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Archive for the ‘Reviews’ Category

Masters of the Universe

Friday, March 8th, 2013

tn_mastersoftheuniverseMASTERS OF THE UNIVERSE is a Golan and Globus production starring Dolph Lundgren, but it’s a little more mainstream than that implies because it’s for the children, it’s based on action figures and on a cartoon based on action figures. I was looking for that same authorial voice and unique perspective we saw represented in the TRANSFORMERSes and GI JOE, but it turns out that’s Hasbro, this one is based on the works of Mattel. That’s like mixing up H.P. Lovecraft and Edgar Allan Poe. I feel like an idiot.

I guess Cannon was trying to make their version of a STAR WARS type fantasy sci-fi-deal. You can tell that when a character says “You got us here, you Thumerian wurbat, now get us home,” but it was already clear from the opening credits over a starfield and the STAR WARSy themes by Bill Conti. Then the credits explode into a shower of sparks. How could this not be exciting? (read the rest of this shit…)

John Dies At the End

Wednesday, March 6th, 2013

tn_johndiesDon Coscarelli is really underappreciated. Including by me. Everything he’s done is good, right? I haven’t seen his first two, but one (JIM, THE WORLD’S GREATEST) is not on video and the other (KENNY & COMPANY) I’ve heard nothing but good things about. All four PHANTASM movies are pretty great. I like THE BEASTMASTER. I like SURVIVAL QUEST. But he’s a low budget independent guy who wants to do his own thing, so he takes a while. It’s been 10 years since his last movie, the one-of-a-kind BUBBA HO-TEP. It’s been 7 years just since his last TV work, INCIDENT ON AND OFF A MOUNTAIN ROAD, easily the best Masters of Horror episode I’ve seen.

So he’ll be out of sight for years and then he’ll travel through the portal of time to bring us one of these distinctive sort of fringe horror-ish movies. This time he brought us JOHN DIES AT THE END, probly the closest thing he’s done to an actual comedy. You could compare it to something like JACK BROOKS: MONSTER SLAYER or maybe CABIN IN THE WOODS or TUCKER AND DALE VS. EVIL, but still with enough weird, non-jokey horror in its guts to keep me satisfied. It arguably leans a little bit more to the left on the horror-to-comedy spectrum than those ones, but not by a huge amount. (read the rest of this shit…)

Special Forces (2011)

Monday, March 4th, 2013

tn_specialforcesI rented SPECIAL FORCES, which is American for FORCES SPECIALES, thinking it was an American DTV movie. It stars Djimon Hounsou (NEVER BACK DOWN). I thought after ELEPHANT WHITE he was just doing shit like this. It turns out to be a French movie from 2011, and therefore the second movie about French special forces that I’ve seen recently.

Diane Kruger plays a journalist in Afghanistan to interview a woman about how badly she’s been treated by the Taliban. But the Taliban doesn’t like this so they execute the woman, kidnap the journalist and bring her to Pakistan. The French send in a special forces team who rescue her, but the extraction plan doesn’t work out so most of the movie is them journeying on foot to try to get her safely across the border.
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The Assault

Monday, March 4th, 2013

tn_assaultTHE ASSAULT (which is American for L’ASSAUT) is almost like a French remake of DELTA FORCE. It’s based on the true story of a hijacking of a French airliner in Algeria. Four Muslim extremists posing as passport inspectors take control of the plane on the runway. They demand the release of two captured mujahadeen, and they try to fly the plane to Paris. But it takes them half the movie just to get the stairs detached from the plane, and then they find out they only have enough fuel to get to Marseille. (read the rest of this shit…)

30 Miles

Monday, March 4th, 2013

tn_30milesI never heard of this movie before and didn’t really have a reason to watch it except that a weird dude I know through work insisted on loaning it to me. In a situation like that you never know. It could be the one.

It’s a good setup for a no-budget movie. There are only three actors in the whole thing and one of them has a bit part as a tow truck driver. It’s the story of a down-on-his-luck white dude named Ernie (Rusty Gray) whose car breaks down on a desert road one day. After hours of trying to wave someone down he’s finally picked up by a wealthy black man named Anthony (Lawrence Hilton-Jacobs). Anthony’s on his way to Vegas for a wedding (could this be a sidequel to THE HANGOVER?), but he believes in a paying-it-forward type of philosophy so after initially passing Ernie he turns around and tries to help.
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Ip Man: The Legend is Born

Thursday, February 28th, 2013

tn_legendisbornipmanTHE LEGEND IS BORN: IP MAN isn’t related to the Donny Yen movies IP MAN and IP MAN 2. I mean obviously they’re all based on the same Wing Chun master famous for teaching Bruce Lee, but this isn’t the official prequel to those ones, because it doesn’t have the same director or producers or anything. It’s like if right now somebody who’s not Spielberg made their own prequel to LINCOLN.

