I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
(Bruce)
This Joel Silver production is a collaboration/clash between director Tony Scott (coming off of DAYS OF THUNDER) and screenwriter Shane Black (after being replaced on LETHAL WEAPON 2). Those guys making a Bruce Willis movie is about as all-star action as it got in 1991, and had Bruce and Silver known how the release of HUDSON HAWK was gonna go earlier in that year they would’ve been even more eager to sow they could still blow people through the back walls of theaters. (read the rest of this shit…)
RAMBO: FIRST BLOOD PART II was a phenomenon. And an unlikely one. It’s right there in the title: FIRST BLOOD PART II? How the hell do you do a FIRST BLOOD PART II?
Sure, the makers of FIRST BLOOD famously went with the ending where Rambo didn’t die, as he did in David Morrell’s book. But the character doesn’t exactly lend himself to a rousing second adventure. He wasn’t your typical action movie protagonist, a hero who comes along and saves the day. He was a drifter who was mistreated and fought back hard. Went on a rampage. Single-handedly waged a war against law enforcement (one guy died falling off a helicopter), wrecked a whole town, finally broke down about his experiences in the war and then turned himself in. A great movie because of its simple, character-driven story mechanisms, emotional center and excellent, largely internal and physical (and finally blubbering) performance by Sylvester Stallone.
So what’s Rambo gonna do, get out of prison, try to go straight, and get hassled by some other sheriff? Nope. They figured we got a perfect killing machine, let’s plug it in. Let him out for a dangerous mission, a one-man DIRTY DOZEN.
“There was some criticism that I made NASA look dumb in certain places. In fact if you heard some of these asteroid theories of what they are thinking of doing, it just sounds asinine.” –Michael Bay
ARMAGEDDON is Michael Bay’s third movie, but in some sense it’s the one where he revealed his true face to the world. There were plenty of examples of his style and character in BAD BOYS and THE ROCK, but it was ARMAGEDDON that first presented the full breadth of his trademarks: awesome awesome macho bros, pretty pretty sunsets, government employees portrayed as insufferable weiners even though they’re in the right, spinning cameras, haphazard editing all over the fucking place, chaotic mish-mashes of explosions and sparks and machinery and debris and smoke and crap, beautiful shots of people in various locations around the world, weirdly hateful characters presented as cutesy comic relief, an army of highly qualified writers seemingly locked in a cage and forced to duct tape a bunch of dumb ideas into the most unwieldy structure they can come up with that has a running time at least 30 minutes longer than the story has earned, and of course an ensemble of talented actors improvising jokes with no regard for any sort of desired rhythm or tone of storytelling. (read the rest of this shit…)
I meant to see this when it was in theaters in 1988, didn’t get around to it until now. It’s okay. Not worth that long of a wait, but luckily I did other stuff in between.
Treat Williams (THE SUBSTITUTE 2-4) and Joe Piscopo (Saturday Night Live cast, 1980-1984) play two 1980s Movie Cops. Treat is supposed to be the straight laced one, so he wears a suit. Piscopo is the wildman who wears a leather jacket and hits on every woman who appears on camera, because that’s always funny (see also: Jay Leno in COLLISION COURSE). This was after SNL when he got really into bodybuilding, so he also shows off his muscles alot. He’s kind of a cross between a wisecracking Bruce Willis type of character and a crazy Mel Gibson one. (read the rest of this shit…)
Two years ago, I saw and accidentally enjoyed the 2004 movie THE PUNISHER starring Thomas Jane. It was another attempt at a movie version of some Marvel Comics Book which had once been made by none other than Dolph Lundgren. After I saw that movie, I wrote a review (see below), then I looked into the eyes of the universe and I made a solemn vow that one day maybe I would see the Dolph Lundgren version, who knows.
Well today I saw Dolph’s version and I’m here to report that it’s okay. I liked Thomas’s version the best but this one definitely has its moments. Like the 2004 one, this is definitely more in the action movie/vigilante style than some kind of Batman or Superman deal. The main comic book element is that Punisher lives in the sewers and has tunnels to bring him everywhere. Also he has a wacky sidekick who is some kind of homeless guy who always claims to be a theater actor, and who always rhymes. (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
* * * *
Recent commentary and jibber-jabber
Ryan on The Rivals of Amziah King: “Fair point, the sequence with the sick wife does lure us into thinking she’s suddenly feeling empathy for the man…” Nov 11, 22:57
VERN on The Rivals of Amziah King: “SPOILER SPOILER SPOILER – Ryan – When she locks the guy into the honey thing it’s shocking, but understandable -…” Nov 11, 22:08
Ryan on The Rivals of Amziah King: ““and the trailers really couldn’t communicate what it is. I’m not sure I could either! And it’s exciting to see…” Nov 11, 19:32
Lorin A Kozlowski on The End of Oak Street: “The detail I would like to share about this movie is afterwards, my girlfriend said “Weird performance from the fake…” Nov 11, 18:01
Kim Cardassian on The End of Oak Street: “Literally the only time McGreggor’s American accent has been halfway acceptable was in Fargo season three, where the whole point…” Nov 11, 15:40
Franchise Fred on The Rivals of Amziah King: “This was definitely the best thing I’d seen in a while when I went to a screening over the summer.…” Nov 11, 15:07
Franchise Fred on The End of Oak Street: “Toxic, not decomposing but just you’ve seen exponentially more. Of course my list is a tad longer than two. I…” Nov 11, 12:23
VERN on Superman (2025): “I really don’t think the box office is the reason for the change. As stupid as everyone in charge of…” Nov 11, 10:25
Alex R on The End of Oak Street: “Loved this in the theater, even with Ewan McGregor’s busted accent. And I agree that he’s otherwise great. This is…” Nov 11, 08:05
Jason on The End of Oak Street: “MaggieMayPie – Yeah, I thought so, but it was a kind of blink-and-you-miss-it gag, which somehow made it even more…” Nov 11, 05:15
Toxic on The End of Oak Street: “Fred, I guess I’d add Talladega Nights, Bad Santa and the John Wick movies to Walk Hard and Fury Road,…” Nov 11, 04:34
Franchise Fred on The End of Oak Street: “Toxic, yes. I can remember in detail every single movie I Watched until the year 2000, even straight to video…” Nov 11, 00:15
RRA on The End of Oak Street: “I respect any “family friendly” movies willing to off kids. This was solid.” Nov 10, 23:11
Knadler on The End of Oak Street: “Also, Brian sucks and deserved to get wrecked.” Nov 10, 18:50
Knadler on The End of Oak Street: “This one definitely deserved a bigger audience, it was a good time. That ending being hilariously bad was icing on…” Nov 10, 18:33
I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
May 22, 1985
Sure, the makers of 
July 1, 1998
ARMAGEDDON is Michael Bay’s third movie, but in some sense it’s the one where he revealed his true face to the world. There were plenty of examples of his style and character in BAD BOYS and 
Two years ago, I saw and accidentally enjoyed the 2004 movie 
