Months ago over on kungfucinema.net I read a post about the Hong Kong Film Awards nominees for best picture. They were all some sort of action movies – now there’s a country that has its cinematic priorities straight. (Plus I did some reading and found out that in 2005 the HKFAs made a list of the 100 greatest Chinese movies of all time and A BETTER TOMORROW was #2. I can get behind that.)
The only nominee I’d seen already was IP MAN 2, but there were two nominees I’d been planning to see: John Woo’s REIGN OF ASSASSINS and Tsui Hark’s DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME. Then the other two were STOOL PIGEON and GALLANTS. (read the rest of this shit…)
I forget who it was that put this on my radar a while back when it was a big deal in Norway, but they were right, this is an interesting movie. NORWEGIAN NINJA is hard to describe. You’d kind of need to see it for yourself to understand. So I’ll try to explain it enough that you might want to see it for yourself and then understand.
Arne Treholt is apparently a real historical figure in Norway, a former Norwegian Labour Party politician who was photographed with KGB agents and sentenced to 20 years in the country’s biggest espionage case ever. Thomas Cappelen Malling is the author of a popular humorous book that purported to be a ninja field manual written by that guy. Not sure how that works exactly, but sounds intriguing. Now Cappelen Malling has directed this movie which is sort of an alternate history of Norway that argues that Arne was not a spy, he was set up in a conflict between the left-leaning side of the government that he was part of and the rightwingers, called “Stay Behind,” who do anything they can to help America fight the Russians, including faking terrorist attacks to make people fear commies. (read the rest of this shit…)
TROLLHUNTER starts out exactly like any one of these post-BLAIR WITCH fakumentaries: 3 somewhat obnoxious college kids are making a documentary (about a bear poacher?) when they stumble across something scary (a troll) and shine some lights and cameras around the woods at night getting spooked by sounds and shadows. So it’s first time actors pretending to be non-actors trying to catch something on tape and we’re supposed to sit at home watching it and pretending we think it’s real so we can be scared if they “happen” to catch something scary blurred out on the camera for like 2 seconds. (read the rest of this shit…)
If a horror movie is a big hit, and it doesn’t look totally stupid, and especially if it ends up getting theatrically released sequels, I usually watch it at some point, just to give it a shot, or to understand it. For example after a while I sat down and watched all the SAW movies they had made up to that point, even though it was not something I had followed before. As a subscriber to Fangoria Magazine it is my duty. They got those “Chainsaw Awards” you can vote on every year, you want to take that shit seriously. But I always avoided JEEPERS CREEPERS. (read the rest of this shit…)
I’m not familiar with Dave Bautista’s work as a WWE Superstar™, but I thought he was cool in a supporting role in my old internet pal “Demon” Dave DeFalco’s action movie WRONG SIDE OF TOWN. So when I saw he had a starring role in this movie (which credits DeFalco as an executive producer) I was sure to check it out. And I was surprised, especially watching it immediately after TACTICAL FORCE, at its level of quality. There are some issues, for sure, but it’s a serious crime drama adapted from a novel, not some shitty excuse to bring him from wrestling scene to shootout to wrestling scene. It’s a pretty decent story, actually. (read the rest of this shit…)
Have you guys noticed that Paul Bettany looks like Peter Weller? I noticed that while watching this. Bettany plays an unnamed priest. This is a new one based on some Japanese comic book, it’s not that Miramax movie about the child molester. I don’t know if that’s a big problem in the world this takes place in, ’cause these priests probly don’t work with kids that much. See, an animated prologue (a much better one than in JONAH HEX) explains that humans have always been at war with vampires, not the Dracula kind but naked CGI monsters with no eyes that jump around on all fours. So the church created an order of “priests,” vampire hunters recognizable by the cross tattoos on their faces. (read the rest of this shit…)
Like STONE COLD or COBRA, TACTICAL FORCE begins with our cop heroes using excessive force to stop an armed robbery at a grocery store. Unlike those movies it has no style and feels amateurish. I was already losing hope even before Steve Austin and Michael Jai White drove up in a SWAT truck together and didn’t look cool. That’s two of my favorite guys right now, I never expected to see them do a movie together, and you give them an entrance like this? I’m sorry, I know you need to protect the head, but Michael Jai looks goofy wearing that big ass helmet. Let him be fake for a second so he can start the movie looking cool. (read the rest of this shit…)
Donnie Yen is THE LOST BLADESMAN. Not THE LAST BLADESMAN, that would be different. That would be a white guy. No, he’s the Lost Bladesman, and not lost in the sense of “oh shit, where the fuck am I? I could’ve sworn this trail went back to the river. Am I going in circles now?” but more, I think, in the sense of “I have lost track of my purpose in this world.”
