I don’t know if “good” is an adjective I would apply to Wes Craven’s little-seen latest horror movie (his first writing/directing joint since NEW NIGHTMARE). Other than the synonyms for “strange” there aren’t many adjectives that really do the job here. So it’s hard to explain what this movie is like, exactly, but I’ll try.
MY SOUL TO TAKE looks like a pretty typical glossy teen horror movie, with characters that could be in FREDDY VS. JASON or a FINAL DESTINATION, plus your standard Marco Beltrami score infused with an occasional rock song. Although it’s not a remake, a sequel, a prequel or a prequmake it does fit your modern mainstream horror mold by being released in last-minute-post-production-3D (LMPP3).
Yeah, it looks normal from a distance, but when you get up close it’s clear that something’s off here. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.