"KEEP BUSTIN'."

Posts Tagged ‘killer animals’

The Birds / The Birds II: Land’s End

Thursday, October 26th, 2023

THE BIRDS. By Alfred Hitchcock. The one where the birds attack. Good movie. He was a total bastard to Tippi Hedren but she was good in it. Her first movie. Then she raised Melanie Griffith and a bunch of lions.

Hedren plays Melanie Daniels, and what I definitely didn’t properly appreciate the last time I saw this as a younger person is what a great weirdo Melanie is. During the large portion of the movie where the disaster hasn’t fully made itself known it’s just a funny story about a woman behaving very unreasonably, and not giving a shit, because it amuses her. She’s fun to watch.

It starts in a San Francisco bird store, where Melanie is trying to buy a myna bird. A man named Mitch (Rod Taylor, 101 DALMATIANS, INGLOURIOUS BASTERDS) starts talking to her like she works there, asking about buying a pair of lovebirds for his 11-year-old sister’s birthday. She plays along, but it turns out he knows she doesn’t work there, he’s a lawyer and recognizes her from a court appearance over some unknown prank she played that “resulted in the smashing of a plate glass window.” For some reason he starts giving her a bunch of shit about it.

“What are you? A policeman?” she asks.

“I simply believe in the law, Miss Daniels, and I’m not too keen on practical jokers.” (read the rest of this shit…)

Cujo (40th anniversary revisit)

Thursday, August 10th, 2023

August 12, 1983

I’ve written about CUJO before, but that was 15 years ago. Since there aren’t that many horror movies in this summer of ’83, it seemed worth revisiting now. Cujo the book was formative to me because I read it when I was in third grade. It might’ve been my first Stephen King book, maybe even my first horror book besides Scary Stories to Tell in the Dark and Alfred Hitchcock short story collections. The part I remember vividly, of course, is something about Donna’s sex life with Steve. That seemed grown up and mysterious. The dog attacking people just seemed cool.

The movie wasn’t as important to me, and though I saw it on VHS at some point it wasn’t until rewatching it for that 2008 review that I realized it’s a real gem. It’s a movie everyone knows about but I’m not sure it’s held in as high of regard as I think it deserves. It’s a simple movie with very strong execution, and some of the elements involved (killer dog, tiny kid, limited location) are of a high enough degree of difficulty that there aren’t many other movies to directly compare it to. (read the rest of this shit…)

Uncaged

Thursday, October 8th, 2020

My friends, we have not only come to the conclusion of my exploration of the films of Dick Maas, but the culmination. His first film THE LIFT showed me that the Dutch writer/director has a strong shooting style, a taste for deadpan absurdity, and a knack for quirky character detail. AMSTERDAMNED applies that to a more ambitious I-can’t-believe-I’m-seeing-this story (action-packed scuba slasher), and even his 2001 American THE LIFT remake DOWN is trashy, audacious fun. (I also checked out his Halloween episode of The Young Indiana Jones Chronicles, which you can read about on Patreon if you’re interested.) Some joy was dampened by the amount of screen time spent on dull procedural business in the ’80s ones, but I liked them all. I’m a fan now.

Let me bring up a completely unrelated director for a second. When I reviewed EXTREME JUSTICE recently I wrote about how Mark L. Lester doesn’t get enough credit for having directed CLASS OF 1984, FIRESTARTER, COMMANDO and SHOWDOWN IN LITTLE TOKYO. And yet I (rightly or not) have little faith that Lester’s 21st century movies like PTERODACTYL, POSEIDON REX or DRAGONS OF CAMELOT would be worth watching, because I assume they’re not coming from the same place. I had similar feelings when I heard that Maas made a killer lion movie in 2016.

But – holy shit! Maas’ most recent movie – which I found as UNCAGED on Shudder, but it has apparently also been released as PREY – is a new instant favorite. It has most of what I loved about his other films, but way more of it. It’s loaded with quirky characters (both the leads and incidentals) who say and do funny things within the context of a story that is knowingly ridiculous but unashamed to take itself seriously. And unlike those other ones it never slows down for long because it has a high, unforgiving body count and provocatively over-the-top gore to attend to. UNCAGED is a total blast.

(Thank you Martijn for trying to tell me in the comments for THE LIFT. You were right!) (read the rest of this shit…)

Crawl

Monday, July 29th, 2019

Both the weakness and the strength of CRAWL is how simple and slight it is. On one hand, I felt like it was already dissipating from my brain by the time I got home. On the other hand it’s refreshing to see something that just gets in there and gets it done and says “okay, bye.” It’s a monster movie meets disaster movie – alligators attack a house during a hurricane – but it doesn’t fuck around with any before and after or unneeded explanations.

