Archive for the ‘Horror’ Category
Thursday, October 29th, 2020
Earlier in this year’s too brief Slasher Search, I reviewed OPEN HOUSE, and I wrote about the interesting career of its director, Jag Mundhra. And I saw that he directed HACK-O-LANTERN, which I had considered watching for many years, but I felt like it no longer qualified for Slasher Search, because it has a fancy remastered Blu-Ray release with extras and everything. And then Joe Bob Briggs played it on Shudder, so it became more notable, but was clearly not something that required searching.
Never fear. I’ve managed to find a substitute double feature, another director who did two obscure late ’80s horror movies. The first is on DVD (but an old and crappy one), the second only on VHS.
The director’s name is Allen Plone, and his first film was NIGHT SCREAMS (1987). It’s fairly serious and straight forward, very often laughable, but strange and vaguely competent enough to be entertaining. And filmed and set in Wichita, Kansas, giving it its own regional flavor. Pretty much the kind of thing I’m looking for here. (read the rest of this shit…)
Tags: Gaston Leroux, Herbert L. Strock, Janette Caldwell, John Holmes, Joshua Sussman, Kansas, Michael Linn, Mitch Brian, Ron Thomas, Russell Curry, Seka, Tom Dempsey
Posted in Horror, Reviews | 4 Comments »
Wednesday, October 28th, 2020
THE MAN NEXT DOOR is a 1997 film that only came out on VHS. The cover has a big skull, a scary house and a very dated font choice. It’s written and directed by Rod C. Spence, known for his raw suspense. Or perhaps he’s known for editing 2000s reality TV shows like Survivor, The Apprentice, American Chopper and Jersey Shore, which he did for a while after this (and his websight says he writes screenplays and novels).
It was released as part of First Rites, which was an imprint from Hollywood Video (the biggest American video store chain besides Blockbuster) for low budget independent movies from new directors. Showcasing new voices or whatever. It fascinates me because it doesn’t seem to me like they would earn any more money from having THE MAN NEXT DOOR available than just having more copies of CON AIR or whatever. With some research I learned that it was someone else’s deal that partnered with Hollywood in the U.S. and Rogers in Canada, but still, there must’ve been someone within the shitty corporate structure of Hollywood Video that really believed in this mission and convinced someone to get behind it. That’s pretty cool. (read the rest of this shit…)
Tags: David Huddleston, First Rites, Rod C. Spence, Slasher Search, Virginia Mayo, Zero External Reviews on IMDb
Posted in Reviews, Horror | 4 Comments »
Tuesday, October 27th, 2020
I don’t have a car and there’s not a drive-in near me, but I think it’s great that the drive-in movie experience is making a comeback in response to the pandemic. Nature finds a way. In honor of this great revival I offer you a drive-in double feature: two horror movies about a car. In fact, about the car.
THE CAR (1977) is directed by Elliot Silverstein (CAT BALLOU) and written by Dennis Shryack & Michael Butler (THE GAUNTLET, CODE OF SILENCE, PALE RIDER) and Lane Slate (DEADLY GAME) and it’s a killer car movie before CHRISTINE. Its faceless villain is a cool looking matte black 1971 Lincoln Continental Mark III customized by George Barris, designer of the Munster Koach, Knight Rider and maybe the Batmobile (rival Wikipedia editors seem to have added conflicting information on that). Anyway it kinda looks like a hearse and has a big, distinctive grill. I could see the Tall Man from PHANTASM cruising around in this thing.
(read the rest of this shit…)
Tags: Anton Lavey, cyberpunk, Dennis Shryack, Doris Dowling, Elizabeth Thompson, Elliot Silverstein, G.J. Echternkamp, Grant Bowler, James Brolin, Kathleen Lloyd, Kathleen Munroe, Keith-Lee Castle, killer car, Lane Slate, Leonard Rosenman, Martin Hancock, Michael Butler, Nina Bergman, R.G. Armstrong, Ronny Cox
Posted in Horror, Reviews, Science Fiction and Space Shit | 11 Comments »
Monday, October 26th, 2020
As we’re all aware, this has been a hell of a year for the box office, with hits like BAD BOYS FOR LIFE, 1917, SONIC THE HEDGEHOG and other movies released last year or in January or February. And in early June, Forbes reported a notable box office achievement: THE WRETCHED, a low budget horror movie released by IFC, was the first film since AVATAR to top the box office for six consecutive weeks. A smash!
There are a few caveats to that. Number one, one could argue that other movies would’ve dominated the summer box office had there not been a pandemic that cancelled most studio releases and closed down all but drive-in theaters. (But you can never prove it!) Number two, Deadline reported in a dickish, parade-pissing article (even using the term “fake news” for maximum assholeishness) that TROLLS WORLD TOUR and left over studio movies THE INVISIBLE MAN and THE HUNT actually made more than THE WRETCHED during that period but didn’t report their box office numbers. The article is too busy trying to prove that Box Office Mojo is wrong to explain why, but I assume the studios were panicking about the public knowing how much money they were losing. Chaos reigns.
