"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Jason Alexander’

The Hunchback of Notre Dame / Eraser

Friday, June 26th, 2026

June 21, 1996

Today, as I try to catch up on my slightly lagging retrospective, I will take a look at two movies released on the same day a year and a week ago. One is a lavish Disney animated musical, the other a violent Arnold Schwarzenegger action vehicle, each of those art forms seemingly just a little past their peak. Both are about an unusual man trying to protect a woman from bad guys, and they were tied for the most expensive movie of 1996, having budgets of around $100 million.

Disney had experienced the wildly successful “new renaissance” streak of BEAUTY AND THE BEAST, ALADDIN and THE LION KING, followed by POCAHONTAS, which was a moneymaker, but not as much as its predecessors, and not as well reviewed (except by me). Now comes THE HUNCHBACK OF NOTRE DAME, from BEAUTY AND THE BEAST directors Gary Trousdale & Kirk Wise. Like POCAHONTAS it’s very Broadway influenced and addresses surprisingly heavy topics for a fuckin G-rated cartoon. It had a bigger budget and the animation is more showy, but in my opinion not nearly as appealing. With the villain in particular it kinda looks like they’re trying to do PRINCE OF EGYPT era Dreamworks but don’t quite know the style.

I’m speaking of the cruel, sexually repressed, genocidal Judge Claude Frollo (Tony Jay, TWINS), who is engaged in a bigoted crusade against the Romani people in Paris. In the opening scene he kills a fleeing immigrant holding a deformed baby. The archdeacon (David Ogden Stiers, BETTER OFF DEAD…, DOC HOLLYWOOD) witnesses the whole thing and guilts him into not dumping the baby in a well, instead agreeing to raise him as his own, by which he means name him Quasimodo and lock him in the bell tower of the cathedral. (read the rest of this shit…)

Wild Card

Friday, February 6th, 2015

tn_wildcard“I can take care of things. That’s all you need to know.”

In WILD CARD, Jason Statham plays Nick Wild (seriously), a legendary special ops badass who now works as an all purpose “security consultant” for hire. That’s not going well for him, though. He shares his office with a lawyer (Jason Alexander from THE BURNING) on the strip mall outskirts of Vegas, most of his friends seem to be prostitutes, hotel maids, gangsters or casino employees, and he gets such glamourous gigs as getting fake beat up by Vinnie from Doogie Howser to impress a Sofia Vergara. It’s hard to bask in your own greatness when you’re such a fucking loser. So in that sense this is less like THE TRANSPORTER and more like REDEMPTION (where he starts out as a homeless crackhead).

He gets a couple “Just how badass is he?” speeches, but one of them is by himself, and ends with “And I lie alot.” As cool as this guy is – his name is Nick Wild, for God’s sake! – everybody knows he’s a fuckup, and this is underlined by casual comments about the mediocre value of his life. When a friend wants him to get involved in something dangerous and he asks “What if they kill me?” she says “I’ll be miserable for days.” Not years, not months, days. Later a gangster wants to hear his side of the story before killing him just because if he was innocent of what he was accused of “I would feel dreadful.”

If some of this sounds familiar that’s because it’s a remake of HEAT. Not the one by Michael Mann, the 1986 one with Burt Reynolds and based on the book by William Goldman. It counts as a remake though because they re-used Goldman’s old script with just a few tweaks, like Van Sant did with PSYCHO. (In fact, Anne Heche is even in this. But not Vince Vaughn) They changed his name from Nick Escalante and added references to his Britishness. He says “mum” in one part. And I noticed big changes in the action parts (I missed a trick Burt did to light a guy on fire, and a scene where he torments a guy in the dark). But mostly, from what I could remember, it’s scene-for-scene the same. (read the rest of this shit…)

The Burning

Thursday, October 16th, 2014

tn_burningTHE BURNING is a slasher movie I like, and I can acknowledge that it’s not great but it just fits into my wheelhouse (you know, the house where I store all my wheels as well as some of the movies I like). Something about those FRIDAY THE 13THs and SLEEPAWAY CAMPs just engrained the summer camp of the ’80s into my mind as a perfect place for a slasher. By day it’s canoes and pushing people off of docks and wearing those gym socks with the stripes at the top. Then at night you realize you’re out in the middle of the fuckin woods! What the fuck are you gonna do if (let’s be honest – when) something happens? Where are you gonna go? Deeper into the dark, quiet woods?

But actually Jason and these guys are scarier when they strike in the sunlight. The sanctity of the summer paradise invaded by machetes and improperly used spear guns. Lens flares and dripping blood. (read the rest of this shit…)

Vern Reviews SNOOP DOGG’S HOOD OF HORROR!!

Wednesday, January 17th, 2007

SPOILER ALERT !!

Hey, everyone. ”Moriarty” here.

Vern, you magnificent beast, only you would review this one for us.

No, no. Only you could review this one for us.

Heaps of fun as always, sir. Thanks.

First there was BRAM STOKER’S DRACULA. Then there was MARY SHELLY’S FRANKENSTEIN. Now, finally, we have SNOOP DOGG’S HOOD OF HORROR. In this case though the man in the title is not the author of the work, but the host, a duty he first mastered in that other great film with his name in the title, SNOOP DOGG’S DOGGYSTYLE. (read the rest of this shit…)

Shallow Hal

Saturday, November 10th, 2001

In Hollywood they have a saying that goes something like, “if you can’t think of anything funny, put a movie star in a fat suit.” On some magazine I saw on a news stand they had another saying that goes, “Fat suits: the new blackface.”

It’s true too. I mean the less acceptable it becomes to make fun of the gays, the more people need somebody else to pick on. So they start pickin on these big folks.

I don’t know why but for some reason people think it’s hilarious to see a celebrity made up to look all fat. They did it on Big Momma’s House. They did it on one of those sitcoms that is popular now, I believe it was either Friends or Cheers. The one about the kids in the apartment who have relationships, etc. Also Eddie Murphy did it. He thought it was so funny he based two movies around it. And within each movie he had to play four or five different fat characters in order to try to fill the whole movie with laughs. (read the rest of this shit…)