When Haley (Kaya Scodelario, CLASH OF THE TITANS) gets out of the opening credits swimming practice, the hurricane is already approaching. When she tracks down her not-answering-his-phone dad (Barry Pepper, THE THREE BURIALS OF MELQUIADES ESTRADA) in the crawlspace under her childhood home, he has already been bitten by a huge alligator. I think only one sentence of dialogue is spent on speculating how the gators got in there (later confirmed visually), and not one word on why they’re so big. It takes place over one day, it’s all over in 87 minutes and it concludes with a freeze frame. No wind-down, epilogue or sequel tease. That’ll do, pig. (read the rest of this shit…)

Squirm

Saturday, November 13th, 2010

tn_squirmhalloweenleftoversSQUIRM is an odd duck. (note: come up with worm pun, save “odd duck” for killer duck movie, or DON’T TORTURE A DUCKLING.) This killer worm movie pulls a bait and switch (get it, bait? not switch though, that’s not part of the pun) where it’s setting up the characters before it gets to the killer worm mayhem, then it starts to reel you in (reel) to what’s going on with these characters to the point where you don’t even care that it doesn’t show the worms much or kill very many people.

Not saying it’s as good, but for some reason it reminds me a little bit of PHANTASM with its low budget depiction of not-at-all-Hollywood characters uncovering weird goings-on in a small town.
(read the rest of this shit…)

Long Weekend (2008 remake)

Saturday, October 30th, 2010

tn_longweekendremakeWatching the remake of LONG WEEKEND today something seemed awfully familiar. I mean not just the movie itself. It was the opening credits. Flying over Australian trees and bodies of water, gently pulsing electronic tones, for a second I thought I forgot to change the DVD because it seems like the exact same credits as the last movie I watched, STORM WARNING. I knew it was the same writer, Everett De Roche, but it turns out it’s the same director too, Jamie Blanks (also editor and composer). So he must’ve been on a De Roche kick just like I am.
(read the rest of this shit…)

Long Weekend

Friday, October 29th, 2010

tn_longweekendPeter (John Hargreaves from DEATHCHEATERS) and Marcia (Briony Behets) are a couple who are really pissed off at each other when they decide to go camping on a beach out in Middle of Nowhere, Australia. There have been some serious betrayals and traumas that they’re still dealing with and spending the 3-day weekend together is supposed to maybe help, but only seems to be exacerbating things. You know these two aren’t the best for each other when Peter is introduced watching Marcia through a rifle scope. He also likes to fake at hitting her when she has her back turned to him. This guy might be kind of an asshole, I’m thinking.
(read the rest of this shit…)

White Buffalo

Thursday, August 26th, 2010

tn_whitebuffaloWHITE BUFFALO opens with dread as John Barry’s eerie horror score rumbles through a view of a huge white buffalo grunting and snorting like a demon in a spooky cave somewhere. It feels like a nightmare and it is one. It belongs to Charles Bronson. He not only wakes in fright, he wakes with two pistols in his hands and he unloads them into the ceiling of the train car where he’s staying. Luckily nobody was upstairs and they let him off with a warning. (read the rest of this shit…)

Jaws: The Revenge

Sunday, May 16th, 2010

tn_jaws4BrucethesharkiconLet’s say you’re a huge great white shark. I mean, just enormous. You’re gonna need to eat, right? Sometimes you can eat orcas, but you try to avoid those because sometimes they’ll eat you back. And little tiny fish won’t do it. A guy your size, it’s hard to find a meal that’s filling.

So you come across this nice little joint called Amity Island. Wide open, not much competition from other sharks or orcas. (There was one smaller shark, but some people killed it, mistaking it for you. Suckers!) So it’s a good set up. Just little pink morsels wiggling around, as far as the eye can see. Which is not that far actually, because sharks don’t have very good vision. But they do have a weird thing where they can sense the electromagnetic pulse of even a heartbeat. And these heartbeats feel delicious. (read the rest of this shit…)

Jaws 3-D

Friday, May 14th, 2010

tn_jaws3BrucethesharkiconOkay, good. If you’re gonna be an asshole and make a sequel to JAWS, I figure this is more how you should do it. You’re never gonna match the achievement of the first one, so you should zig where that one zags.

First you acknowledge that the directors you hired won’t have the skills to fill Spielberg’s filmatic shoes. You put director Joe Alves into the shoes and fill the extra toe-space with credit-flying, severed-limb-and-head-floating, dolphin-and-orca-jumping, water-splashing-in-the-camera, slow-motion-water-ski-jumping, harpoon-firing-just-like-FRIDAY-THE-13TH-3D-but-what’re-you-gonna-do-you’re-fighting-a-shark, fake-dragons-and-snakes-popping-out, shark-exploding-and-spraying-goo-all-over-the-audience 3-D. I mean, not on video, but that’s what it was originally, and I would’ve enjoyed that. (read the rest of this shit…)