I don’t know, but the point is I only know of THE WRETCHED because it was (at least briefly) the answer to that trivia question. I thought that was cool. Hooray for drive-ins, and hooray for the dumb stupid luck of this random horror movie that happened to be coming out at that time.
But it’s been on disc for a while (and it’s on Hulu) and now that I watched it I’m happy to find that it deserves the attention. (read the rest of this shit…)
Tags: Azie Tesfai, Blane Cockarell, Jamison Jones, John-Paul Howard, Piper Curda, The Pierce Brothers, Zarah Mahler
Posted in Horror, Reviews | 2 Comments »
Friday, October 23rd, 2020
This is a rare event for me, to watch a prequel to a movie I haven’t seen and don’t plan to see. The original OUIJA from 2014 was a PG-13 horror movie co-produced by ghost-merchants Blumhouse and remakers Platinum Dunes, “based on Ouija by Hasbro.” It’s the same writers as KNOWING, which could be a plus, but I didn’t know that until just now. So it didn’t seem like a movie for me, and nobody told me otherwise.
But two years later I remember seeing the trailer for the prequel before some other horror movie and talking with my friend about it actually looking good. It’s a period piece set in 1967, with a real nice look to it courtesy of cinematographer Michael Fimognari (FAST COLOR) and this time it’s directed by Mike Flanagan – I’m not sure if I’d seen anything by him yet, but I’d heard good things about OCULUS. And since then I’ve seen ABSENTIA, HUSH and GERALD’S GAME – all quite good – and the 2018 made-for-Netflix series The Haunting of Hill House convinced me that he is a legit Master of Horror for our age, even before he knocked my socks off with DOCTOR SLEEP. So it’s cool to go back and catch up on this one and realize how much of a rough draft it was for Hill House (even more than ABSENTIA). It’s got the scary old house (smaller and suburban, though), the psychic gift passed through generations, the themes of trauma and loss, the period detail, and of course the freaky ass Mike Flanagan ghosts. (Flanaghosts?) (read the rest of this shit…)
Tags: Annalise Basso, Blumhouse, Elizabeth Reaser, ghosts, Hasbro, Henry Thomas, Kate Siegel, Lulu Wilson, Mike Flanagan, Ouija board, Platinum Dunes, prequels
Posted in Horror, Reviews | 3 Comments »
Thursday, October 22nd, 2020
Well! Heh, heh! Hello there boys, ghouls and non-DIE-naries. It’s me again, your voluble villain of vivacious vicarious violence, Vern! I don’t tend to review the anthologies nearly as much as other types of horror, but this year two of the SCREAM-ing services have new ones that seemed promising. So I’ve prepared for you an anthology of anthologies, a little two-headed review I call THE PAIR-ER OF TERROR!
Hulu’s BOOKS OF BLOOD and Shudder’s THE MORTUARY COLLECTION both find fresh ways to deal with the horror host/wraparound story tradition. THE MORTUARY COLLECTION is formatted as stories told by creepy old mortician Montgomery Dark (Clancy Brown, PET SEMATARY II) – he looks like The Tall Man from PHANTASM – to Sam (Caitlin Custer, Teen Wolf), a young woman he’s interviewing for a job. I like that some of the stories had me thinking, “Well, that’s a pretty simplistic moralistic kind of ironic ending” and then Sam would point out as much, to Montgomery’s increasing frustration. And then the last and best segment is a story about Sam, ending with a great twist that leads into the wraparound finale, which really works as the climax of the movie and not just a wrap up.
BOOKS OF BLOOD sort of does the whole thing in reverse – instead of establishing up front what the stories are (comic books, campfire tales, etc.) they unfold and explain at the end what they’re all about, like an origin story. If you’re familiar with Clive Barker’s short story collections of the same name you know what that means (SPOILER: they’re the stories of the dead whose names are carved into a guy’s flesh.)
(read the rest of this shit…)
Tags: Andy McQueen, Anna Friel, anthologies, Barak Hardley, Brannon Braga, Britt Robertson, Caitlin Custer, Clancy Brown, Clive Barker, Freda Foh Shen, Jacob Elordi, Nicholas Campbell, Paige Turco, Rafi Gavron, Ryan Spindell, Sarah Hay, Tom Woodruff Jr., Yul Vazquez
Posted in Horror, Reviews | 15 Comments »
Wednesday, October 21st, 2020
I had heard some not very good things about THE BABYSITTER, so I was surprised when I, a person who’s generally pretty picky about horror comedies, liked it more than my friends. And then as soon as I said that everybody told me “I liked the first one, but the sequel is terrible.”
And it’s true – the tight construction and sincere sweetness that I found so appealing in THE BABYSITTER are not as present in the sequel. It’s more scattershot, maybe in part because rather than the one original writer Brian Duffield they have a team of Dan Lagana (Zach Stone Is Gonna Be Famous) and Brad Morris & Jimmy Warden (co-producer of the first one) and McG. But it doesn’t feel crazy enough to say it’s McG going Full Throttle again. For the most part it stays true to the spirit of the first one, but the circumstances of sequelization corner it into being more far-fetched and having to stretch it more to keep the story going and bring back certain characters and stuff.
