"KEEP BUSTIN'."

Posts Tagged ‘Miles Chapin’

Get Crazy

Thursday, August 3rd, 2023

August 5, 1983

GET CRAZY is a goofy let’s-put-on-a-show comedy directed by Allan Arkush, with a tone similar to his earlier, more popular ROCK ’N’ ROLL HIGH SCHOOL. It’s another broad comedy and celebration of punk culture, oddly mixed with some blues this time.

Daniel Stern (BLUE THUNDER) stars as Neil Allen, stage manager for the historic Saturn Theater, where legendary promoter Max Wolfe (Allen Garfield, NASHVILLE) is putting on his 15th annual New Year’s Eve concert. But there’s a villain trying to steal his thunder. Younger, more competitive promoter Colin Beverly (Ed Begley Jr., CAT PEOPLE) of Serpent Sounds lands his helicopter in front of the theater, causing various women’s clothes to blow off, and struts in with his two henchmen (Bobby Sherman and Fabian), all three of them dressed in silver. He threatens to take over the lease on the Saturn, causing Max to have a heart attack and his shitty nephew Sammy (Miles Chapin, THE FUNHOUSE) to kiss Beverly’s ass. (read the rest of this shit…)

The Funhouse

Wednesday, October 25th, 2017

After SALEM’S LOT but before POLTERGEIST, Tobe Hooper did a humble little teen horror movie that acts as a rickety jerry-rigged bridge between his nasty beginnings and his guy-who-works-with-Spielberg years. Filming in Florida, Hooper was able to create a vibe of sweaty southern depravity in the tradition of THE TEXAS CHAIN SAW MASSACRE and EATEN ALIVE, but bigger – THE FUNHOUSE is a $3 million Universal movie. I don’t know if it’s the sweeping aerial views from cinematographer Andrew Laszlo (THE WARRIORS, FIRST BLOOD, REMO WILLIAMS) or the ominous orchestral score by John Beal (primarily a composer for trailers), but I swear there’s a faintly classy polish on this trashy drive-in sideshow.

I suppose the influence of HALLOWEEN might’ve contributed. The opening is an obvious homage – maybe even straight up ripoff – a POV shot of what turns out to be a kid (Shawn Carson, SOMETHING WICKED THIS WAY COMES) putting on a clown mask and creeping up on his naked sister (Elizabeth Berridge, AMADEUS, HIDALGO). The difference is that he’s not a psycho, just a little brat trying to scare her. This pranking and the horror movie memorabilia in his room don’t turn out to be relevant, other than that the real horror he encounters hides itself under a Frankenstein’s monster mask, and when he sees it he won’t be laughing, he’ll be crying like a baby. (read the rest of this shit…)