"I'll just get my gear."

Posts Tagged ‘Cooper Huckabee’

Turbulence

Wednesday, December 23rd, 2020

TURBULENCE is kind of an also-ran in the world of ‘90s studio thrillers. They used to put pretty big budgets into these mainstream action/thriller hybrids, especially if they starred Harrison Ford and/or Tommy Lee Jones. I guess psycho Ray Liotta is a little more low rent than that, and heroine Lauren Holly wasn’t exactly a Jodie-Foster-sized marquee name (she was known for Picket Fences and DUMB AND DUMBER). But if Wikipedia is correct, the budget for this one was bigger than THE FUGITIVE, IN THE LINE OF FIRE, PATRIOT GAMES, THE NET or SPEED! So although most of the story is confined to one 747 it has plenty of scope. It feels like a big DIE HARD type production.

Or maybe I should say DIE HARD 2 – that’s the movie I thought of when it was at the airport, with its attention to the pomp and circumstance of a law enforcement caravan arriving to search the plane before bringing prisoners aboard. It even takes place at Christmas, with Christmas music. Anyway, I have a soft spot for this type of movie. Any stupidity that may or may not be involved did not get in the way of my enjoyment of this one. (read the rest of this shit…)

The Funhouse

Wednesday, October 25th, 2017

After SALEM’S LOT but before POLTERGEIST, Tobe Hooper did a humble little teen horror movie that acts as a rickety jerry-rigged bridge between his nasty beginnings and his guy-who-works-with-Spielberg years. Filming in Florida, Hooper was able to create a vibe of sweaty southern depravity in the tradition of THE TEXAS CHAIN SAW MASSACRE and EATEN ALIVE, but bigger – THE FUNHOUSE is a $3 million Universal movie. I don’t know if it’s the sweeping aerial views from cinematographer Andrew Laszlo (THE WARRIORS, FIRST BLOOD, REMO WILLIAMS) or the ominous orchestral score by John Beal (primarily a composer for trailers), but I swear there’s a faintly classy polish on this trashy drive-in sideshow.

I suppose the influence of HALLOWEEN might’ve contributed. The opening is an obvious homage – maybe even straight up ripoff – a POV shot of what turns out to be a kid (Shawn Carson, SOMETHING WICKED THIS WAY COMES) putting on a clown mask and creeping up on his naked sister (Elizabeth Berridge, AMADEUS, HIDALGO). The difference is that he’s not a psycho, just a little brat trying to scare her. This pranking and the horror movie memorabilia in his room don’t turn out to be relevant, other than that the real horror he encounters hides itself under a Frankenstein’s monster mask, and when he sees it he won’t be laughing, he’ll be crying like a baby. (read the rest of this shit…)