“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘Jessica Chastain’

Molly’s Game

Tuesday, April 17th, 2018

MOLLY’S GAME is the directivational debut of playwright/The West Wing creator/screenwriter Aaron Sorkin (MONEYBALL, STEVE JOBS), and man is it ever Sorkiny. It revolves around the legal defense of a woman who ran an illegal poker ring, so there is law, legal strategy, business procedure and poker all out there needing to be explained and waxed poetic about by fast-talking geniuses constantly on the verge of dropping an anecdote about the 1942 Olympics or the Warren G. Harding administration or some shit that at first sounds like they got sidetracked with trivia but turns out to be a deft analogy to drive home the point they’re trying to make. And the protagonist Molly Bloom (Jessica Chastain, MAMA) narrates the shit out of it and skips around in time, talks about her childhood and her Olympic skiing accident and what not. It looks good and the performances are excellent but yeah, dude, a writer’s writerly writer definitely wrote this writing here.

Sorkin seems like a guy who obsesses over some story he read about in a magazine a while back and he won’t fucking shut up about how fascinating it is and you’re like “Okay Aaron, young Hollywood intern stumbles into running high stakes poker game, sounds great Aaron anyway I gotta get going,” but then when he makes the movie you realize he was right, it really was a compelling story when presented exactly as he knew how to present it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Martian

Friday, October 9th, 2015

tn_themartiana.k.a. Get Your Ass From Mars

THE MARTIAN is what you get with old master Ridley Scott working from a good script (by Drew Goddard, director of THE CABIN IN THE WOODS) based on a book with a real solid, simple premise: an astronaut is left for dead on Mars and is intent on surviving. It’s like ROBINSON CRUSOE ON MARS, but without a monkey! That’s the modern twist. No monkeys.

etAs you know, Matt Damon (HAPPY FEET TWO, HEREAFTER) plays the astronaut, Mark Watney. Just like my boy E.T., Watney is a botanist who’s just minding his own business being on a space mission collecting samples when something bad happens and the crew has to do an emergency take off, and then he doesn’t get on board fast enough. Unfortunately there’s no little Mars boy to hide him in the closet, feed him candy and dress him up as a ghost (or maybe those scenes were cut), but he does use existing equipment to jury-rig a means of communication to let the people back home know to come get him. And then he waits it out.

He has a limited supply of rations, and a long window before any theoretical rescue mission could possibly arrive. So, using seemingly pretty scientifically plausible methods, he figures out ways to use what he has to create more food, water, etc., and to deal with the other problems that arise, of which there are many. He’s in space, for crying out loud. Space is a motherfucker. He doesn’t even have to come across any Ghosts of Mars, there’s all kinds of other problems there. And we learn that a roll of tape is the most important tool anybody could have, followed by clear plastic/construction film.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Interstellar

Friday, November 21st, 2014

tn_interstellarYou guys heard of this INTERSTELLAR? Came out recently. It’s Chris Nolan’s take on the wide-eyed space exploration epic. The type of sci-fi movie that keeps its feet partly on earth, has no lasers or star wars in it whatsoever and tries to seem relatively semi-quasi-plausible by modern scientifical-esque theories. It’s definitely supposed to be a spectacle, but not in the complicated-cgi-creations-loudly-smashing-things-into-a-million-cgi-particles way we generally get now, or even the how-did-they-even-do-that style of the INCEPTION hallway scene. More in the LAWRENCE OF ARABIA sense of gigantic landscapes. It’s the type of movie made by and for people who get awe struck staring up at the stars and weepy at the thought of specific astronauts. People whose imaginations get boners from the idea of a manned mission to Mars more than they would from a monster biting the head off a robot.

So the truth is I’m not the audience for this movie. I was better in monster biting head off a robot class than in science. When a guy sitting by me in the theater said he read that the black hole created for the movie was so “mathematically accurate” that scientists were now making discoveries based on it, I literally had no idea what that meant. Still don’t. On several different levels. So keep that in mind when I tell you I liked, didn’t love INTERSTELLAR. But I’m still gonna write about it, ’cause this is America. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Mama

Tuesday, January 22nd, 2013

Usuatn_mamally a director you like producing somebody else’s movie doesn’t mean much. See for example Sam Raimi. Love the guy’s directorial works, but look at the stuff he and his company produced – not necessarily the seal of quality. I’m starting to see Guillermo del Toro is different, though. I still gotta see THE ORPHANAGE, but most people seem to speak highly of it. I loved DON’T BE AFRAID OF THE DARK and now this one is pretty good. These last two are movies where he found new filmatists who had done short films and helped them to make a feature.

In this case the director is Andres Muschietti, who wrote the script with Neil Cross and his sister Barbara Muschietti. (That’s kinda cool, I don’t know of another brother-sister filmmaking team other  than the Wachowskis. And I guess Joie Lee wrote CROOKLYN.) They’re “adapting” it from their short film of MAMÁ, but I put adapted in quotes because there really isn’t a story in the short version, it’s basically just a cool shot (which is replicated in the feature version). I have no idea how del Toro figured out from that clip that this guy could direct a real movie that tells a story and has acting in it, but somehow he guessed right. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Zero Dark Thirty

Thursday, January 10th, 2013

tn_zerodarkthirtyOkay, we were all horses pulling the Kathryn Bigelow bandwagon, right? We loved her for POINT BREAK and NEAR DARK, mostly. Also BLUE STEEL and STRANGE DAYS and all that. But did any of us ever predict Respectable Kathryn Bigelow would come about, and if so, did we guess how fuckin good that Bigelow would turn out to be? I sure didn’t.

The respect came for THE HURT LOCKER in 2008. It got the Oscar for best picture and she got best director, the only woman to receive that honor so far. It also had one of those career-exploding performances, the one that launched Jeremy Renner, at the time known mainly for playing Jeffrey Dahmer, into the guy who has two Oscar nominations and co-starred in big ass movies like THE AVENGERS and GHOST PROTOCOL and starred in THE BOURNE LEGACY and hosted Saturday Night Live and all this. I loved THE HURT LOCKER, which I saw as an ingeniously structured suspense thriller and character drama for its time that also worked as a deconstruction of many of our favorite action movie tropes. So I had high expectations for ZERO DARK THIRTY, and somehow it exceeded them.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Lawless

Monday, December 3rd, 2012

Remember after THE ROAD director John Hillcoat had this movie called THE WETTEST COUNTY IN THE WORLD that was written by his THE PROPOSITION writer (and famed singer) Nick Cave, he had at-that-time-hot-stuff Shia LaBeouf signed on and everything but nobody would fund the fuckin thing. Then suddenly a mysterious benefactor named Megan Ellison comes into Hollywood and gives him money and gives P.T. Anderson money to make THE MASTER and Andrew Dominik to do KILLING THEM SOFTLY and a bunch of other guys like this. So the legends were true, there are some good rich people out there.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.