Luckily it’s also funny and gory enough to be a pretty good time. The returns are diminishing, but I’ll take ‘em. (read the rest of this shit…)
Tags: Bella Thorne, Chris Wylde, Emily Alyn Lind, Jenna Ortega, Judah Lewis, Ken Marino, Maximilian Acevedo, McG, Netflix, Samara Weaving
Posted in Comedy/Laffs, Horror, Reviews | 12 Comments »
Monday, October 19th, 2020
It’s common during These Uncertain Times to say that time is moving slowly. I generally agree. But as a counterpoint, I sincerely thought McG’s straight-to-Netflix horror comedy THE BABYSITTER came out recently, and that I would get to it eventually. Turns out it’s been three years since it came out and there’s already a sequel where the main characters have grown like a foot taller. So eventually has arrived.
Despite McG’s checkered past directing Korn and Smash Mouth videos, I’ve always had a soft spot for him. I enjoyed his silly, joyful, aggressively style-over-substance CHARLIE’S ANGELS movies. In the Ain’t It Cool Days I didn’t understand why people hated him so much, bizarrely taking offense to his name. What the fuck does it matter to you? You think it’s unprofessional? What are you, a dad telling his kid to tuck his shirt in for a job interview? Get over yourself.
I was really rooting for him to pull off TERMINATOR SALVATION, but I concede that he didn’t (even if I like more things about it than most people). I kind of stopped paying attention to him after that, although about five years later he did 3 DAYS TO KILL with Kevin Costner, which I seem to be about the only fan of. (read the rest of this shit…)
Tags: Andrew Bachelor, Bella Thorne, Billy Jack, Billy Jack homage, Brian Duffield, Doug Haley, Emily Alyn Lind, Hana Mae Lee, Judah Lewis, Ken Marino, Leslie Bibb, McG, Miles J. Harvey, Netflix, Robbie Amell, Samara Weaving, Shane Hurlbut
Posted in Comedy/Laffs, Horror, Reviews | 29 Comments »
Wednesday, October 14th, 2020
Now that I’ve finally caught up with the greatness of THE HIDDEN, it was also important to experience the let down of its six-years-later DTV sequel. None of the same people are involved, except in re-used footage, and it’s cheap and crappy. It does at least give me a little bit of a laugh from its audacious short cuts and the extremely dated choice to set a large portion of it at a rave.
Let me tell you about those shortcuts. The movie starts with 2 minutes of credits over black. Then it says it’s 15 years ago, and there are about 2 minutes of green text representing Kyle MacLachlan’s alien character sending messages back home, asking for backup. Then it goes into the end of the first movie, but not even just the climactic showdown like they do in, for example, some of the FRIDAY THE 13TH sequels. No, you get a whole shootout, then the climax, then the epilogue in the hospital. They add some new stuff in the middle to show a dog pick up a weird egg at the death scene, get implanted by an alien and then go to a warehouse, where slimy eggs crawl out of him. But it’s more than 15 minutes into the movie when it finally gets to the end of part 1 and says “15 years later.” I’m surprised they didn’t include the full end credits. (read the rest of this shit…)
Tags: body jumping, DTV sequels, Kate Hodge, Michael Welden, Raphael Sbarge
Posted in Horror, Reviews, Science Fiction and Space Shit | 12 Comments »
Tuesday, October 13th, 2020
Many of you have been trying to tell me this for years, and it has finally gotten through to me: THE HIDDEN is incredible. It’s kind of a sci-fi/horror/action hybrid, and it hits hard on all counts. Makes sense that it’s director Jack Sholder’s bridge between the horror of A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE and the action of RENEGADES, but I’d argue it’s more cinematic than either of those. It opens with a thrilling, Friedkin-esque car chase after a buttoned-up looking guy in wire rimmed glasses (Chris Mulkey, FIRST BLOOD, BROKEN ARROW, BARE KNUCKLES, THE PURGE, THE STANDOFF AT SPARROW CREEK) shoots up a bank. He stays very calm, sometimes mildly amused as he tears through L.A. in a Ferrari, occasionally running over people (including a guy in a wheelchair), blaring a heavy metal tape, sometimes bopping his head a little. Police absolutely riddle him with bullets and destroy his car at a road block – he steps out and laughs before getting blown up. Even that doesn’t kill him.
It does put him in the hospital, where a doctor is offended by how the detectives talk about this seriously injured patient. It probly makes more sense to him after Detective Willis (Ed O’Ross, LETHAL WEAPON, FULL METAL JACKET, ACTION JACKSON, RED HEAT) spews a monologue about all the murders, injuries and robberies the guy is responsible for, ending with, “Six of the ones he killed he carved up with a butcher knife. Two of them were kids. He did all that in two weeks. If anybody deserves to go that way it sure to hell was him.” (read the rest of this shit…)
Tags: body jumping, Branscombe Richmond, Claudia Christian, Clu Gulager, Danny Trejo, Ed O'Ross, extra-terrestrial cops, Jack Sholder, Jacques Haitkin, Jim Kouf, Kevin Yagher, Kyle MacLachlan, Lin Shaye, Michael Nouri, William Boyett
Posted in Action, Horror, Reviews, Science Fiction and Space Shit | 24 Comments »
