Watching Ryuhei Kitamura’s latest THE PRICE WE PAY this week reminded me to finally catch up with his previous one, THE DOORMAN (2020). I remember I was excited that he did a Ruby Rose action vehicle, but I heard some negative things and it scared me off. I shouldn’t listen to that stuff, because I like so many movies that normal humans hate, but I’m susceptible to rumors of poor action scenes.
That criticism is fair. Many of the action scenes are pretty choppy, they’re certainly not up to the state of the art in the 87Eleven era. And I do think this is a movie that could go over really well if it had a couple knockout fights. So that’s too bad. But I still enjoyed it on a story and character level like I would, say, a Liam Neeson movie where you’d have way less of the real shit than this. So if you’re okay with that, I recommend it. (read the rest of this shit…)
CARTER is a new South Korean action spectacular just released on Netflix today. It’s a real runaway roller coaster, bowling ball rolling down a steep hill, adrenaline jolt type of movie, so in that spirit I’m gonna try to plow through a review and get it up real fast, like in the old days.
UNLUCKY STARS (2015) is a no-budget indie action movie in this pretty new and rare category of fan-made action movies. That’s kind of selling it short, because these are legit, accomplished stuntmen, martial artists and choreographers, and it’s designed mainly to showcase their work. But they’re also all about throwing in little movie homages and cameos in a way more common to no-budget horror. Like they have a detective agency called Golden Harvest Private Investigations (with the Golden Harvest logo and everything), Simon Rhee has a cameo and is apparently meant to be his 
“Y’know – this is a weird part of town.”
Just as 
