Soul Power is one of the first documentaries to show a shirtless Bill Withers having lunch with Muhammad Ali and Don King in Africa
SOUL POWER is kind of like a prequel to a favorite documentary of mine, WHEN WE WERE KINGS. Remember how there was that music festival at the Rumble in the Jungle, it was supposed to be the same week as the fight, but Foreman cut his eye and the fight got delayed? Well, they were shooting footage of the festival too, so here’s a separate movie about that.
The star of the show is James Brown (with mustache). Also on the bill are Bill Withers, The Crusaders, The Spinners, B.B. King, Celia Cruz, Miriam Makeba and some African musicians. The movie shows about 1 song per performer, but it’s also about setting up the show. There is priceless footage of a party held back in the states before they all leave for Zaire, James Brown making a speech and everything. On the plane they’re all singing and playing guitars, drums and flutes. I didn’t notice JB or any of the big icons during these scenes, but it’s still amazing to see a plane full of people having so much fun. Then when they arrive there’s a ceremony set up for their arrival. The highlight is the huge smile on Muhammad Ali’s face when he goes up to shake JB’s hand. (read the rest of this shit…)
FACING ALI is a great new documentary about Muhammad Ali (out on DVD last week) that tells his story through the eyes of 10 of his opponents. You still get clips of the champ talking, training, fighting, but you hear about these legendary fights from new interviews with the other guys.
Each of them tell a little about their backgrounds, so they have their own interesting stories. Then they tell about the lead up to the fight, what happened, how they felt about it. Some have nothing but respect for Ali, they admire him, even idolize him. Some are still bitter about the way he insulted them, thought he was too mean. But more than one cries when talking about Ali’s Parkinson’s. (read the rest of this shit…)
I think NORMAL LIFE is a good movie, but I’d sympathize with somebody for hating it. It’s a true crime story about a husband and wife bankrobbing team, but mostly it’s about their fucked up relationship, and it’s like it drags you into the whole mess when you watch it. It’s about as pleasant and fun as you’d expect from the director of HENRY: PORTRAIT OF A SERIAL KILLER if you didn’t know he’d go on to direct WILD THINGS. (read the rest of this shit…)
So Mandela (Morgan Freeman) has just been elected president of South Africa. The headlines ask, “He can get elected – but can he run a country?” Mandela says it’s a legitimate question.
Apartheid ended a few years earlier, but the white Afrikaners still aren’t ready for this. In his first day as president he has to make a speech explaining to the white people in his office that no, contrary to rumors they are not fired. Whatever they did in the past is in the past. If they don’t want to work with him then fine, pack your shit (paraphrase), but otherwise he needs you so stay and do what’s right for the country.
The mistrust goes both ways. Mandela’s head of security (Tony Kgoroge) knows this is gonna be a tough job, but when he asks for more men Mandela gives him a bunch of white South African cops, the enemy of the African National Congress. He has every reason to believe these scary motherfuckers could plan an assassination themselves, but Mandela wants them for their symbolic value. If he goes around with an integrated security team then that says something. What else can he do, really? Somebody’s gotta put their toes in the water. (read the rest of this shit…)
“Viggo Mortensen is… AMERICAN YAKUZA.” That’s what it says on the trailer. This is a rare early Viggo lead role and it’s pretty much a straight up action/crime movie. In the tradition of AMERICAN NINJA, AMERICAN KICKBOXER, AMERICAN SAMURAI and AMERICAN BEAUTY, Viggo is an American white guy who earns the trust and acceptance of the Yakuza, complementing their traditions and rituals with his own American spirit. When they drink sake he drinks Bud Light or Wild Turkey. But don’t worry man, he’s cool. I’ll explain. (read the rest of this shit…)
Well, no surprise here. I’m on record as being done with this “scary home video” fakumentary subgenre, and I think it’s not worth doing unless you can come up with a new gimmick to add on top of that gimmick, like CLOVERFIELD did by doing a found video Godzilla movie. PARANORMAL ACTIVITY doesn’t have much to distinguish it from BLAIR WITCH PROJECT or [REC] other than it’s even lower rent, taking place entirely in one normal house with only 2 cast members for 98% of the running time. I didn’t check the credits but if more than 4 people worked on this then somebody wasn’t pulling their weight. (read the rest of this shit…)
This episode begins with the Squad responding to a call about two men shot in an armed robbery. They go to a Hispanic neighborhood where two Latino men are laying on the ground bleeding from gunshot wounds. Seagal and friends ask the wounded men and witnesses about who shot them (two black men with dreads who robbed them and then shot them anyway) but otherwise all they can do is assure them an ambulance is coming. This is the biggest incident we’ve seen in this series so far, but it’s not exciting, it’s just upsetting to see these poor guys moaning in pain.
“Believe me,” Seagal says. “That really pisses me off bad.” After all the people Seagal has left behind in movies, screaming about which body parts of theirs he injured, and after seeing him abandon the body of a colleague and love interest in a wrecked car in EXIT WOUNDS, it’s weird to see him standing around frustrated that two people are hurt and he can’t do anything. Later we learn that one of the men died. (read the rest of this shit…)
All I wanted for Christmas was NINJ*. But it doesn’t come out in the US until March, so I ordered it from Thailand. It’s a Christmas miracle!