See, he’s General Guan of the Three Kingdoms Era. I had to go back and check my handy RED CLIFF chart to remember, but Guan was one of the two generals working under Lui Bei to stand on the cliff and face the much larger army and navy of Cao Cao. He’s not the human battering ram with the eyebrows, he’s the other one. (read the rest of this shit…)
BLITZ went straight to video here in the States, so I kinda expected a lesser Jason Statham action effort like CHAOS. Turns out it’s not an action movie really, it’s a gritty police drama adapted from a book by Ken Bruen. I’m not familiar with Bruen’s works. Turns out I have a copy of this book Bust that he co-wrote and Hardcase Crime put it out, but I haven’t read it yet. But I got a buddy that swears by Bruen. I guess Statham’s character Brant and some of the others are in 7 different books by him. This is book 4. (read the rest of this shit…)
Well I’ll be the rise of a monkey’s uncle – this movie actually is good! I’d heard all good things, but after seeing the trailers and TV ads it was hard to get my hopes up. Boiled down to basics and money shots it’s just some dumb bullshit: James Franco making speeches about a miracle cure, quick shots of every scene where a CGI ape jumps into the air, dramatic trailer music squeals and buzzes. I didn’t even think the much hyped special effects by Weta looked that good. Instead of the people in makeup as evolved apes from the original masterpiece they gotta have Andy Serkis or Tom Hanks or somebody controlling a computer animated chimp with humanized eyes and expressions. They show a baby chimp, it’s digital. Do they not know there are chimps? They think they can’t film a real one ’cause it’s a made up creature like a Smurf or an Avatar? I wasn’t buying it. (read the rest of this shit…)
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grimgrinningchris on Dangerous Animals: “I just saw this last night finally… and fucking LOVED it. The one CGI shark shot was almost adorably goofy…” Aug 20, 13:00
Alex R on A Time to Kill: “I think “Now imagine she’s white” doesn’t work for a different reason: The jury would be able to pick up…” Aug 20, 05:06
Hammer Time on A Time to Kill: “Acid burn, haha, yes. “Your honor, now that it is closing arguments, permission to spout wild nonsense to the jury?”…” Aug 19, 20:33
Acid Burn on Faces of Death (2026): “Gracias for the un-paywalled version; my non-subscribing ass didn’t run into any trouble rereading it, but I do find The…” Aug 19, 15:29
Acid Burn on A Time to Kill: “Thank you, Utah and Time. It sounded like a pretty absurd claim to me, so I appreciate confirmation that the…” Aug 19, 15:21
Hammer Time on A Time to Kill: “Thanks, Johnny Utah, you beat me to it. It is absolutely not true that “During opening/closing arguments the lawyer can…” Aug 19, 08:24
Johnny Utah on A Time to Kill: “No, Acid Burn, you are correct, “you can say anything” drastically oversimplifies it. You’re actually very limited during the opening…” Aug 19, 06:50
CJ Holden on Joe’s Apartment: “A few years ago I got a book about the history of German music television* for christmas. The first half…” Aug 19, 01:00
so-and-so on Joe’s Apartment: “i remembered this being a 1996 release but had forgotten it came out late july. in hindsight it’s amusing to…” Aug 18, 23:06
so-and-so on Faces of Death (2026): “thank you for linking that; here’s an un-paywalled version. the filmmakers surely read this beforehand as many of the anecdotes…” Aug 18, 19:00
Acid Burn on A Time to Kill: “Wait, I could use some clarity on the “you can say anything you want in opening and closing arguments” thing.…” Aug 18, 17:40
Acid Burn on Faces of Death (2026): “There’s a pretty harrowing story on content moderators and how the job more or less destroys them over time: https://www.theverge.com/2019/2/25/18229714/cognizant-facebook-content-moderator-interviews-trauma-working-conditions-arizona” Aug 18, 17:28
M B on The Odyssey (2026): ““a weird Ludwig Göransson (THE TOWN THAT DREADED SUNDOWN) score. This guy ALWAYS does his homework. The score was generally…” Aug 18, 17:01