THE STRANGERS: PREY AT NIGHT is an enjoyable, well-put-together modern slasher movie. I saw and liked the first chapter of the THE STRANGERS motion picture saga, but haven’t seen it since and don’t remember many specifics. This is a horror sequel in the old tradition where it’s a new set of characters and you don’t have to remember anything about the other one, or have seen it. There’s no continuity or information that needs to be understood, it’s more like a loose remake, a do-over, or just another time where a family is terrorized by a man and two women in creepy masks who knock on their door at night and fuck with them with no apparent motive other than that they enjoy it.
It’s very straight forward. It sets up a family in the midst of some family drama, it moves them to an interesting, isolated setting, it puts them through a series of well-directed scares, scraps, and chases, and it’s over in 80 minutes. (read the rest of this shit…)
BRAHMS: THE BOY II is obviously a sequel worth doing just to apply something close to the 
DARK HARVEST is a crazy new Halloween movie I rented for six bucks on VOD. I think they kinda fumbled in marketing it because they made me think it was about a corny looking killer in a skeleton mask, when in fact it’s about a cool monster and that’s just a guy in a Halloween costume. But I’m glad I knew nothing, because it was interesting to see the movie’s weird premise unfold and realize yeah, this is obviously based on a book (same title, written by Norman Partridge, published in 2006). Hard to make a movie with a world and concept this odd these days unless it’s based on a book.
William Friedkin often said that he didn’t think of 
Okay, I successfully reviewed all of the 
Crowe basically depicts him as a lovable Italian grandpa – generous with his chuckles, good with kids, full of corny humor (I never quite figured out why he likes to make a cuckoo clock sound at people?). He greets humans, statues and at least one desiccated corpse as “my friend.” Also his girth comically dwarfs the Ferrari scooter that is his preferred mode of transportation. 
THE EXORCIST: BELIEVER is the new Blumhouse-produced 
At the turn of the century, as we discussed yesterday, Morgan Creek set out to make a prequel to 
This is the first first-time-watch for me in this EXORCIST series viewing. There are so many horror franchises that I’m a completist about, but I never really thought of myself as an EXORCIST guy. But after revisiting I, II and III in quick succession, and knowing I’d be seeing the new one too, I figured… when in Rome (home of the Vatican), right? Look, if you had one shot, one opportunity to seize the entire 
My experience with THE EXORCIST III is different from the other ones. This one I actually saw in the theater as a teenager. In those days you would just go see the latest chapter in a horror series even if you hadn’t seen the earlier ones. I’m pretty sure I hadn’t seen part II at the time, and I’m not even sure I’d seen the first one. I definitely wasn’t familiar with it enough to realize that the protagonist, Lieutenant Kinderman (George C. Scott, Cartoon All-Stars to the Rescue) was a character from the first one (the homicide detective played by Lee J. Cobb).
As we touched upon yesterday, William Friedkin’s 
