"CATCH YOU FUCKERS AT A BAD TIME?"

NATURAL BORN KILLERS addendum 2: revised third draft script, 1990, by Quentin Tarantino

After watching the movie again, and then reading about the production again, I realized I really had to go back to the source again in order to really understand it. The script is available at various places online and has also been published in actual book form. And it’s drastically different from the finished movie.

The opening scene is basically the same. Mickey and Mallory in a diner, Mickey eating key lime pie, Mallory dancing to the jukebox (she steals the quarter from a Jerry’s Kids donation jar), some rednecks move in on her and it turns into a bloodbath.
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new look

Just in time for my 13ish year on the “internet” I have decided it’s time for a new look. This is mainly because as I get older my eyes are having a hard time reading the red/grey on black, and partly because a couple years ago a friend of Drew McWeeny wrote and told me he had a seizure while reading one of my reviews. I don’t want to be responsible for any major medical events. Also, I’m trying to be more professional as Christian Bale once suggested was a good thing to do and he is a good actor.

Please thank Clubside Chris for all his work creating this look based on my pain in the ass suggestions, plus the previous fake Geocities look, which will be available in the dropdown menu at the lower right for those who want to stick with it (it might need some fixing but will be operable soon).

Anyway, I hope people and eyeballs enjoy it. We will be trying out some new features too. Suggestions welcome but don’t be an ass.

thanks for reading, everybody

NATURAL BORN KILLERS addendum 1: Killer Instinct

 Killer Instinct: How Two Young Producers Took on Hollywood and Made the Most Controversial Film of the Decade by Jane Hamsher

I got alot of problems with this book, but I kinda recommend reading it if it’s a subject you’re interested in. It’s got some funny stories about Oliver Stone and the crazy antics of Hamsher’s partner Don Murphy, probly best known now as a producer on the TRANSFORMERSes, but I remember his name because of many belligerent message board posts and open letters he’s written over the years. Because I’ve read so many of those it’s hard for me to buy Hamsher’s portrayal of him as a lovable madman, but there are good stories about him that aren’t about him yelling at anybody. I dug the one where it’s the middle of the night after a long hard shoot and he manages to get Oliver Stone and the whole crew excited about staying later for a product placement shot of a truck so they can all get free cowboy boots.
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Natural Born Killers

Years ago I saw NATURAL BORN KILLERS, and I hated it. But that was years ago. Like Woody Harrelson says in the opening scene about the last time he ate key lime pie, I was a different person then. I’ve mellowed over the years. I’m more open to crazy shit and mega-acting. I’m not as strident about certain things. I’m ready to appreciate it as a weird crime movie, maybe, even if it still comes off as a ridiculously heavy-handed message movie about the most obvious fucking message in the world (have you noticed how the media exploits violence?). So let’s give it the same respect we give the pie. Let’s give it its day in court.

Of course, I got no clue why somebody would be skeptical about key lime pie. Maybe that’s the best clue into Mickey Knox’s derangement. Quentin Tarantino sure liked writing about pie when he was young. He wrote the original script this was based on but would only accept a “story by” credit after it was heavily re-written by Oliver Stone, Stone’s buddy Richard Rutowski and David PERMANENT MIDNIGHT Veloz.
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U Turn

Before seeing SAVAGES I wanted to catch up on some of the recent Oliver Stone pictures that I’d skipped. It turns out this one is 15 years old, so you could argue that I’m a little behind on Stone. Do you guys know if JFK is any good? What about PLATOON?

This is his most straight-forward crime genre picture before SAVAGES so I figured it was a good one to check out. Based on the book Stray Dogs by John Ridley (RED TAILS, UNDERCOVER BROTHER), it’s about this dirtbag Bobby (Sean Penn), an ex-tennis player in debt whose fancy-ass car breaks down in the middle of Tiny Desert Town, Hell (actually Superior, Arizona) on his way to delivering a bunch of cash to the guy who cut off some of his fingers, and then things get way worse. But he fucks Jennifer Lopez at least. (read the rest of this shit…)

Alien Resurrection

David 8’s basketball practice in PROMETHEUS got me thinking about Ripley 8’s b-ball skills in ALIEN RESURRECTION, so much so that I decided to make it the topic of my Badass Cinema 101 column for CLiNT Magazine. Ask for it by name at your favorite newsstand or magazinier.

