complaining about George Lucas. They hate that motherfucker so much they saw it as a dream come true when he sold his independent artistic creation to the Disney corporation to be used as a licensed property trademark franchise product. Hopefully now the curse is on some other sucker (J.J. Abrams now and whoever takes the gig after him), ’cause they really gotta give the People vs. George Lucas topic a rest, the same way a comedian would at some point just have to leave it be about the airline peanuts, no matter how strongly he feels about how hard it is to open those bags.

Even around here where we have the best god damn commenters in the world (am I right outlawvern.com? I can’t HEAR you!) it’s risky to bring up STAR WARS or George Lucas in any context. But I was watching those blu-rays and I thought it might be a good challenge to try to write reviews of the star warses that I would consider worth reading. I’m not saying I’m gonna succeed, I’m saying I’m gonna try. I’m watching all of them yet again and they’re in these special editions that tie them all together so I might as well write about them from a perspective few have ever considered: as the guy now intends them. One long six chapter story watched in order from 1-6. (read the rest of this shit…)

The World, the Flesh and the Devil

Friday, March 21st, 2014

tn_worldthefleshTHE WORLD, THE FLESH AND THE DEVIL, which I never heard of until I picked up the Warner Archive dvd box abandoned sideways on top of the Post-Apocalypse section at Scarecrow Video, is an early take on the LAST MAN ON EARTH type of concept. It’s from 1959, making it the earliest one I know of, and it’s based on a book other than I Am Legend. Actually it’s apparently based on two things, The Purple Cloud, a 1901 novel by M.P. Shiel (H.G. Wells was apparently a fan!) that sounds like it has very little in common with the movie other than a last-man type concept, and a story called “End of the World” by Ferdinand Reyher (which I can’t find much information on).

Harry Belafonte plays Ralph Burton, an inspector who gets trapped alone in a collapsed mine. He’s down there a long time and goes stir crazy talking and singing to a radio that never talks back (he assumes it’s broken). Eventually he gives up on anyone rescuing him but is luckily able to dig his own way out of the rubble. (Shoulda tried that before, I guess.) (read the rest of this shit…)

Battle of the Damned

Tuesday, February 18th, 2014

tn_battleofthedamnedIn BATTLE OF THE DAMNED, Dolph Lundgren fights zombies, and I’ll give it this: it’s way better than AGAINST THE DARK, the one where Steven Seagal fights vampires. There are two main reasons for this:

1) AGAINST THE DARK is Seagal’s worst movie ever
2) BATTLE OF THE DAMNED also has robots

It’s almost the same story: group of mercenaries led by beloved action icon of the ’80s and ’90s (in this case Dolph) patrols through a quarantine zone where a plague turns everybody into violent monsters (in this case running zombies instead of vampires) while a group of bland survivors walks slowly and talks about boring shit in a large building. They kill a bunch of the monsters, splattering that CGI blood that dissolves in the air, and there is some running around and stuff. Seagal used a sword, Dolph doesn’t, but he does meet a guy named Elvis (Jen Kuo Sung of NO RETREAT, NO SURRENDER 3 and BLOODMOON) who does. And he knows the military plan to bomb the whole area to stop the virus so he bands together with the survivors he meets and they try to get out of there before it’s too late. The end. (read the rest of this shit…)

RoboCop (2014 remake)

Sunday, February 16th, 2014

tn_robocop14Many remakes, even good ones, remove or weaken the meaning or subtext of the originals. The classic example is Zack Snyder’s DAWN OF THE DEAD (by this same production company, Strike Entertainment), which is a fun action movie version of Romero’s masterpiece, but doesn’t have much time for the questions about our voluntary enslavement to consumerism and materialism. How do we keep our humanity in the face of this apocalypse? Did we have it in the first place? Who gives a shit. Zombies!

Another one is LAST HOUSE ON THE LEFT. A surprisingly good remake, in many ways more artful than the original, but with its last act tweaks and audience-pleasing ending it completely ditches the thing that makes Wes Craven’s version worth stomaching: its angry illustration of the dehumanizing effect that revenge has on those who commit it. According to the last scene of the remake fuck all that, sadistic revenge is funny and cool.

ROBOCOP 2014’s goals and tone are very different from Mr. Verhoeven’s 1987 classic, but it’s the rare remake that’s arguably even more directly political than the movie it’s based on. Most would say, and I agree, that Verhoeven’s (or really Neumeier and Miner’s) message about privatization and corporate greed is more powerful because of its hilarious bluntness. It was the sarcastic cop movie that Lee Iacoca and Ronald Reagan’s America was asking for, a movie where amoral corporate assholes run the police force for profit, turn a dead body into a cyborg cop, then unleash him to do high caliber battle with savage DEATH WISH style supercreeps and get mixed up in a feud within the company, reconnect with his old self and turn on them. (read the rest of this shit…)

RoboCop History Week: RoboCop: Prime Directives: Dark Justice

Thursday, February 13th, 2014

tn_robocoppdrobocophistoryweekIn 2001, three years after the previous ROBOCOP tv show (the cartoon ROBOCOP: ALPHA COMMANDO) and 14 years after the original movie, the Canadian company that made the LA FEMME NIKITA tv series and MUTANT X owned the tv rights to ROBOCOP and wanted to squirt something out before they expired. Instead of a traditional tv series they decided on a mini-series of four feature length, but not feature quality movies. Or prime directives, if you will.

