Posts Tagged ‘Don Siegel’

Flaming Star

Sunday, March 28th, 2010

tn_flamingstarFLAMING STAR is a Don Siegel western about a mixed-race family – a white man, his white son, his Native American wife, and their son together, Pacer. They all get it from both sides but especially Pacer, who has one foot in each world. The whites won’t even speak to him after a Kiowa massacre of a white family, and at the same time he’s being pressured by the new chief to turn his back on the white man and become a Kiowa warrior. Not like the chief gives two shits about him, he just wants him for the propaganda value, to be able to show somebody who turned their back on the white man. But Pacer doesn’t want to do it and thinks they’ll kill him when he says no.

He and his mother go into the Kiowa village to try to talk their way out of it. Pacer is convinced he’ll be forced to say no in front of everybody, but in fact the chief respects his bravery and allows him to leave peacefully to consider it more. They shouldn’t have been so distrustful. Ironically it’s a white man, an old friend, who ambushes them when they’re leaving.

Oh, and by the way Pacer is played by Elvis Presley. You know, the singer. I should’ve mentioned that probly. That might be relevant to how you’ll react to this one. (more…)

Coogan’s Bluff

Saturday, January 30th, 2010

tn_coogansbluffThis pre-DIRTY HARRY teamup between Clint Eastwood and Don Siegel starts with Clint as sheriff’s deputy Coogan tracking a Navajo wife-murderer through the desert. The wide angle, the windy quiet and the cowboy hat tell you it’s a western, except Coogan rides in in a Jeep. He has a shootout with the suspect, captures him and then goes to visit an old girlfriend, leaving the man chained up on the porch like a dog. His boss storms in to chew him out while his girl is bathing him – Coogan asks the sheriff to pass him the soap. (more…)

The Killers (1964)

Friday, December 11th, 2009

tn_thekillers64The ‘64 version of THE KILLERS doesn’t have much to do with the original and even less to do with the Hemingway story. And maybe it’s not quite the solid punch to the nose you’d hope for from the combination of Lee Marvin, Don Siegel and that title. But on the other hand it might be some kind of subtle dim mak punch because it stuck with me and seemed better and better the more I thought about it. Anyway, it’s damn good.

After I wrote about the ‘46 version I listened to the extra on the DVD where Stacy Keach reads the Hemingway story, and it explained alot. That movie was a good mystery, but nothing in the main story approaches the perfection of that opening, the tense scene with the two strangers coming into the diner, talking shit, then taking everybody hostage and saying, “I’ll tell you what’s gonna happen. We’re gonna kill the Swede.” I know now that’s because the Hemingway story is only the opening, the rest is all extrapolated from there. In the story you don’t find out what the Swede did to get killed. Adding a whole story to explain the short story really goes against the spirit of the thing, because to quote Jack Skeleton about Christmas presents, “That’s the point of the thing, not to know.” (more…)

Dirty Harry

Tuesday, June 10th, 2008

Man, I’ve watched DIRTY HARRY so many times since I’ve been writing about movies, and it is clearly one of the classics of Badass Cinema (the Loose Canon, I recently decided it should be called. Get it it is a pun I believe.) But I just figured out that I never wrote a review of it. Weird.

This time I watched it on the occasion of buying the new DIRTY HARRY ULTIMATE COLLECTION box set, which totally made my day and I did feel lucky punk and it is so good it would blow your head clean off and is the most powerful box set in the world. That is not really puns but you know what’s going on there, I think you get it.

Anyway, I know I’m not talking to a bunch of rookies here so I’m not telling you anything you don’t know if I tell you this movie is awesome. Clint Eastwood is at his peak as far as just being a cool looking motherfucker, with his cocky hair do and his still handsome but already full of character early ’30s Clint face. There’s that shot when he’s eating the hot dog and just realizing that he’s gonna have to stop a bank robbery instead of finish lunch and he slowly turns around and it shows him in profile – you can tell that Don Siegel knew what a cool motherfucker he had in front of his camera there. The camera seems to be saying “holy shit, look at this guy!” Such an iconic profile. Put that fucker on the penny. Sorry Abe, you’re great, but look at this. I think you would agree.

That scene is one of my favorites, and obviously everybody in the world remembers that great “do you feel lucky” speech, but what I like best about it is definitely the hot dog. He foils a bank robbery while still chewing his hot dog. I do not know how you could be more casual about taking care of business. Maybe if he was wearing a bathrobe, or had curlers in his hair. Or was reading the newspaper, with bifocals. (more…)