warning: I wanted to get this up in a timely manner so I have to throw it on here without re-reading it. Sorry.
Today is the 4th of July, where we in the United States celebrate our independence day. Partly the movie but mostly the historic event. There are flags and barbecues and shit, and fireworks. It’s not as involved as Christmas, but it’s a thing.
I am a fan of the holiday horror movies, so I’m happy that director William Lustig and writer Larry Cohen made this one for Independence Day back in 1996. Lustig was way past his prime and the movie kinda sucks, but I still like that it exists.
This was of course the same team that made MANIAC COP, and this is basically MANIAC SOLDIER. The maniac is Sam Harper (David ‘Shark’ Fralick), killed in a friendly fire incident during Desert Storm, not found until 3 years later. His burnt corpse is shipped back and sits in a flag-draped coffin at his widow’s house for the memorial service. But when his idolizing nephew Jody (Christopher Ogden) puts his box of medals inside the coffin for some reason that turns him into a vengeful zombie just in time for the town’s 4th of July celebration. (Also he pins the medals into his burnt flesh.) (read the rest of this shit…)
Last week I decided I wanted to see MAN OF STEEL a second time. (Don’t worry, I saw FURIOUS 6 twice too, so this is not a sign of disrespect toward its reign as Best Summer Movie 2013.) I already liked MAN OF STEEL but the second viewing raised my opinion of it. Going in already knowing what it was, all my minor quibbles faded away and I was able to focus on what I loved about it. It wasn’t one of those movies where looking at it again brings out all kinds of flaws you never noticed before. I mean, a few odd things came to mind:
* I wonder if they ever had a meeting specifically about the decision to have chest hair poking out of the neck of the supersuit. That looked a little odd but I can see how they were trying to remind us how manly he is. Not just super. (read the rest of this shit…)
SIDE EFFECTS is supposed to be Steven Soderbergh’s last theatrical release before handing in his camera and his DGA card, not counting BEHIND THE CANDELABRA, which went straight to cable in the U.S. I haven’t seen that one yet but thank Christ it came out already because I was real worried about him there, ’cause you know what tends to happen to guys right before retirement. Congratulations to him on making it out. I hope they gave him a gold watch. (read the rest of this shit…)
You know me, I can enjoy a good DIE HARD type movie. Or a bad one. I like SUDDEN DEATH. I love the UNDER SIEGES, of course. And 3 of the 4 official DIE HARD sequels. But this year is trying to knock me off the wagon. We’ve had three mediocre to bad DIE HARD type movies so far and while A GOOD DAY TO DIE HARD was obviously the one that was soul-crushingly disappointing, this is the one that I found most boring. I mean, I’m not gonna pretend Roland Emmerich is known for movies that are worth your time to actually watch, because that would be a bold faced lie. But I figured with this good of a cast and a classic template to follow he could make an enjoyably stupid movie. He mostly just got the second part. (read the rest of this shit…)
KICKBOXER 3 is one of the movies I watched for the Super-Kumite but had to turn it into an exhibition match due to its lack of tournament. This is a pretty enjoyable one though with a weird mix of sports movie and violent shootout movie. Also it deals with sex trafficking just like the last movie I reviewed. (Don’t worry – it’s against it.)
If you trust me to say “Go watch this intense crime drama, I thought it was excellent” without needing me to tell you anything else about it, then go do that. I’m awarding EDEN my controversial The Best Thing I’ve Seen Lately medal to encourage you. It came out on the DVD last week under the title ABDUCTION OF EDEN, but the title on screen and when it was playing film festivals was just EDEN. (I hear they had to change the cover and name for Redbox – artistic decisions now determined by vending machines. Today’s cinematic art must have the same wide appeal as Doritos or Chips Ahoy.)
Because of the new title we know there’s an abduction of some kind, and the movie opens with a girl crying, tied up in the trunk of a car (as crappily photoshopped on the generic DTV-looking cover). If you insist on knowing more than that then read on. (read the rest of this shit…)
In SNITCH, Benjamin Bratt (CATWOMAN) plays El Topo, a notorious ex-military badass who leads a Mexican drug cartel. He’s elusive to the authorities, preferring to stay back in a car and watch his underlings from afar, but when the shit goes down he’s the first to pull out a huge gun that looks like it should be mounted to a jeep. He’s very dangerous, especially to the naive Americans who he convinces to drive his drugs across the border. What they don’t understand is they don’t need to be working on a playlist for the drive back.
The obvious question: is this supposed to be a loose remake of EL TOPO, or a sequel, or what? I gotta go with prequel. At the end of EL TOPO El Topo (originally played by Alejandro Jodorowsky) had achieved enlightenment, gone underground and become a Saint. It just doesn’t follow that he would then become a cartel leader. Instead, SNITCH shows how the El Topo we first met riding through the desert with his young son came from a troubled background. It gives him all the more darkness to be redeemed from, retroactively adding more depth to Jodorowsky’s film. (read the rest of this shit…)
NINJA III is one of the only movies to really explore how much ninjas like yogurt
One of our nation’s perennial VHS favorites, NINJA III: THE DOMINATION, has recently made the transition to digital and high definition disc type formats courtesy of the heroes at Shout Factory. Check out my review of the new blu-ray over on Daily Grindhouse. If you also want to read a review I wrote of the movie a couple years ago then you can click here.