Well, I’ll try to be open-minded if they do that, because when I finally got around to this LEGEND IS BORN one I was pleasantly surprised. It’s a very effective martial arts melodrama with alot of the classic themes: brotherhood, loyalty, betrayal, finding a master, challenging tradition, falling in love. As kids Ip Man and his adopted brother Tin Chi go to live and study with the Wing Chun master Chan Wah Shun (Sammo Hung) and become friends with a girl student named Mei Wai. The three grow up to be very close, in fact an incomplete love triangle (Tin Chi loves Mei Wai, Mei Wai loves Ip Man, Ip Man doesn’t notice). (read the rest of this shit…)

Sushi Girl

Tuesday, February 26th, 2013

tn_sushigirlI know they say you can’t judge a book by its cover, but a movie is not a book and a cover is not always the same art as a poster so I sometimes feel okay writing off a movie because of its poster. And these days when a movie has kind of a quasi-retro poster with a sort-of-old-school-ish illustration and attempted ’70s font, I assume it’s just some bullshit by somebody who liked GRINDHOUSE like I did and thinks if they know about old movies they can make a movie like that even if they don’t have the chops. But some of you said I had to watch SUSHI GIRL, so I gave it a shot. I forgive you.
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Paycheck

Sunday, February 24th, 2013

tn_paycheckwoozone?Remember when John Woo did a science fictional movie a while back that everybody said was shitty? This was after we’d all kind of given up on him, so I never saw it. Until now.

Ben Affleck, the director of ARGO, stars as Michael Jennings, an amoral engineering genius of a futurist Seattle, some time after the near-future one in STEALTH. (In the future the borders of Seattle will be stretched so far that they will include Vancouver, BC, which is all we see in this movie other than one helicopter shot over Seattle Center). His introduction is funny because he gets to do a John Woo slo-mo strut toward the camera wearing shades (it’s important to the plot that he’s finicky about sunglasses) and, uh, holding a computer monitor under his arm.

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Limitless

Saturday, February 23rd, 2013

tn_limitlessIn the beginning of LIMITLESS, Bradley Cooper is actually pretty limited. He somehow has a contract to write a sci-fi novel, but it’s overdue and he hasn’t even started. He doesn’t seem to know how to clean his apartment or brush his hair. His ex-girlfriend (Abbey Cornish from SUCKER PUNCH) is still supporting him, but bristles at his attempts to rekindle their love. He also has an ex-wife who won’t even talk to him. At least he doesn’t have the drug problems he had back when he lost her.

Then he runs into his ex-brother-in-law/dealer on the street, reluctantly goes for a drink with him and ends up leaving with one free sample of a pill this guy claims has been approved by the FDA and will go on the market soon for $850 a pop. Supposedly we only use 20% of our brains and this unlocks our access to the rest. I’ve read that that we-only-use-part-of-our-brain thing is an urban legend, but maybe this guy just doesn’t understand how the pill works. However they do it, they unlimit you. (read the rest of this shit…)

Bait (2000)

Friday, February 22nd, 2013

tn_baitWhen BAIT came out in 2000 I had no interest. That continued for 12 years. Then one night, in a dream, I was thinking that because of my love for Jamie Foxx’s performance in DJANGO UNCHAINED I was gonna rent his closest thing to an action vehicle. When I woke up I thought, “Yeah, actually I do want to rent BAIT.” So I did. You see, I don’t have a hundred updates a day for you guys, but I’m always working, even when I’m not conscious.

Foxx plays Alvin, a petty thief who gets busted trying to steal a bunch of prawns, and winds up in a cell with a guy (Robert Pastorelli) who recently betrayed his partner (Doug Hutchison) in a gold heist, and also is dying of a heart condition and gives Alvin a message for his wife which is a hint about the location of the hidden gold. The betrayed partner is a psychotic computer genius, and the Treasury Department wants him real bad ’cause he 1) killed two security guards and 2) broke a type of encryption that’s used to protect weapons, therefore posing a threat to national security. Or at least that’s their pitch when they ask for the money for a super-high-tech tracking device/bug that they implant in Alvin’s jaw without his knowledge before they get him released so they can surveil him until the psycho comes after him to get his gold back. (And no, the psycho is not a leprechaun. Maybe a metaphorical leprechaun, I haven’t really considered that yet. I’ll have to think on that a bit.)
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