Well, I had to re-watch the basketball scene for research, but I decided instead of just watching the scene I wanted to sit and watch the whole movie again. I’ve always liked this one and thought it got a bad rap. It lacks the seriousness and groundbreakingness of ALIEN and ALIENS, but in its own way it’s a highly entertaining sci-fi popcorn movie with great characters, great set-pieces, original ideas, cool monsters and lots of weird shit that only this particular director would’ve done. That last one I’m afraid is probly one of the reasons it’s so hated. Alot of people don’t like seeing things they didn’t already plan to see.
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13 Assassins (1963)

Thanks to Takashi Miike’s outstanding remake, this samurai classic has finally been released with subtitles for the Japanese impaired. Also, thanks to the remake, I knew to watch it.

If you saw the remake then you know the story: a guy commits sepukku in protest of the Shogun’s brother, Lord Umigetsu. This forces the ruling class to discuss the uncomfortable fact that a total fuckin maniac is in line to inherit the throne. You can imagine how socially awkward this would be in any society, but this is one where they take ranking, protocol and manners very seriously. I mean, I just told you how he had to kill himself in protest. Not write an editorial. (read the rest of this shit…)

Step Up Revolution

What was the STEP UP saga missing before? Bikinis. The series began in Baltimore and in part 3 it continued into breakdancing’s birthplace, New York. Part 4 here is Assignment Miami Beach. We take up with a new set of characters, a group called The Mob, who stage ridiculous “flash mob” dance numbers as part of a Youtube competition to be the first dance crew to get 10 million hits. But when an out of town developer (Peter Gallagher, CENTER STAGE) plans to demolish their predominantly Latino neighborhood and replace it with a resort, they decide it’s “Enough performance art, time for protest art.”

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Battle of the Year 3D trailer

This is a blog (short for web-log) post about the trailer for BATTLE OF THE YEAR 3D. The movie is not about the type of battles that are in the movies I normally write about here, but bear with me.

Whether you know it or not, you are anxiously awaiting my review of STEP UP REVOLUTION. I’m working on it, but I saw this trailer before the movie and I had to share it with you guys right away. At first I was just laughing because it’s a dance movie following a sports movie formula, so the characters keep talking about “the sport” of breakdancing. That is a very anti-STEP UP attitude. Dancing is an art, right? W the F.

But as I kept watching I realized something else. See if you pick up on it too:

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The Loose Canon: LONE WOLF AND CUB: SWORD OF VENGEANCE & BABYCART AT THE RIVER STYX vs. SHOGUN ASSASSIN

Every now and then I write a more-in-depth-than-usual study of a movie I consider important and influential in the evolution of Badass Cinema, a movie I believe most fans of the genre would love and all should see and have an opinion on. I call this series THE LOOSE CANON.

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In 1980, a violent samurai movie called SHOGUN ASSASSIN hit American shores. It is the story of Lone Wolf, an assassin trying to avenge the murder of his wife by the Shogun he used to work for. He travels Japan by foot pushing a babycart that  carries a number of weapons and his son Daigoro – who also narrates the movie – and eventually kills the Shogun’s brother. With its weird tone and garish violence, and coming right at the beginning of the decade when Americans became obsessed with Japanese traditions like karate and ninjas, the movie took on a legendary status in pop culture that lasts to this day. Its dialogue and primitive synthesizer score were heavily sampled on the seminal 1995 hip hop album Liquid Swords by GZA, and also heard in KILL BILL VOLUME 2 as little Bebe’s chosen bed time movie.

The one problem with SHOGUN ASSASSIN: it’s an insultingly dumbed down bastardization of two excellent 1972 Japanese films, LONE WOLF AND CUB: SWORD OF VENGEANCE and LONE WOLF AND CUB: BABYCART AT THE RIVER STYX (the first two installments in a six movie series). (read the rest of this shit…)