You may remember my important review series Kid ‘n Play: 20 Years On Film: A Cinematic Legacy. Year end awards did not. But to be fair I think the Pulitzer has a print requirement. And I’m in for the long game anyway, I got my fingers crossed for best of the decade type awards.
Anyway it’s obvious that somebody read my series because they decided it was time to rebooten the HOUSE PARTY film franchise for a generation newer than the one that theoretically watched 2001’s HOUSE PARTY 4: DOWN TO THE LAST MINUTE starring Kid ‘n Play’s younger movie cousins Immature. HOUSE PARTY: TONIGHT’S THE NIGHT is kind of a modern rehash of the first one but done with actors and not music people like the original or the previous rebootal. In that sense it seems to be not really in the same spirit, it comes from the attitude that it’s easier for an actor to learn how to rap than the other way around. But it’s still the story of teenage rapper friends trying to get the girls they like and this time get a record contract at a party they aren’t supposed to be throwing. (read the rest of this shit…)
“I think the streets are clean for a while. I’m a dinosau’. Ain’t nobody around like me no more, so…”
Before I talk about the remake of OLDBOY it’s important that I say I liked the original but only saw it one time 8 years ago. 
I guess Beyonce Knowles 
Well, we lost some cinema icons today. Peter O’Toole of course. I’m not the guy to write the definitive tribute for him, but 
WHISKEY MOUNTAIN is an obscure movie I came across through my usual Slasher Search method of scanning for VHS boxes in the horror section. It’s from 1977 and I’m pretty sure it was made after the filmatists saw 1974’s 
HOMEFRONT is a Jason Statham vehicle with an interesting pedigree: screenplay by Sylvester Stallone (Academy Award nominated writer of ROCKY), meth manufacturing villain played by James Franco (Academy Award nominated lead for 127 HOURS), James Franco’s girlfriend played by Winona Ryder (Academy Award nominee for LITTLE WOMEN and THE AGE OF INNOCENCE). Unfortunately the weak link is director Gary Fleder (CableACE Award winner for an episode of Tales From the Crypt), who’s just the guy who did KISS THE GIRLS and RUNAWAY JURY and stuff like that. He’s not terrible but also not the type of strong director that could shoot a bullseye with a simple story like this.
You guys know I got a soft spot for the unlikely DTV franchise. Back in the day I loved to review ’em for The Ain’t It Cool News. Sequels to WILD THINGS, CRUEL INTENTIONS, ROAD HOUSE, THE HOLLOW MAN… movies that really had no business getting sequelized, it made no sense, but there they were on the video store racks. Or now on the VOD menu or something. Of course, very few thrive in this medium. UNDISPUTED is a rare exception, and since it was originally about boxing it wasn’t that much of a stretch to turn it into this generation’s BLOODSPORT. Most of these sequels are not high quality like that, they’re mildly amusing at best, so I should probly stop wishing for those DTV followups to GHOST DOG and REDBELT (starring Harry Lennix). They would probly lead to disappointment. 
Well, I didn’t want to trivialize the passing of Nelson Mandela by having my dumbass post about it on my websight where I write about Van Damme movies and shit. And right in the middle of a GREEN STREET HOOLIGANS DTV sequel series. Doesn’t seem respectful. But then I started to feel like kind of an asshole for not acknowledging it at all. As much as we all liked Paul Walker, in my opinion Mandela is a more important historical figure. Not to be controversial.
Yes it’s true, 15 years ago ago today Universal unleashed the remake of Alfred Hitchcock’s PSYCHO from the director of DRUGSTORE COWBOY. I didn’t really pay attention but I’m sure everything turned out okay with that. And I see no reason why 
