"CATCH YOU FUCKERS AT A BAD TIME?"

Oblivion

tn_oblivionJack Harper (Tom Cruise) is just a working man, you know. After the war with the Scavengers (in which the moon was blown up and shit was fucked up) everybody left Earth for Titan – not the publisher of many fine books but the moon of Saturn that is named after the publisher, from what I understand. Now, I don’t want to stereotype, but alot of humans tend to like Titan for its dense atmosphere and stable bodies of surface liquid. One of the top moons for human life.

Down here we still got drone robots that fly around the wreckage trying to kill off the surviving space-insurgents, and Jack is one of the drone repairmen. By night he stays in a nice little house up on a platform, by day he flies around in his dragonfly shaped bubbleship tracking the drones and fixing them. He seems to like the alone time, but it’s not an I AM LEGEND situation, he does enjoy the company of his partner (wife?) Victoria (Andrea Riseborough) back at home and his boss Sally (Melissa Leo) via satellite from the space station they’ll be going to in a couple weeks before they finally get to go live on Titan with the cool kids.
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The Package (2013)

tn_packageTHE PACKAGE continues two DTV trends that I enjoy:

1. Stone Cold Steve Austin, possible heir to the DTV throne, co-starring with all the other icons of the DTV Action Era. This is his Dolph Lundgren movie. Previously he did his Michael Jai White movie TACTICAL FORCE, his Danny Trejo movie RECOIL and his Steven Seagal movie MAXIMUM CONVICTION. He’s still got to do a Van Damme, an Adkins and a Cuba Gooding Jr.

2. Dolph doing colorful supporting roles where he gets to goof around more. He also stole the show in ONE IN THE CHAMBER and THE EXPENDABLESes and I haven’t seen STASH HOUSE or SMALL APARTMENTS but I bet it’s true of those too. Maybe all these roles where he gets to experiment more will bring something new to him next time he’s the leading man again. (read the rest of this shit…)

Patrick Hughes to direct THE EXPENDABLES 3

tn_redhillWell, you know us, we like to talk about who should direct the next EXPENDABLES. Of course the answer is a John like maybe Hyams or Woo or McTiernan via satellite. But we knew those were not gonna happen. Recently Stallone twittered that he wanted Mel Gibson to direct it, but even he admitted that was unlikely to happen. It is not clear whether or not he asked Danny Glover as a backup.

A few days ago Stallone twittered about meeting with a “NEW BLOOD” director who he said most of us haven’t heard of. We now know for sure that he was not trying to hint at John Carl Buechler, director of FRIDAY THE 13TH PART VII: THE NEW BLOOD. He has revealed that he chose the Australian director Patrick Hughes. I liked his movie RED HILL, which you can read my review of here.

I gotta say, it’s a surprisingly good choice. Who knows how much power Hughes will have (Stallone is often accused of choosing puppet directors so he can control the production without having to do all the directing), or how he’ll do with a bigger production, or what he’ll even want to do with this series. But if he brings any of RED HILL’s foreboding tone and western classicism to it that can only be a good thing.

Note that the FAST AND FURIOUS series is being taken over by James Wan, also an Aussie. Let’s get Greg McLean on a new TRANSPORTER or something.

Firecracker

tn_firecrackerPlease join me to discuss the 1981 Cirio H. Santiago martial arts and boobs picture FIRECRACKER in this week’s installment of JOURNEY TO BATTLE ISLAND (formerly VERN’S PUNCH-QUEST) over on Daily Grindhouse.

The Lords of Salem

SPOILER: Bigfoot cameos in this movie
SPOILER: Bigfoot cameos in this movie

I didn’t even realize THE LORDS OF SALEM was coming out this week until somebody told me. I never saw an ad or saw the trailer play before another movie. When I saw the Anchor Bay logo at the beginning I thought, “That’s weird, why is the new Rob Zombie movie being distributed by the company that only does barely-released-or-advertised horror like HATCHET or BEHIND THE MASK?” After the movie was over it kinda made more sense.

