Isaac Florentine’s third movie (after FAREWELL TERMINATOR and DESERT KICKBOXER) is a western starring Olivier Gruner as Joseph Charlegrand, a Frenchman trailing somebody through the American west. The box claims it’s a true story, but the internet disagrees.
In the grand spaghetti tradition, Charlegrand is a mysterious stranger wandering through the desert on his horse. Some cowboy assholes knock him off his horse and he drops his gun, so he busts out the kickboxing. They know all about punching, of course, but this shit blows their minds. It’s like he came down from space. (read the rest of this shit…)
WARNING: This review contains major GRUMPINESS
GREEN LANTERN stands out among comic book movies for its combination of crappiness and expensive-looking-ness. The details that flesh out the classical super hero arc are dumb and juvenile, and the effects often look ridiculous, but it never seems like it’s due to a lack of resources. Just a lack of taste.
“Ron, now you know, I’m a great low budget filmmaker now. So when we bring somethin it’s got to be devastatin. I don’t want no bullshit.” –DOLEMITE EXPLOSION director Ron Hall, recounting what Rudy Ray Moore would always say to him
I’m kind of interested in this Kurt Wimmer guy. My favorite movie by him is before he made it big, the first of his three directorial works so far, 
Last year it was in the news that James Franco wanted to direct an adaptation of Cormac McCarthy’s Blood Meridian. Other– let’s say, more experienced directors like Ridley Scott had tried already, but the book defeated them. Now here’s this young actor, he’s got a couple Oscar nominations under his belt, but he’s often confused with his dumb stoner comedic persona and called pretentious for his goofball side projects like being on General Hospital and going to Yale. He apparently shot a 20-minute test film starring Mark Pelligrino, Scott Glenn, Luke Perry and his brother Dave to prove his directorial chops. Later he was moved over to a different McCarthy project, CHILD OF GOD.
You probly don’t need me to tell you that THE RAID is the new action movie phenomenon with a big buzz coming off multiple film festival conquests and a kickass trailer that made it a must-see for those of us into this type of shit. Here in the U.S. it’s in a slowly widening release (we got it in Seattle this week) under the dumb title THE RAID: REDEMPTION. The subtitle has no relation to the movie, so in my opinion it’s just called THE RAID. The THE REDEMPTION is silent.
10 years after the titans clashed, Zeus (Liam Neeson, NEXT OF KIN) and Hades (Ralph Fiennes, STRANGE DAYS) are about to feel their wrath. See, they’ve had their asshole dad Kronos imprisoned in the underworld forever, but with humans not praying to them they’re losing the power to contain him, and Ares (Edgar Ramirez) and some of their other kids are conspiring to set the old man free. And when he gets out he’s gonna get his revenge.
Like some sort of mythological Greek hero whose companions have been struck down in the midst of a daring journey, I stand alone on this: I liked the CLASH OF THE TITANS remake.
“We have… we have a flying horse!”
