BOUNTY HUNTERS is a low-rent but likable b-or-maybe-c-movie that is the movie debut of Trish Stratus. I didn’t know who that was to be honest, but she was the 7-time Women’s WWE Champion, which it turns out is a thing they have. Stratus plays a bail enforcement agent named Jules who, along with her boss/special friend Ridley (Frank J. Zupancic) and wiseass partner Chase (Boomer Philips) get into some trouble when they make an unethical choice while picking up a bail jumper.
(read the rest of this shit…)
Archive for the ‘Action’ Category
Bounty Hunters
Tuesday, March 6th, 2012Recoil
Tuesday, March 6th, 2012
“You killed him?”“Technically it was the explosion that killed him.”
In his latest, RECOIL, Steve Austin plays a little bit darker version of his usual screen persona. A little Stone Colder. He’s still an ex-cop who knows how to beat the shit out of people, still a stranger drifting into a small town and getting into trouble with the local criminals, still a scary-looking regular working man with a no bullshit attitude and an inherent sense of decency, but at least at the beginning he’s more of a Terminator than usual. He drives into Hope, WA in his black 1968 Plymouth GTX with 12 score marks burnt into his arm, apparently representing the number of killers and rapists he’s executed in his travels. He’s way ahead of the FBI, who want to put “24 hour surveillance” on a child killer before they figure out Stone Cold already “made abstract art out of him” 2 days ago. (read the rest of this shit…)
Heat (1986)
Monday, March 5th, 2012
I never knew about HEAT until I read that Brian DePalma’s doing a new version with Jason Statham. [UPDATE FROM THE FUTURE: DePalma didn’t end up directing but it was pretty good and called WILD CARD.] It started as a book by William Goldman, who also wrote both movie versions. This one stars Burt Reynolds (with mustache) as a likable Vegas low-life-for-hire. We don’t really get an upfront explanation of who he is or where he comes from, but over time we learn that he dreams of moving to Venice, he’s a familiar face to organized crime, he has been extensively profiled in Soldier of Fortune, he’s a gambling addict, and he’s an expert in the use of edged weapons. So much so that the only reason another character can think of for him to use a gun is because nobody would ever believe it was him. (read the rest of this shit…)
Act of Valor
Friday, March 2nd, 2012
ACT OF VALOR takes the covert-military-mission subgenre that we know so well from the works of Cannon and Nu-Image and puts a new spin on it: it’s a special ops procedural. Directed by 2005 Baja 500 winner Mike “Mouse” McCoy and stuntman/documentary editor Scott Waugh (together known as commercial directors “The Bandito Brothers”), it combines the old “elite team of warriors have to stop a mad bomber” formula with sort of a Soderberghian approach, building the movie around non-actors and taking advantage of their real life skills and unpolished presence. Except for the abducted CIA asset they have to rescue (Roselyn Sanchez from RUSH HOUR 2) the heroes are all played by actual Navy SEALs. “Active duty,” the ads and press releases like to say, so their last names are left off the credits.
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Chinango
Thursday, March 1st, 2012
After I saw MANDRILL I was looking at Marko Zaror’s filmography and realized there was one I hadn’t noticed before, a starring vehicle that he did in Mexico instead of his native Chile. IMDB lists it as a 2009 release, after KILTRO and MIRAGEMAN, but from the looks of it I’m pretty sure he filmed it before those (it seems to have played a Mexican film festival in 2007, and the trailer says “introducing the Latin Dragon Marko Zaror”). It’s credited to his Mandrill Films and Zaror Brothers companies, but directed by one-timer Peter Van Lengen instead of his better known partner Ernesto Diaz Espinoza. (read the rest of this shit…)
Mandrill
Tuesday, February 28th, 2012
“You must be Mandrill. Who else would be so fearless as to kiss my woman in my pool?”
MANDRILL is Chilean vehicle #3 for martial artist Marko Zaror, and in my opinion his best so far. In KILTRO he played an overgrown man-teen with dyed hair and baggy pants, in MIRAGEMAN he was an emotionally-stunted wannabe super hero who barely talked, so it’s surprising to see how well he fits the more standard super-suave badass role. (read the rest of this shit…)
Kiltro
Monday, February 27th, 2012
KILTRO was the first Marko Zaror movie I saw, but for some reason I never reviewed it. Maybe it’s for the best, because I liked it then, love it now. It improves with age and extra viewings, like a wine that’s flavored by people looking at it (I don’t know). Later I did review MIRAGEMAN and of course UNDISPUTED III (where he’s the lead villain/opponent) but it wasn’t until seeing a screener of his finally-coming-to-video-this-week latest MANDRILL that I decided to revisit KILTRO. I’ll have a review of that new one up soon but first let’s examine the prototypical Zaror vehicle here. (read the rest of this shit…)
Abduction
Friday, February 17th, 2012
In the summer of 1991 a 23-year-old director named John Singleton made a hell of a debut with BOYZ N THE HOOD. It was a preachy, of-the-moment anti-violence tale inspired by his (recent) youth in South Central Los Angeles, tempted by the machismo of gang life but smart enough to avoid getting tangled in its endless cycle of retaliation. The movie had breakthrough roles for Cuba Gooding Jr. before “Show me the money,” and for Larry Fishburne before Ike Turner or Morpheus. He was so memorable as Furious Styles that he turned into a Laurence 2 years later. (read the rest of this shit…)
Sinners and Saints
Tuesday, February 7th, 2012
Hey, remember Leon from THE FAST AND THE FURIOUS? Of course not, nobody does. He’s the guy that doesn’t really get to do anything, or come back in any sequels for a second chance. He’s played by Johnny Strong, the lead in this movie. Strong also wrote and performed the songs, so this must be a passion project for him. He plays one of these Over the Edge Cops, you know. Going Too Far, because of various troubles (son died, wife left him, also war and Katrina vet). At first I was suspicious of Strong as a leading man, but he pulls it off. He’s pretty good. (read the rest of this shit…)
Haywire
Sunday, January 22nd, 2012
Steven Soderbergh’s take on an action/spy thriller – built around “The Face of Women’s MMA” Gina Carano after he saw her on Strikeforce while flipping channels around – lives up to my high expectations. It’s written by Lem Dobbs and it’s like the kid sister of THE LIMEY, mixing the style of that Soderbergh classic with kind of a more upbeat ex-Marine-badass-operative-betrayed-and-on-the-run type of story. It has THE LIMEY’s sense of quiet, deliberate pace and dread and also its dry you-just-fucked-with-the-wrong-person type of humor. Of course, professional fighter Carano has different strengths as a performer than Terence Stamp does, so her movie has less emotion and more punching, kicking, choking, armbars, heads broken through furniture, foot chases, etc. Gina’s not gonna mourn the loss of the daughter she never knew, and Terence isn’t gonna climb up onto a roof. In my opinion. And it’s great to have both of them. (read the rest of this shit…)
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