There are many things I liked about this one. Oddly enough I like that it stars Zombie’s wife, Sheri Moon Zombie. She was a major character in all his other movies, but in this one she’s the center of the whole story and often alone on screen. I like that because it’s unusual to see an adult, tattooed, dreadlocked white lady as a lead. You see ’em around but they don’t usually make movies about them. Nice to have something different sometimes. (read the rest of this shit…)

Rust and Bone

tn_rustandboneRUST AND BONE is a beautifully photographed French relationship drama. It’s about two broken people who meet by chance, try to help each other, then hurt each other, then try to help again. It has superb performances by Marion Cotillard (as Stephanie) and Matthias Schoenaerts (as Alain). It deals with the responsibility of fatherhood and with overcoming disability. I know, doesn’t sound like my kind of movie, but each of these characters has a major characteristic that is my type of subject matter:

1) Alain does backyard fights for money

2) Stephanie gets her legs bit off by a fuckin orca
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G.L.O.W.: The Story of the Gorgeous Ladies of Wrestling

tn_glowDo you guys remember G.L.O.W.? Back in the ’80s, specifically 1986-1990, it was a weekly televised all women’s wrestling event. What I remember is it was taped in what looked like a hotel banquet room (turns out it was in a casino). And because of the time it happened there was alot of big hair, alot of glitter, alot of shiny aerobics type outfits. And face paint.

This movie is one of these nostalgic documentaries we’re gonna start seeing even more of because of Kickstarter. It’s HEY, REMEMBER G.L.O.W.?: THE MOVIE. Not alot of substance. But it’s an unusual topic that’s interesting to me, so I enjoyed the stroll down memory lane.

The director Brett Whitcomb and writer Bradford Thomason actually did another nostalgic documentary about a colorful pop culture oddity that only could’ve happened in the ’80s, THE ROCK-A-FIRE EXPLOSION. I recommend that to anybody that wants to see a movie about the animatronic bears and gorillas and shit that played music at the Show Biz Pizza chain, the weird guy that invented them, the crazy coke-fueled hey day when the company was on top of the world, the inevitable downfall, and the dilapidated warehouse where he still keeps all the old crap he has left. That’s real interesting stuff, GLOW actually seems kinda predictable compared to that but, you know, it’s about women who used to paint their faces and wave chainsaws around and rap and bodyslam each other on TV. I’m gonna watch it. (read the rest of this shit…)

Night of the Warrior (and my new column)

tn_nightofthewarriorThis websight called Daily Grindhouse invited me to write for them recently, and I figured why not? I like days, I like grinding, I like houses. My new not-sure-how-regular-it-will-be-yet column, which goes under the working title of VERN’S PUNCH-QUEST, will be kind of like Slasher Search except I’ll be watching obscure b-action type stuff, mostly ones from the ’80s and ’90s that nobody’s recommended to me or anything, just ones that look cool or goofy. And hopefully some of them will turn out to be good.

For the first column I chose NIGHT OF THE WARRIOR starring Lorenzo Lamas. Click on the title to read it.

Ballistic: Ecks vs. Sever

tn_ballisticSo nice they named it twice for some reason? I actually was always curious to see what this BALLISTIC: ECKS VS. SEVER movie was all about, so those of you who voted it up in the SUGGESTIONS gave me that nudge I’ve been needing for years.

Antonio Banderas plays Jeremiah Ecks, an ex-FBI agent who went deep undercover and faked his death but also thought his wife was dead but she wasn’t but now he’s retired but they come to him and say his wife is actually alive and he should help them go after this kidnapper Sever (Lucy Liu) because she knows where his wife is. She took the son of innocent Talisa Soto (MORTAL KOMBAT) and rich asshole Gregg Henry (PAYBACK) and she keeps him in a big metal cage in a Batcave type underground lair but she seems to like him because she brings him cafeteria lunch trays loaded with good food like home made macaroni and cheese, Jello and Ding-Dongs, and he says “Thank you” politely. (read the rest of this shit…)

G.I. Joe: The Movie

tn_gijoeI am an individual who thirsts for knowledge and understanding, so I figured I should find out more about where these GI JOE movies come from. In my review of GI JOE: THE RISE OF COBRA I explained how the Ain’t It Cool Newsies put a nerd fatwah on me for saying GI JOE was based on a toy commercial, and made me read some comic books and admit that i could see how somebody good could turn the GI Joe saga into a colorful action movie with fun gimmicks and larger than life characters.

But since them I’ve talked to other dudes who never knew of the comics but have a nostalgic attachment to the toys and cartoons they grew up on, even if they know they’re dumb. And these cartoon-faction Joeists insisted I watch GI JOE: THE MOVIE, a 90 minute cartoon extravaganza intended for theatrical release IN 1987 but then it went DTV because, let’s face it, it was more of a TV cartoon than a motion picture. A reverse TOY STORY 2. It’s really something though.
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