July 22, 1983
JAWS 3-D (viewed by me in its shameful flat version) is another summer of ’83 movie that I’ve previously reviewed. But that was 13 years ago, and if I’m doing a summer movie series I can’t really skip over a sequel to the movie that kinda invented the summer blockbuster. I also thought it would be a good marker on the timeline, much like how RETURN OF THE JEDI and STAYING ALIVE indicate how much culture had changed in the six years since STAR WARS and SATURDAY NIGHT FEVER. In eight years we went from a popular beach read elevated by a knockout directorial vision to a gimmicky studio product sequel with twice the budget but a fraction of the style or substance.
It’s tempting to see sequels as emblematic of the ‘80s, but the truth is I counted almost as many released in 1975 as in 1983*. I suppose a difference is that 8 of the 10 in ’75 were part 2s, whereas 1983 gave us such part 3s as this, RETURN OF THE JEDI, SUPERMAN III, AMITYVILLE 3-D, and SMOKEY AND THE BANDIT PART 3. THE OMEN, FRIDAY THE 13TH, HALLOWEEN and ROCKY series’ had also hit part three in 1981 or 1982. So maybe it really was a different movie landscape. The era of part threes, heading into part fours. (read the rest of this shit…)
In the tradition of the first two, the opening titles are what are known in the parlance of our times as “absolute bangers.” The logo looks really cool flat, and even better in the proper format, where it emerges from the screen at you. But the excellent graphic design almost doesn’t matter because the topper here is the synthy-disco-ish theme song, honestly one of the most badass horror themes of all time, at least if you like them danceable (which I absolutely do). It’s credited to “Hot Ice,” but it’s Harry Manfredini with Michael Zager, a producer who worked with The Spinners, among others.
Okay, I know I’m not supposed to like a movie like this, I know I’m supposed to feel guilty if I get any pleasure from it, but I am a man with honor and I cannot tell a lie and all that shit so I gotta tell you that I fucking loved the cheesy dance competition movie STEP UP 3. Returning-from-part-2 director Jon M. Chu steps up (all puns are coincidental) the energy and inventiveness like he did before, but this time about tenfold. It’s stupid and hilarious and stylish and there’s more great dancing just in the deleted scenes than there was in all of part 1. 
The first 
