"If victory favors me, I will protect your child with my life."

"I ask you not to worry about that possibility. Because my son and I live on the Demon Way in Hell, we're prepared to descend into Hell through the Six Realms and Four Lives."

Posts Tagged ‘Sidney J. Furie’

Iron Eagle On the Attack

Wednesday, March 6th, 2019

IRON EAGLE ON THE ATTACK is part IV of the IRON EAGLE saga, made at a time when the series had transcended numbers. And theatrical releases. Specifically that time was 1995, so this is a little movie over on the fringes trying to keep the dream of the ’80s alive while DIE HARD WITH A VENGEANCE, GOLDENEYE, DESPERADO, CRIMSON TIDE, HEAT, BRAVEHEART, UNDER SIEGE 2: DARK TERRITORY, RUMBLE IN THE BRONX, SUDDEN DEATH and yeah, sure, MORTAL KOMBAT were keeping us occupied in theaters. So I guess I didn’t notice it.

According to IMDb, ON THE ATTACK went straight to cable in the U.S., but it doesn’t feel like as huge a step down in quality as some of the other TV sequels such as DIRTY DOZEN: NEXT MISSION or FIRESTARTER REKINDLED. It feels legit. Sydney J. Furie returns to the director’s cockpit, this time with a new writer, Michael Stokes (JUNGLEGROUND, NO CONTEST II, Paw Patrol).

The first thing you need to know about ON THE ATTACK: it’s the IRON EAGLE movie that sources its pilot team from a reform school. So it’s got the DREAM WARRIORS teen underdog thing going for it. (read the rest of this shit…)

Iron Eagle II

Monday, March 4th, 2019

I don’t think I’ve ever seen any IRON EAGLE sequels, and I always love to see how the franchises unfold, so let’s do it. Part two came two years later, in 1988, with director Sydney J. Furie returning after SUPERMAN IV: THE QUEST FOR PEACE. The script once again is credited to Furie and Kevin Elders (Albert Pyun’s RAVENHAWK).

I was glad to see Jason Gedrick back as Doug Masters, now graduated from the academy that Chappie got him into at the end of part I. Oddly call-signed “Thumper,” he’s still popping in the rock ‘n roll cassette tapes to inspire his F-16 hotshottery. I was less glad to realize a couple scenes later that it was supposed to be his jet that got blown up in an encounter with Russian MiGs when they accidentally went into Soviet air space while fucking around, and that part II is about his just-introduced best friend Captain Matt “Cobra” Cooper (Mark Humphrey, FAMILY OF COPS II-III). (read the rest of this shit…)

Iron Eagle

Thursday, February 28th, 2019

I always remembered IRON EAGLE as a chintzy ripoff of TOP GUN, but in fact it came out six months earlier. Shame on you, TOP GUN. Did you think we’d never find out the truth? You’ve got alot to answer for.

Both movies involve hot-shot rule-breaking F-16/F-14 pilots who have run-ins with Russian MIGs, but IRON EAGLE is the only one that uses a stencil font at the beginning. That means it’s a legit b-action movie and therefore follows two tried and true traditions:

1) the UNCOMMON VALOR/RAMBO FIRST BLOOD PART II/MISSING IN ACTION off-the-books P.O.W. rescue mission

and

2) the RED DAWN/TOY SOLDIERS teens-take-matters-into-their-own-hands wish fulfillment adventure (read the rest of this shit…)

Hit!

Monday, June 8th, 2009

tn_hitSee, this is the type of gold I’m always digging for. This is why I keep browsing and renting weird old movies I don’t know much about. I’m trying to find a movie like HIT!. Last time I rented a Billy Dee Williams movie it was AGENT 00-SOUL, which I’d wanted to see for years only to discover it’s not a serious movie, it’s a “comedy” where he just keeps tripping on things and falling out of things. It makes the worst Leslie Nielsen movie look like the Coen Brothers.

But HIT! is not only a serious movie, it’s revenge-meets-arthouse, almost like POINT BLANK. It’s an ambiguous, slow-burn revenge movie with great performances and character moments and a creepy Lalo Schifrin score. There’s more care put into the buildup and the little moments than into the action movie parts, but they’re good enough for that to be a fair trade.

In the beginning a teenage girl dies from a heroin overdose. Billy Dee plays her father, some kind of CIA agent. He doesn’t talk until 15 minutes into the movie. Before that he just smolders. His boss tries to help him out, tries to send him on a vacation. But he wants to go after the source – not the street pushers, but the top of the pyramid, some guys in Marseille who run a heroin cartel. Of course the agency tells him not to, and of course he does it anyway. (read the rest of this shit…)