Instead of posting a review today I want to write a little bit about John Singleton, who died yesterday after complications from a stroke.
If you weren’t of age in the early ’90s, I don’t know if you could ever quite understand it, but John Singleton was enormous. A few years earlier Spike Lee had exploded into the pop culture consciousness, a singular voice, a revolution out of New York, making an arty black and white movie on credit cards with a jazz piano score by his dad, then making bigger and better movies with studio backing, showing the promise of a new generation of black filmmakers.
And Singleton, already, was that promise. More than a decade younger than Lee, he made BOYZ N THE HOOD at 23. Practically a kid. As I seem to have mentioned every time I ever wrote about him over the years (see links below), he was nominated for a best director Oscar the first time out, the first black director to do so, and to this day the youngest person. He became an inspiration not just for black directors, but anyone young, outside of the system and wanting to tell a story about where they come from. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.