It has been brought to my attention that a hand-painted AGAINST THE DARK poster from Ghana is for sale on the ebay for $250.75. That may seem like alot, but please keep in mind that it’s 15% off of the regular price. And it’s not like it’s $251. It’s a quarter cheaper than that. Not bad.
Nah, I’m just fuckin with you, actually it is a reasonable price for an artifact like this. If you’re not familiar with the Ghana approach to movie posters, they are literally one-of-a-kind original paintings, usually done on cut open flour sacks, that hang outside of the little shacks where the movies (I believe on DVD now) are shown on a TV screen. I have a really good book about it called Extreme Canvas: Movie Poster Paintings from Ghana, but I think that one’s hard to find now. There’s another one that’s supposed to be good called Ghanavision
. I enjoy these posters because of their crude look and occasional extreme disregard for movie accuracy. Also I like when they obviously didn’t have much reference material, so they’ll put Arnold Schwarzenegger in his RAW DEAL undershirt for T2 or something. (read the rest of this shit…)

MESRINE: KILLER INSTINCT is part 1 of a 2 part French true-ish crime saga about Jacques Mesrine, international terror, mustachioed robber of banks and casinos, killer of forest rangers, escaper of prisons, etc. One of these lovable maniacs who make the world worse and the movies better. This review is just of the first part. Both parts have been available as an import for a while but I waited for the official American release, so I gotta wait another month for part 2.
After
I don’t know how I missed this one, because it’s a good one.
Everybody knows Isaac Hayes’s music for SHAFT, but he also scored TRUCK TURNER. And while he was at it he decided to also star as Truck Turner. Why not? I guess at one point it was gonna be Robert Mitchum, which would’ve made for a really weird blaxploitation movie.
Did you know that Prachya Pinkaew, the director of ONG BAK and
Okay, I remember this being a thing when Sam Raimi made his first Spider-man picture (we’ll call it SPIDER-MAN A), but I kinda forgot about it. Now there is some hubbub now that the other guy is doing the other Spider-man picture (SPIDER-MAN B). See, in SPIDER-MAN A the guy had what the nerd community refers to as “organic web-shooters,” which means that he has the power of a Spider-man and can shoot spider-webs from his wrists although he is the size and shape of a man and does not suck the blood of flies or any crazy spider shit like that. In SPIDER-MAN B he has non-organical type web-shooters, meaning he’s just a regular non-webshooting individual who owns little web-shooting machines that he invented, on account of he is a huge nerd. This is considered a victory for all Americans because apparently this is how it was done in the comic strip books.
After the one-two Avid fart punch of
Lately alot of us have been noticing the decrease in high quality action movies on the big screen and the increase of them in the direct-to-DVD world. Some of us are starting to suspect that there’s been a switcheroo, that the DTV format – once designated as a 100% crap zone – has become the more reliable place to find good action movies. At least for English language movies it seems like most of the best ones (the UNDISPUTEDs, UNIVERSAL SOLDIER REGENERATION, BLOOD AND BONE) go straight to video, and anything on the big screen, even the ones I end up enjoying (THE EXPENDABLES, THE MECHANIC, NINJA ASSASSIN) you can pretty much 100% assume is gonna be compromised by some blurry, muddy, sloppy, close-up, confusing, de-thrillified action scenes.
I SPIT ON YOUR GRAVE (2010) is an okay-but-could-be-much-better remake of the disreputable cult classic. In the rankings of 21st century remakes of notorious ’70s rape revenge movies I’d put it at #2, more watchable than CHAOS but not nearly as artful as LAST HOUSE ON THE LEFT. It has pretty effective pacing and a couple good ideas, but it’s not as smart or observant as I’d want for a really worthwhile remake.

















