Okay, I know after 15 years many people have sort of fallen out of love with the Marvel Cinematic Universe. I feel you. Maybe you’re looking forward to a world with fewer comic book movies. Fair enough.
But before you go can I interest you in Indonesia’s answer to the MCU real quick? A few years ago I reviewed the 2019 film GUNDALA, written and directed by Joko Anwar (SATAN’S SLAVES), based on an Indonesian comic book character from the ‘60s. I really liked it, and thought it was cool to see a super hero origin story that’s obviously inspired by the American ones, but based in the history, culture and cinematic traditions of Indonesia. Most specifically, for my tastes, that means it has a whole bunch of really great martial-arts-based action. So I was intrigued that it was meant to kick off something called the Bumilangit Cinematic Universe. In the MCU tradition it even had a little tag at the end introducing the heroine of movie #2 here, SRI ASIH. Then the whole endeavor got delayed by that bastard COVID-19, but it finally made its way to U.S. DVD (but I guess not blu-ray) this week under the insulting title SRI ASIH: THE WARRIOR.
Anwar is the executive producer of the whole series, and he co-wrote this one with its director, Upi Avianto (HIT & RUN), just credited as Upi. Pevita Pearce (MAY THE DEVIL TAKE YOU) stars as Alana, whose mom died giving birth to her four months early, during a volcanic eruption, in a car being chased by a demon-faced ash plume. So Alana grew up in an orphanage defending others from bullies until a rich lady named Sarita (Jenny Chang, also a mother in competing Indonesian comic book universe movie SATRIA DEWA: GATOTKACA) adopted her and taught her to be a fighter, who competes against men and is undefeated. (read the rest of this shit…)
I don’t need to tell any of you that one of the all time great directors, John Woo, has returned to our screens. If you didn’t read it or hear it, you could probly sense it. It’s been six years since his last movie (
HAUNTED SAMURAI, a.k.a. SHINOBI DEMON: DUEL IN THE WIND, a.k.a. KAZE NO TENGU (1970), is an obscure samurai movie I uncharacteristically blind-bought from 
The day after I saw 
INVASION OF ASTRO-MONSTER (1965) is Godzilla movie #6, once again from director Ishiro Honda. Weirdly it’s a co-production between Toho and the American animation studio UPA – a collaboration that began that year with FRANKENSTEIN VS. BARAGON (the one that WAR OF THE GARGANTUAS is a sequel to).
TAMARA may or may not be obscure enough to qualify for Slasher Search, but it’s harder to define now that I’m doing 21st century movies. Its hook is that it’s from Jeffrey Reddick, writer of FINAL DESTINATION. Apparently it had an unprofitable theatrical release in 2005, a time of terrible fonts and faux-distressed poster art. I recognized the cover from the video store, but only when I found it on Tubi did I wonder what its deal was and click on it.
The part that piqued my curiosity is that the title character is played by former Janet Jackson backup dancer Jenna Dewan a year before she starred in the first 
SAKRA is Donnie Yen’s 2023 passion project, which he stars in and co-directed (with Kam Ka-Wai, second assistant director of 
I take any chance I can to tell people about the show Reservation Dogs. If you get Hulu it’s on there – just 3 seasons, a total of 28 half hour episodes, not heavy on continuity, not a huge time commitment. In a way it’s comparable to my other favorite recent show, Atlanta, in that it’s just this incredible cast where every character is really hilarious to me in a different way, and also because the writers and directors are narratively playful and free. They’re willing to leave their teenage protagonists to do an episode all about the elders, then later one all about the elders when they were teenagers, then an episode where one of today’s teenagers meets a weirdo recluse who we start to realize was one of the kids in that flashback episode who has become estranged from the others. Things like that. But also it’s a very potent show about friendship and dealing with loss, so it’s the funniest show that I always find myself trying not to cry at.
As I promised before Halloween, I’ve continued scouring Tubi for potential Slasher Search material. It’s been a struggle so far. Most of the things I’ve clicked on turn out to be hard to get through and easy to give up on. For example I tried to watch one called HAUNTED TRAIL because it was directed by 
Throughout the 16 (!) years since 
