Posts Tagged ‘Mario Van Peebles’

Jaws: The Revenge

Sunday, May 16th, 2010

tn_jaws4BrucethesharkiconLet’s say you’re a huge great white shark. I mean, just enormous. You’re gonna need to eat, right? Sometimes you can eat orcas, but you try to avoid those because sometimes they’ll eat you back. And little tiny fish won’t do it. A guy your size, it’s hard to find a meal that’s filling.

So you come across this nice little joint called Amity Island. Wide open, not much competition from other sharks or orcas. (There was one smaller shark, but some people killed it, mistaking it for you. Suckers!) So it’s a good set up. Just little pink morsels wiggling around, as far as the eye can see. Which is not that far actually, because sharks don’t have very good vision. But they do have a weird thing where they can sense the electromagnetic pulse of even a heartbeat. And these heartbeats feel delicious. (more…)

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3:15

Saturday, September 19th, 2009

tn_315aka 3:15 THE MOMENT OF TRUTH

When you’re a grown adult you normally don’t fear somebody who you perceive as a kid. No matter how hateful the bastard is you have something over him – probly size and strength, intelligence, if not you at least have the authority of being an adult. You’re supposed to be in charge here. You enforce the rules if it comes to that. They fear you. I think maybe that’s what all these ’80s juvenile delinquent movies were about was the fear of losing that authority. As kids looked weirder and acted scarier the grownups were terrified of the world turning upside down so they couldn’t say anything to these fuckers. Oh my god, they have war paint and chains, they’re gonna eat me alive.

So it’s fitting that in 3:15 I have a hard time telling the kids apart from the adults. The students are all played by actors in their mid-twenties, maybe older. So you only know it’s a teacher if he’s wearing a tie. The school only seems to have a couple teachers, but a whole lot of gangs. I guess I can see why they’re physically overwhelmed and don’t seem to make any effort to patrol the halls or anything. It’s a hopeless situation so they gave up a long time ago. (more…)

Only 1 person likes this post. Kinda sad.

Hard Luck and the Blade: The Series

Sunday, August 13th, 2006

HARD LUCK

Well boys, time for another chapter in the ongoing drama THE MYSTERY OF WESLEY SNIPES, where we explore why a talented individual who starred in the three hit BLADE movies keeps doing nothing but straight to video. This new one, HARD LUCK, comes to video in October. While it’s not a particularly good movie, and it definitely shouldn’t be released theatrically, it’s at least a step up from the generic and sometimes horrible DTV action movies he’s been doing lately. It’s kind of a quirky crime movie with some occasional funny touches and an unorthodox (but not revolutionary) structure. The big news is that it reunites him with NEW JACK CITY’s Mario Van Peebles, who is director, co-writer and co-star of HARD LUCK.

A word about Mario Van Peebles. I’ve made fun of the dude alot because of the amount of DTV movies he appears in. But he’s regained my respect in recent years. I thought BAADASSSSS! was overrated. It was a TV-level movie that I think people gave a pass to because the subject is so interesting. But the one thing that was really great about it was Mario’s performance as his own dad. He was fuckin great. And then he carried that type of ’70s badass with a mustache persona into CARLITO’S WAY: RISE TO POWER, where his presence truly elevated the movie. So he has my respect now.

I’m not sure the same could be said for Sony Pictures Home Entertainment though, considering that they credited him as “Mario Peebles” on the front of this screener. Thanks alot, assholes.

There’s been talk for years that they could do a sequel to NEW JACK CITY where Nino Brown survived the shooting at the end and we find out what happens when he’s older and wiser. This is not that, but Wesley’s character “Lucky” is a similar sort of legendary Harlem hustler who people thought was dead. He took a fall and tried to turn his life around. A narrated opening sequence explains how he fell in love with his prison case worker, they moved to the south and bought a dog. But when a person in a movie is named Lucky, of course, it’s never meant literally. So Lucky suddenly gets sick and one day wakes up in the hospital surrounded by water. He thinks at first it’s the Ratpure, but actually it’s Hurricane Katrina that took his lady, his dog and his house. Melvin Van Peebles has a cameo as a crazy/wise old man who warns Wesley not to go to the Superdome, all the while enjoying a delicious fruit cup. (more…)

Only 1 person likes this post. Kinda sad.

Carlito’s Way: Rise to Power

Friday, January 27th, 2006

Geez, I shouldn’t have put off seeing this movie so long considering it really is my beat. This is kind of a miracle actually. This is the rare DTV movie that could’ve passed for a low budget theatrical movie. The only thing really holding it back is being a prequel with a different star from the original, which is a real good reason not to release it in theaters. Going straight to video lowers the expectations and makes it only half count as a sequel or prequel, which gives it a better shot at working. And for me it did. Even if you don’t go for it I think you will be awed by its competence. This is definitely a landmark in DTV sequelization.

I love the original CARLITO’S WAY, but I haven’t seen it in years, so that probaly helps. I never knew this but DePalma’s movie was based on the second book in a series. The book was called After Hours, but they didn’t want it confused with the Scorsese movie of the same name so they called it CARLITO’S WAY, after the first book in the series. RISE TO POWER is actually adapted from the book Carlito’s Way, according to legend. (I haven’t read the books so who knows.)

Like in DePalma’s movie, this one starts out with Carlito Brigante fresh out of prison, but he goes right back into crime, he doesn’t make any effort to stay out of it. The story is about the heroin trade in New York some time in the late ’60s or early ’70s or so. Control of the city is split between black gangs in Harlem, Puerto Rican gangs in spanish Harlem and Italians in some other part, I don’t know. The genius of Carlito’s operation is that he works a triumvirate with his two former cellmates, the Italian Rocco (Michael Kelly, DAWN OF THE DEAD remake) and Earl (Mario Van Peebles, everything). Each of them deals with the hotshots in one of the territories, so Carlito deals with the Puerto Ricans, Earl with the blacks and Rocco with the eye-talians. Strangely, you don’t see Carlito’s deals as much as you see the other two. Earl has to negotiate with the oppulent priss Hollywood Nicky (Sean Combs, “anything can happen”) who runs Harlem and Rocco has to deal with some standard mafia types, and both of them give alot more trouble than Carlito’s buddy Colorado (Casper Martinez, CARLITO’S ANGELS).

I should mention that poor Rocco doesn’t even get pictured on the cover. What the fuck. I understand you gotta put Puffy Diddy on there and you gotta put Luis Guzman, but this is one of the main characters, he goes on there too. (more…)