I’m kinda late on writing this one up, not sure if it’s even playing anywhere anymore, but what are you gonna do.
THE GREAT GATSBY is the story of this rich guy that’s in love with a gal that’s already married. It turns out he only got rich to try to impress her ’cause when he first fell in love with her 5 years ago she found out he was, as he says, penniless, and married this other asshole, etc. Leonardo DiCaprio (THE QUICK AND THE DEAD) plays the rich guy, Gatsby, Carey Mulligan (DRIVE) plays his love interest Daisy Buchanan, and Joel Edgerton (ANIMAL KINGDOM) plays her husband Tommy. But the main character is actually Tobey Maguire as whatsisdick, Daisy’s weiner of a cousin. (read the rest of this shit…)
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Skani on Sinners: “Yes, that was fun, if a little tonally jarring. SPOILERS, like, damn, he’s the twin who gets to live go…” Jul 9, 19:47
Joseph Moffa on Freaky Deaky: “The movie totally lacks the tone of the novel. No El.ore Leonard feel. Too cutesy and very bad acting. Not…” Jul 9, 13:25
Mr. Majestyk on Sinners: “Oh, and I liked the coda, but how am I not gonna like a scene with a girl who looks…” Jul 9, 06:05
Mr. Majestyk on Sinners: “I didn’t hate it or anything. I liked all the stuff you mentioned. The world of the movie, the characters,…” Jul 9, 05:59
Franchise Fred on 28 Years Later: “28 FORTNIGHTS LATER. These are British after all.” Jul 8, 19:15
Skani on Sinners: “I think I liked it a little better than you, but I’m tracking you directionally as far as which parts…” Jul 8, 18:50
Stu on 28 Years Later: “28 HOURS LATER, showing the early days of the virus where nobody knew wtf was going on and had to…” Jul 8, 14:27
CJ Holden on 28 Years Later: “I call it now. The last of the trilogy will be 28 MONTHS LATER and show how the rest of…” Jul 8, 00:36
Franchise Fred on 28 Years Later: “It’s kind of a bummer they’re doing a whole trilogy and ditching the time progression, but I guess 28 Decades…” Jul 7, 23:08
Mr. Majestyk on Sinners: “This one had me for the first 40 minutes or so…until the first big musical sequence with the funk guitarist.…” Jul 7, 21:05
Glaive Robber on 28 Years Later: “Y’know, when I saw this I felt like there was so much to talk about regarding this movie… and then…” Jul 7, 19:40
Glaive Robber on M3gan 2.0: “It’s funny that the trailers played M3gan up as some sort of queer icon, but in the second movie proper,…” Jul 7, 19:21
jojo on 28 Years Later: “So it was funny to read that this recording of a Rudyard Kipling poem is so known to be irritating…” Jul 7, 18:02
Skani on 28 Years Later: “Haven’t seen this one yet, as that trailer with that repetitive vocal interpolation seriously pissed me off and turned me…” Jul 7, 16:28
Jerome on The X-Files: “Yeah, I just saw that. Bummer. But for whatever reason I needed Wiki to tell me he was the X-Files…” Jul 7, 16:03
warning: I wanted to get this up in a timely manner so I have to throw it on here without re-reading it. Sorry.
(spoilers, of course)
SIDE EFFECTS is supposed to be Steven Soderbergh’s last theatrical release before handing in his camera and his DGA card, not counting BEHIND THE CANDELABRA, which went straight to cable in the U.S. I haven’t seen that one yet but thank Christ it came out already because I was real worried about him there, ’cause you know what tends to happen to guys right before retirement. Congratulations to him on making it out. I hope they gave him a gold watch.
KICKBOXER 3 is one of the movies I watched for the Super-Kumite but had to turn it into an exhibition match due to its lack of tournament. This is a pretty enjoyable one though with a weird mix of sports movie and violent shootout movie. Also it deals with sex trafficking just like the last movie I reviewed. (Don’t worry – it’s against it.)
If you trust me to say “Go watch this intense crime drama, I thought it was excellent” without needing me to tell you anything else about it, then go do that. I’m awarding EDEN my controversial The Best Thing I’ve Seen Lately medal to encourage you. It came out on the DVD last week under the title ABDUCTION OF EDEN, but the title on screen and when it was playing film festivals was just EDEN. (I hear they had to change the cover and name for Redbox – artistic decisions now determined by vending machines. Today’s cinematic art must have the same wide appeal as Doritos or Chips Ahoy.)
In SNITCH, Benjamin Bratt (CATWOMAN) plays El Topo, a notorious ex-military badass who leads a Mexican drug cartel. He’s elusive to the authorities, preferring to stay back in a car and watch his underlings from afar, but when the shit goes down he’s the first to pull out a huge gun that looks like it should be mounted to a jeep. He’s very dangerous, especially to the naive Americans who he convinces to drive his drugs across the border. What they don’t understand is they don’t need to be working on a playlist for the drive back.
I’m kinda late on writing this one up, not sure if it’s even playing anywhere anymore, but what are you gonna do.
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. 