Over the last year or so, while sci-fi nerds all over the world were dreaming of the possibilities of AVATAR, a much smaller, more specialized band of connoisseurs – DTV action fans – were dreaming of NINJ*. It showed promise because of three reasons:
1. Isaac Florentine. The Israeli martial artist turned filmatist is the only reliable DTV auteur I know of. His movies usually have a fun tone and always have great, well-staged fights with energetic camera movements (and sound effects whenever somebody moves their arm or turns their head). He’s made distinctive vehicles for Dolph (BRIDGE OF DRAGONS), Michael Jai White (UNDISPUTED II) and Van Damme (THE SHEPHERD: BORDER PATROL – although he disowned that one. But I liked it.). (read the rest of this shit…)
When I came out of AVATAR I had a nice free feeling that I wasn’t even gonna write a review of it. I figured what it excels at is self-evident and what it fails at isn’t really worth dwelling on, and every motherfucker with a computer already wrote way too much about this thing anyway so what’s the point? I wouldn’t have much to say.
Then a couple days later I had written this behemoth. Hopefully there are one or two things here that haven’t been said before. (read the rest of this shit…)
Some movies you hear about for so long that you almost don’t really believe you’ll ever see it. You always think of it as being something far off in the distance somewhere, then next thing you know it’s there and you weren’t even ready. Everybody’s rushing to get their thoughts online, but I’m a little slower than some people because I want time to process it. I know alot of people are curious what I think about this highly anticipated sci-fi release. I’m sure opinions will be all over the place, but I gotta say that no matter whether you are disappointed or blown away it’s really exciting to see an old favorite coming back, trying to give the fans something new. It’s quite a time to be a fan of these types of movies. (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
Iocus Munduo on Psycho Killer: “Aah, pish-posh, a pox unto the makers of this for stealing the title! For there is and can only be…” Oct 22, 07:46
geoffreyjar on Psycho Killer: “PSYCHO KILLER is a better movie for being bad. If it were competent, it’d be a forgettable police vs serial…” Oct 22, 04:54
Dreadguacamole on Pulse (2001): “I love this movie – one of my favourites and yes, I like it a little more than CURE (which…” Oct 22, 02:20
The Winchester on Psycho Killer: “Psycho killer is fine and all, but have you caught Psycho Granny yet?” Oct 21, 16:22
grimgrinningchris on Hallowarrior / Bloody Tennis: “Wait!!! A real, LIVE Shannyn Sossamon?!?! In the wild!??!? WOW!!!” Oct 21, 13:02
billydeethrilliams on Pulse (2001): “I also heavily endorse Cure. Watched it earlier in the year and it’s easily the best movie I’ve watched in…” Oct 21, 03:26
Dooley the Gravedigger on Pulse (2001): “I like PULSE a lot. Please please please watch his CURE next, and avoid all trailers and reviews as much…” Oct 20, 14:10
Dan the Man on Pulse (2001): “I wholeheartedly second Hammer Time’s position on Cure. It’s Kurosawa’s masterpiece and one of the all time great horror movies.” Oct 20, 10:46
The Humaniac on Pulse (2001): “I know just what you mean, Hammer. That stunt in Pulse is a jaw-dropper. And is there a better movie…” Oct 19, 20:17
Hammer Time on Pulse (2001): “I take it back – the stunt I was thinking of came from this movie, Pulse (2001). Still, you gotta…” Oct 19, 12:05
Hammer Time on Pulse (2001): “Yay! Vern covered one of the greats! I don’t have much more to say beyond what you said and I…” Oct 19, 11:28
VERN on Lee Cronin’s The Mummy: “It’s really more of a hatred for the Fraser one than a love for the Cruise one. But Cruise’s is…” Oct 18, 21:55
KayKay on Lee Cronin’s The Mummy: ““the best modern mummy movie (the Tom Cruise one).” Sigh…Vern’s love for Cruise MUMMY which runs in parallel with his…” Oct 18, 18:08
FACING ALI is a great new documentary about Muhammad Ali (out on DVD last week) that tells his story through the eyes of 10 of his opponents. You still get clips of the champ talking, training, fighting, but you hear about these legendary fights from new interviews with the other guys.
or NOTHING’S WORTH THIS SHIT
So Mandela (Morgan Freeman) has just been elected president of South Africa. The headlines ask, “He can get elected – but can he run a country?” Mandela says it’s a legitimate question.
“Viggo Mortensen is… AMERICAN YAKUZA.” That’s what it says on the trailer. This is a rare early Viggo lead role and it’s pretty much a straight up action/crime movie. In the tradition of AMERICAN NINJA, AMERICAN KICKBOXER, AMERICAN SAMURAI and AMERICAN BEAUTY, Viggo is an American white guy who earns the trust and acceptance of the Yakuza, complementing their traditions and rituals with his own American spirit. When they drink sake he drinks Bud Light or Wild Turkey. But don’t worry man, he’s cool. I’ll explain. 
To Live or Die
All I wanted for Christmas was NINJ*. But it doesn’t come out in the US until March, so I ordered it from Thailand. It’s a Christmas miracle!
When I came out of AVATAR I had a nice free feeling that I wasn’t even gonna write a review of it. I figured what it excels at is self-evident and what it fails at isn’t really worth dwelling on, and every motherfucker with a computer already wrote way too much about this thing anyway so what’s the point? I wouldn’t have much to say.
