“This is the guy that’s been leavin’ the wet stuff?” 
By 1984, when Paramount decided that the fourth FRIDAY THE 13TH would be called “THE FINAL CHAPTER,” Jason and his mom had had a good run terrorizing the Crystal Lake region and the world’s movie screens, for which the studio and filmmakers had received some scolding from critics. But according to Crystal Lake Memories, Paramount was not ashamed. It was part 2 and 3 producer Frank Mancuso Jr. who was beginning to resent the series, because it was all people seemed to associate him with. “I really wanted it to be done and walk away,” he told author Peter M. Bracke. “In some ways, I felt I had grown beyond it, but it was really more me coming to terms with the fact that these movies should be made by people who are pushing themselves and learning and growing. The fact of the matter was that I wasn’t in a place where I could get excited about doing one of these things again. It became a chore.” So, contrary to our assumptions, he was completely serious about killing off Jason in a “final chapter.”
Part II and III director Steve Miner had grown bored of the series too, not interested in “remaking the same film, over and over again,” and he was off trying to make that 3D GODZILLA movie I mentioned at the end of the last review. So they hired a new director with relevant experience. Joseph Zito had directed ABDUCTION and BLOOD RAGE in the ‘70s, but more notably THE PROWLER (1981) is one of the more respectable slashers to come on the heels of HALLOWEEN and FRIDAY THE 13TH, with pretty similar content (a masked killer stalks college students at a graduation party on the anniversary of a past tragedy). FRIDAY producer Phil Scuderi had seen an unfinished version of THE PROWLER and declined to invest in it, but told Zito he would call him when there was another FRIDAY THE 13TH sequel. And that wasn’t just bullshit – he really did! (read the rest of this shit…)
ANGEL III: THE FINAL CHAPTER, the third and last of the four ANGEL movies, finds Molly “Angel” Stewart far from her roots. She is no longer played by Donna Wilkes or Betsy Russell, now she’s played by Mitzi Kapture (Silk Stalkings, Baywatch, The Young & the Restless). She’s not a prostitute or a lawyer or runner anymore, now she’s a photographer helping out the police (we see her go along on a gambling bust to take pictures of people running away) and in her spare time trying to work on a photography book about street kids. Most drastic of all she doesn’t live in Hollywood anymore, she lives in New York. 