I watched the first one, DARK JUSTICE, which has RoboCop (Page Fletcher, who I guess played the title character in the early ’90s tv series The Hitchhiker) returning to action on his tenth birthday.

(read the rest of this shit…)

Robocop History Week: Robocop Alpha Commando: “Justice Reborn Parts 1-3”

Wednesday, February 12th, 2014

tn_robocopalpharobocophistoryweek“I’m not a weapons system. I’m a man.”

In 1998, 11 years after the first ROBOCOP movie, five years after the last ROBOCOP movie, ten years after the first ROBOCOP cartoon and four years after the first live action TV series came the second ROBOCOP cartoon, ROBOCOP: ALPHA COMMANDO. This was cartoon RoboCop reimagined for a very different age of TV animation. After the success of prime time cartoons like The Simpsons and the influence of Batman: The Animated Series, most cartoons were still aimed at children, but the standards for storytelling were a little higher, and many seemed like they were no longer made with utter contempt for the little shitbags they expected to be babysat by the fuckin thing.
(read the rest of this shit…)

RoboCop History Week: RoboCop: The Series (pilot)

Tuesday, February 11th, 2014

still_robocoptv7robocophistoryweek“The Future of Law Enforcement” is the two-part pilot to the 1994 ROBOCOP live action tv series, sometimes known as ROBOCOP: THE SERIES or ROBOCOP: THE BEGINNING. Orion Pictures licensed the TV rights to a Canadian company called Skyvision (no relation to Skynet) who made one season that started airing about 4 months after ROBOCOP 3 took flight. (get it, because he can fly in part 3.) Despite that proximity it seems to ignore the events of the sequels, for example Murphy’s family doesn’t know he’s RoboCop. Sorry, ROBOCOP 3 – you just left theaters like five minutes ago, and we’ve already disavowed your sorry ass. On Canadian television, even. You blew it, ROBOCOP 3. Admit it.

The script is credited to original ROBOCOP writers Edward Neumeier and Michael Miner, and it definitely has some of their sense of humor in it. I keep reading that it’s adapted from their rejected part 2 script CORPORATE WARS. But as a movie sequel you figure they’d try to make it somehow bigger than the modestly budgeted part 1. And now they have to scale it down for a Canadian syndicated television budget. It definitely would’ve had to have a whole hell of a lot more plot, excitement and things happening to seem like a theatrical movie. (read the rest of this shit…)

The Hunger Games: Catching Fire

Monday, November 25th, 2013

tn_catchingfire(I’m trying to mark the biggest spoilers as usual, but be careful with this one if you don’t want anything given away)

You remember back when THE HUNGER GAMES came out I avoided it. I know this makes me a weirdo, but it wasn’t until Francis Lawrence signed on to direct the sequels that I got interested. The conventional wisdom was that part 1’s Gary Ross (PLEASANTVILLE, SEABISCUIT) was a classy director and this was a step down to replace him with the guy who did CONSTANTINE and I AM LEGEND. But I’m a fan of Mr. Lawrence, I see some genius behind the admittedly large flaws of those movies. As pretty good as THE HUNGER GAMES is I’m way more impressed by Lawrence’s depiction of post-human-New-York-City and Will Smith’s performance as the lonely omega-scientist. Yeah, we all know that there are some problems when the vampires turn out to be leaping computer animated beasts, but shit, they’re better than the animated dogs in HUNGER GAMES. Scarier and with more personality and meaning. Let’s not pretend either of these is flawless, but I know which one I like better.

Now Lawrence’s first HUNGER GAMES chapter has hit, and virtually ever review I’ve seen says what I predicted, that he made a better movie than the first one. See you guys, I know shit.

(read the rest of this shit…)

The Hunger Games

Monday, November 11th, 2013

tn_hungergamesOkay, I admit it. I kinda liked THE HUNGER GAMES. I was real turned off by all the pre-release hoopla, the reporting of every miniscule detail of casting and filming, for a movie from an only okay director (sorry, Pleasantvillamaniacs) based on a book written for kids and too recent for any of the reporters to have grown up on it and have a personal connection to it. It seemed pretty transparent to me that publicists had convinced everybody that this was gonna be the next TWILIGHT, and they were running scared trying to learn the lingo and the character names to show they knew all about this. Hey man I’ll suck your dick for a hit.

Okay that last sentence was harsh but I wrote it down in my notebook and it’s too late to back out now, it’s part of the historical record. I still feel that way but also I gotta admit I was wrong when I predicted nobody would like the movie that much and it would be quickly forgotten. Then they hired a director I kinda like (I AM LEGEND’s Francis Lawrence) for parts 2-3 so I figured it was time to shut up and listen to all the cool uncles of the internet and try this out. Also I was kind of into Jennifer Lawrence after SILVER LININGS PLAYBOOK. Sorry. But I watched it with an open-minded and I mostly enjoyed it. (read the rest of this shit…)