"We're still at war, Plissken. We need him alive."

"I don't give a fuck about your war... or your president."

Posts Tagged ‘Greg Cannom’

Cocoon

Wednesday, June 24th, 2020

June 21, 1985

COCOON is directed by Ron Howard (his followup to SPLASH) and produced by Richard D. Zanuck (SUGARLAND EXPRESS, JAWS), but I bet some people assumed Spielberg had something to do with it. It opens with an Elliott-like little boy (D.A.R.Y.L. himself, Barrett Oliver) who’s up past his bedtime sneaking a look at the moon through his telescope. And then there’s a spaceship (designed by Ralph McQuarrie, like the one in  E.T.) flying down over some dolphins in a scene lit much like the opening attack in JAWS. The story involves a close encounter of the third kind with friendly e.t. the extra-terrestrials, so lots of people stare up in awe at glowing alien and spaceship effects by Industrial Light and Magic. And hey, the main characters are the elderly residents of a retirement community who find a magical way to recapture their youth, much like Spielberg’s “Kick the Can” segment of TWILIGHT ZONE: THE MOVIE!

Best pal retirees Ben (Wilford Brimley, whose other 1984 releases were MURDER IN SPACE, REMO WILLIAMS and EWOKS: THE BATTLE FOR ENDOR) and Art (Don Ameche, who starred in THE THREE MUSKETEERS and THE STORY OF ALEXANDER GRAHAM BELL when Brimley was five years old) are residents of the Sunny Shores Villa in St. Petersberg, Florida. They’re kind of the cool rebels of the place, because while many of their peers are sitting around playing cards and shuffleboard they’re strutting out in their beach clothes that look like pajamas, squeezing through a broken gate to trespass in somebody else’s indoor swimming pool. Sneaking around like a bunch of goonies. (read the rest of this shit…)

Highlander II: The Quickening

Thursday, May 23rd, 2019

“It’s weird how they built a huge franchise off of the first film. I can’t quite understand it. It’s like they say in the film ‘There can only be one. ‘ In a genre film you can create any scenario you like, but once you break your own rules, the audience feels betrayed, which is what happened with HIGHLANDER II.”–Russell Mulcahy to Money Into Light, 2016

“The more cornered we were, the more stupid things we had to come up with.”–Christopher Lambert

From the dawn of 1986 they came…moving stylishly down through the decades. Movies, TV shows, cartoons, struggling to reach the time of The Reviewing, when Vern will look back at the whole franchise

I missed out on being disappointed by HIGHLANDER II: THE QUICKENING with the rest of the world in 1991. Somehow I never watched the HIGHLANDER movies until the 21st century, at which point I’d lived many years knowing part II had been universally rejected and mocked. And when I did watch it it was the re-edited and 19-minutes-longer “Renegade Version” put together for DVD in 1997, and I’ll be honest – I liked it! I’ve always been one for weird, not-taking-the-easy-road sequels like BABE: PIG IN THE CITY, BATMAN RETURNS, TEXAS CHAINSAW MASSACRE 2, MAD MAX: BEYOND THUNDERDOME, BRIDE OF CHUCKY, RETURN TO OZ, JASON X, etc. So I was into the idea of Connor MacLeod in a dystopian future city working with rebels to, uh… blow up a shield around the earth, because it’s not necessary anymore. I mean — sure. Why not? (read the rest of this shit…)

Fright Night Part II

Friday, October 27th, 2017

FRIGHT NIGHT PART II came out three years later, in 1988. Part I‘s writer-director Tom Holland had moved on to CHILD’S PLAY, bringing Chris Sarandon with him. Makeup FX genius Steve Johnson was doing NIGHTMARE ON ELM STREET 4. It was the year of PUMPKINHEAD, HELLBOUND: HELLRAISER II, THE BLOB, THEY LIVE, MONKEY SHINES, MANIAC COP, THE SERPENT AND THE RAINBOW, PHANTASM II and PAPERHOUSE. Maybe the world didn’t feel the need to rehash FRIGHT NIGHT. But somebody was gonna do it, and they got William Ragsdale and Roddy McDowall to come back as Charley Brewster and Peter Vincent.

In the opening, a quick clip montage (as was the style in those days) and Charley’s narration recap what happened in the first film, only for him to then say that he imagined most of it. Yes, Jerry Dandridge was a serial killer, but “vampires aren’t real.” Charley says he’s returning to “the real world” after three years so I thought he’d been hospitalized, but I guess he just means he’s mentally returning to a world where monsters don’t exist. He says he’s worried he’ll run into Peter Vincent, which is weird because in the next scene he goes to visit him. (read the rest of this shit…)