"KEEP BUSTIN'."

Posts Tagged ‘mafia’

Mobsters

Monday, July 26th, 2021

July 26, 1991

MOBSTERS. Guys who are in mobs. Young ones. Famous ones. Doing mob stuff. What more do you need? According to rookie director Michael Karbelnikoff, story provider Michael Mahern and screenwriter Nicholas Kazan (FRANCES, AT CLOSE RANGE, PATTY HEARST, REVERSAL OF FORTUNE), “What? What do you mean?”

I have to tell you, I really struggled to get through this one, and considered turning it off and not reviewing it. Keep in mind that I already made it through MANNEQUIN: ON THE MOVE, SUBURBAN COMMANDO and PROBLEM CHILD 1 & 2 for this series. This is a much classier production than any of those, with all the period costumes and nice cinematography by Lajos Koltai (István Szabó’s MEPHISTO, WHITE PALACE) – there are some nice looking, atmospheric scenes, like an eerie outdoor shootout in the fog. But it’s empty and soul-less and boring as shit and not in an interesting way at all. (read the rest of this shit…)

The Irishman

Tuesday, December 10th, 2019

Well, this is the world now: Martin Scorsese has an excellent new gangster epic starring Robert De Niro, Joe Pesci and Al Pacino (plus Harvey Keitel!) and it pretty much went direct to video. Not “We can’t justify the budget for a theatrical DARKMAN 2” DTV, just “It’s easier to get money from Netflix than from a real movie studio” DTV. I wish I had gotten my shit together to see it in its week at Cinerama, like many of my friends did – I’m glad I managed to see ROMA and DOLEMITE IS MY NAME in theaters. But for THE IRISHMAN: I HEARD YOU PAINT HOUSES (actual onscreen title) I turned the lights off, put the phone far away and got the ol’ attention span out of storage for the full cinematic living room experience.

It’s written by Steve Zaillian (SCHINDLER’S LIST, MISSION: IMPOSSIBLE, GANGS OF NEW YORK, AMERICAN GANGSTER, MONEYBALL, THE GIRL WITH THE DRAGON TATTOO) but it definitely has some of that GOODFELLAS spirit: tons of narration (sometimes with gimmicks, like it’s in his head then switches to fourth-wall breaking), jumping around through time, quick comical/horrifying cutaways to things he mentions, some slo-mo, nearly wall-to-wall music, but also some guitar noodling (the score is by Robbie Robertson). And there’s a long steadicam shot at the beginning but instead of going into a hot club it’s going into an assisted living joint. So this is old man GOODFELLAS. (read the rest of this shit…)

Kill the Irishman

Wednesday, June 15th, 2011

tn_killtheirishmanFrom the director of PUNISHER #2 and the star of PUNISHER #3 comes a solid, entertaining period gangster movie. It’s a biopic of Danny Greene, an Irish American union president, gang enforcer and dodger of car bombs in Cleveland, Ohio circa early ’60s through late ’70s. If it had been done as two separate movies maybe it would’ve got an arthouse release and some critical respect, but they did it as one so it was barely released by Anchor Bay and nobody ever heard of it.
(read the rest of this shit…)

American Gangster

Monday, February 18th, 2008

I haven’t been big on Ridley Scott post-ALIEN, but when I saw he was doing the real-life gangster epic starring Denzel Washington – the one I already wanted to see when it was Antoine Fuqua that was supposed to direct it – man, I was excited. And the trailer looked great. And then it came out and without exception everybody I knew who saw it said “yeah, it was… pretty good.” Suddenly there was less urgency to see it, and I watched other movies, wrote some stuff, maybe took some naps, ate some food, and then it was gone.

Well, maybe it was for the best. Now I watched it with lower expectations, in its 20-minutes-longer UNRATED EXTENDED CUT (4 minutes shy of 3 hours) and I have to say I really enjoyed it. I see your “yeah, it was… pretty good” and raise you a “it was… pretty fuckin good.” I am proud to review it alongside such other great American films as AMERICAN PIMP, AMERICAN PSYCHO and AMERICAN NINJA. (read the rest of this shit…)

The Godfather

Saturday, April 8th, 2006

That’s right, the god damn GODFATHER. I mean, what is there even left to say about THE GODFATHER? Well, I’ll tell you.

Bear with me though, I’m about to mention Steven Seagal again. Yesterday I was reading Seagal’s entry on wikipedia when I came across a section talking about the field of Seagalogy, mentioning me as the inventor and linking to a separate entry just about me. I couldn’t believe it. After all I’ve been through – getting rejected from the Online Film Critics Society, being hated by the newsies on Ain’t It Cool for years, failing to stop the Iraq war and even, as you can see above, watching GARFIELD – after all that struggle, here I am, acknowledged in reference material, and described as a “noted internet film critic.”

Can you believe that? Noted. (read the rest of this shit…)