It always seems to surprise people when I admit stuff like this, but until now I had never seen WYATT EARP. And when I was getting ready to watch it and do this review I worried I was gonna get myself into trouble because it came out six months after TOMBSTONE, and lived and died in its comparisons to TOMBSTONE, so I know everyone in the comments is gonna want to talk about that. And the thing is I still haven’t seen TOMBSTONE either. Yeah, I know. I’ll get around to it.
Initially I thought I should do that first, but then I realized it was a unique opportunity to be the one guy watching WYATT EARP on its 30th anniversary with zero instinct to compare and contrast to TOMBSTONE. I have been preparing three decades to be this specific guy. (read the rest of this shit…)
You remember Rambo, John J. Vietnam vet, Green Beret, POW camp survivor, Congressional Medal of Honor recipient. In ’81, as a homeless drifter, he waged a one-man guerrilla war against the police department of Hope, Washington, wounding several officers, killing police dogs, blowing up buildings and causing one officer to die from falling out of a helicopter. But they let him out of prison for a secret POW rescue mission. Though he earned a presidential pardon, he decided to live in Thailand, living off odd jobs such as stickfighter, temple-builder, snake-catcher or river guide, with occasional missions to help the Mujahideen in Afghanistan or rescue missionaries in Myanmar. But eventually he came home to his dad’s place in Arizona.
It doesn’t seem like it, but that movie was 11 years ago. Rambo has short hair now, wears cowboy hats and runs his (now deceased) dad’s horse ranch. He lives with a woman named Maria (Adriana Barraza, AMORES PERROS, DRAG ME TO HELL), who I guess the photos on the wall indicate was his parents’ maid, and her granddaughter Gabrielle (Yvette Monreal from the El Rey show Matador), who calls him Uncle John and who he says he thinks of as his daughter. (read the rest of this shit…)
Right now, in 2019, people sure do love a good TV series. Some claim that the premium cable and streaming shows are actually better than movies. As TV shows become more cinematic and cinema becomes more serialized, the two mediums seem to be growing into each other like a very respectable rat king. Big name real deal movie stars can star in TV shows or limited series and collect acclaim and awards instead of scorn for slumming it.
At the same time the industry is obsessed with “intellectual property” and franchises, so naturally we’re getting TV shows that prequelize or sequelize a popular movie/movie series. In recent years they’ve done Terminator: The Sarah Connor Chronicles, Tremors, Taken, Transporter: The Series, Training Day, Limitless, Ash vs. Evil Dead, Cobra Kai, Wet Hot American Summer: First Day of Camp and Wolf Creek, and soon we’ll be getting new Star Wars and Marvel tie-ins and maybe Undisputed and all kinds of shit.
From the dawn of 1986 they came…moving stylishly down through the decades. Movies, TV shows, cartoons, struggling to reach the time of the reviewing, when Vern will write about the franchise
That wasn’t how it worked in the early ’90s, though. There had been a few genre shows connected to movies: Planet of the Apes (1974) (and the animated Return to the Planet of the Apes [1975]), Beyond Westworld (1980), Blue Thunder (1984), Starman (1986-1987) and Alien Nation (1989-1990). None of these ran for very long, few are well remembered. TV was lesser than movies, you could never carry over the cast or the production value, and extending a movie series onto the small screen was not really a good bet.
But shit, HIGHLANDER II: THE QUICKENING wasn’t a good bet either. And producers Davis and Panzer, stinging from that loss, weren’t ready to leave the blackjack table. Maybe a TV-sized saga of the Immortals could be more than the Starman of the ’90s. Maybe it could be the M.A.S.H. of the ’90s! (read the rest of this shit…)
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Recent commentary and jibber-jabber
VERN on The Client: “I can see why you would count TRIAL OF THE CHICAGO 7, but I think that’s different, it had the…” Jul 26, 16:36
hurtado on The Client: “Y’all keep saying these things went away, but exec’s are still greenlighting Aaron Sorkin scripts. Now it’s time for ANOTHER…” Jul 26, 15:33
Skani on True Lies (30th anniversary revisit): “No lies detected. Thank you for these words and for your patience with me as I try to wake up…” Jul 26, 13:56
CJ Holden on Lassie (1994): “At some point they were adapting so many TV shows, they made fun of that in the CHARLIE’S ANGELS movie!” Jul 26, 12:28
Mr. Majestyk on True Lies (30th anniversary revisit): “Skani: This is why I have a problem with the term “woke.” It’s past tense. It indicates the completion of…” Jul 26, 12:20
Charles on Lassie (1994): “It is interesting upon reflecting how much remakes and IP were already a big part of Hollywood already in the…” Jul 26, 12:17
CJ Holden on Huda’s Salon: “I’m notoriously bad when it comes to giving feedback, but I’m gonna check it out too, Glaive. (Just beware of…” Jul 26, 07:17
Bill Reed on Huda’s Salon: “Vern, keep telling it like it is. Also, this movie sounds like a good one. Glaive, very interesting project. I…” Jul 26, 07:09
Skani on True Lies (30th anniversary revisit): “The historical record will show that James Bond was a darker-skinned Middle Eastern man, whereas the Bond films have whitewashed…” Jul 26, 06:53
Bert on Huda’s Salon: “Hey no worries on not every entry being a winner, we are all here reading Vern’s reviews anyways. ;)” Jul 26, 05:56
Kaplan on True Lies (30th anniversary revisit): “So no one can point to anything specifically racist in any of the Brosnan or Dalton Bond movies?” Jul 26, 05:22
Dreadguacamole on Lassie (1994): “By the time this came out I wouldn’t be caught dead watching it. The show was a perennial where I…” Jul 26, 04:58
Mr. Majestyk on The Client: “Wait, are you telling me there were OTHER books? Entire other genres even? Wow, what a fascinating rebuttal! You have…” Jul 26, 03:54
CJ Holden on Lassie (1994): “I just remembered something from the depths of my childhood: There was not just Lassie, but also Bessy, who was…” Jul 26, 00:56
Pacman2.0 on Lassie (1994): “The PS2 game is actually based (well, “based”) on the 2005 LASSIE, the back-to-its-roots (geographically and tonally) CASINO ROYALE-style reboot/re-adaptation…” Jul 25, 23:28