Last December when I was revisiting all the MATRIX movies I started thinking about the trivia that Lana Wachowski had written some comic books before becoming a filmmaker. It caught my attention not only because I’m interested in the evolution of her interests and ideas, but because all of the comics she wrote were based on characters created by Clive Barker, and I’m into that shit.
Other than a little bit of HELLRAISER in the battery farm I never made much of a connection between THE MATRIX and Barker until watching for it this time through. I noted some connections in the reviews, but stayed fascinated enough with the subject that I tracked down and read all 17 Barker comics credited to Lana Wachowski (under her previous name). I thought I could write about it for a Patreon bonus, but I was slow to capitalize on interest in THE MATRIX RESURRECTIONS.
But hey, now there’s a new HELLRAISER! It’s timely again! So check out my findings on each of the comics, in approximate publication order.
CLICK HERE TO READ IT ON PATREON
The piece explores all of Lana Wachowski’s Hellraiser, Nightbreed, and (my favorite) EctoKid comics. To unlock it you just have to sign up for any amount of money, and then you can also read all my reviews of the TWILIGHT series, other exclusive pieces about TV specials and books, some early reviews, and most importantly your contribution keeps me only working part time at the day job so I can keep doing all the good shit here. Thank you, I have such sights to show you because there is no spoon, etc.
I just made my second appearance on “‘I Must Break’ This Podcast,” where I seem to go to discuss movies that Dolph Lundgren is briefly in. 
Back in 2016 I did a review series where I alternated between Francois Truffaut’s five Adventures of Antoine Doinel films and Cannon Films’ five AMERICAN NINJA films, trying to keep the same open mind toward both, look for parallels, etc. I referred to it as Antoine vs. Ninja at the time, but now I like to think of it as The 400 Death Blows. Although I’m way more of a ninja guy than a French New Wave guy I think it’s good to try out a broad spectrum of art and not be put off by some other dip shit’s perception of what is supposed to be high or lowbrow or too trashy or too arty for little old you. Fuck that guy. You’re not that simple. You can appreciate all kinds of things.
On Monday I’m leaving on a trip, so I won’t have any new posts for about the next two weeks. I’m sure I’ll be posting on Twitter occasionally about my adventures, but hopefully I’ll be able to unplug a little, recharge, relax, reboot, rebuff, re-animator, etc.
There are really two specific movies that were released in the summer of ’92 that were the primary reasons I wanted to do this Weird Summer thing. One of them is David Fincher’s audaciously anti-crowdpleasing ALIEN 3. I’ll be posting the review here on Monday but I thought I would give Patreonites a chance to read it early if you want. (It’s nearly 6,000 words, so it might take the weekend.)
I was shamefully unaware of this until recently, but there’s a podcast called I MUST BREAK THIS PODCAST that’s all about the films of Dolph Lundgren. And it’s up to episode #87!? That’s the one where I got to come on and talk about the 2016 film 
I was recently interviewed on a podcast and this is a little different from any I’ve done before so I wanted to say something about it.
I’m sure most of you have 
I don’t need to tell you what Bruce means to me and everything we do here, but here’s a brief summary: I idolized him as a kid because of Moonlighting, DIE HARD is kinda my favorite movie, my first Usenet post was about DIE HARD, many people are kind enough to associate me with DIE HARD and refer all DIE HARD related news items to me, Titan Books associated me enough with him that they got me to name my review collection after him, also there was a famous incident in the Ain’t It Cool days when 
Ah shit, here we go again. Another Oscar Sunday coming up. As I’ve been doing for some years now, I scrambled to watch all of the best picture nominees that I hadn’t already seen anyway, plus as many as I could from other major categories. This year, for various reasons, I did not write reviews of most of the movies that were nominated, so I’ll kinda-sorta do that here.
