HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
It’s possibly Mann’s best movie, and certainly ranks high among crime movies of the ‘90s (which is saying something), in my view a masterpiece of the genre. It has that rare quality of feeling like a sprawling epic and a simple, intimate story at the same time. Like a Sergio Leone movie in that one specific sense.
It is pretty simple, in the same way that MANHUNTER is. You’ve got these two men who are on opposite sides of the law, which makes their lives pretty similar. They respect each other’s professionalism but, unlike John Woo characters, would sooner shoot each other than be on the same side. Pretty early in the movie, famously – legendarily, really – they suddenly parley, have coffee together and talk about it, kind of warn each other but both seem to enjoy talking to somebody else who gets what it’s like to live that life. At the time the hype was about Robert De Niro and Al Pacino doing a scene together – two titans had not come together like this since Mickey Mouse and Bugs Bunny in WHO FRAMED ROGER RABBIT – but now that novelty has long since faded and the scene still feels monumental. (read the rest of this shit…)
This may surprise you, but I have always wanted to see ANACONDA. It’s a theatrically released, pre-SyFy Channel, early CG giant snake movie with an all star (more so now than then) cast, and I heard pretty good things about it, including a description of the best part of the movie (a famous scene involving Jon Voight) which was convincing. But somehow in all these years I never rented it. And then all the sudden last month Seattle’s S.I.F.F. Uptown screened it in a remastered DCP. The kind of thing I was hoping would happen to make up for all the theaters being forced to switch to digital. You take away our 35 mm, you better give us theatrical re-releases of ANACONDA and shit like that.
Maybe that’s why I never watched it. I was waiting for it to come back to the big screen. Maybe dreams do come true. (read the rest of this shit…)
Before seeing SAVAGES I wanted to catch up on some of the recent Oliver Stone pictures that I’d skipped. It turns out this one is 15 years old, so you could argue that I’m a little behind on Stone. Do you guys know if JFK is any good? What about PLATOON?
This is his most straight-forward crime genre picture before SAVAGES so I figured it was a good one to check out. Based on the book Stray Dogs by John Ridley (RED TAILS, UNDERCOVER BROTHER), it’s about this dirtbag Bobby (Sean Penn), an ex-tennis player in debt whose fancy-ass car breaks down in the middle of Tiny Desert Town, Hell (actually Superior, Arizona) on his way to delivering a bunch of cash to the guy who cut off some of his fingers, and then things get way worse. But he fucks Jennifer Lopez at least. (read the rest of this shit…)
Lara Croft (Angelina Jolie)’s trade is a “tomb raider,” which is like an asskicking archaelogical adventurist. It’s just like whatsisdick, the guy with the hat from that other movie that also used the word “raider” in the title – but don’t worry, that’s a coincidence. Lara’s introduced in what looks like some sort of an ancient crypt. She’s wearing short shorts, a The Phantom belt, spinning two pistols. Her crotch and her large, pointy boobs are somewhat emphasized, in my opinion. Might just be me.
Wouldn’t you fuckin know it, her search for treasure is interrupted by a large robot. Cue the electronical music and the wire-assisted acrobatics (remember we’re just two years after THE MATRIX). The fight is too forced to be very exciting in my opinion, but it ends on a nice touch: after killing the robot Lara takes a breath, then laughs to herself. (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
* * * *
Recent commentary and jibber-jabber
KayKay on Bloodsport: “RIP Donald Gibb” May 15, 05:57
KayKay on Mortal Kombat II: “Between the final season of THE BOYS (1 more episode to go!) and this, I’m sure glad the world is…” May 15, 05:54
CJ Holden on Mortal Kombat II: “Kinda weird that Tom Holkenborg isn’t making the music for these. With his dance music origins and epic drum beats…” May 14, 22:13
Curt on Twister: “BuzzFeedAldrin, to me the ultimate “anything and anyone can be a sellout” moment of 1990s cinema was in THE CROW,…” May 14, 15:25
Curt on Mortal Kombat II: “I apologize for adding to the “sequel that’s being made with the understanding that nobody liked the first one very…” May 14, 14:57
Curt on Dead Man: “Lance Henriksen was of course in both ALIENS and ALIEN 3, so we do in fact have the first four…” May 14, 14:48
burningambulance on Dead Man: ““William and Nobody also encounter some trappers named Salvatore “Sally” Jenko (Iggy Pop, TANK GIRL), Benmont Tench (Jared Harris, NATURAL…” May 14, 14:27
Kevin W on Mortal Kombat II: “Would Undisputed 2 qualify as that type of sequel? The original isn’t hated exactly but it doesn’t seem to be…” May 14, 13:39
zikade on Mortal Kombat II: “Mmmm sequels that have something to prove is just a giant list of comic book movies, honestly. THE INCREDIBLE HULK…” May 14, 13:35
Mr. Majestyk on Mortal Kombat II: ““ it’s one of those sequels that’s being made with the understanding that nobody liked the first one very much…” May 14, 12:32
Borg9 on Dead Man: “Yeah, I love this one too. Jarmusch does indeed seem to have real respect for genre film making and film…” May 14, 03:17
CJ Holden on Dead Man: “This was my first Jarmusch movie. It was on TV pretty often and one day after work I just blind…” May 13, 22:37
Hammer Time on Original Gangstas: “I forget if it was Ebert who said that a mark of a bad movie is if you’d rather watch…” May 13, 20:46
Hammer Time on Twister: “Vern, all of your reviews are great but I feel like you were really on the jazz with this one.…” May 13, 20:39
JTS on Twister: “Helen Hunt played Rafael Casal’s mom in the Blindspotting TV show that Casal and Diggs co-created, which came out in…” May 13, 19:53
HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
This may surprise you, but I have always wanted to see ANACONDA. It’s a theatrically released, pre-SyFy Channel, early CG giant snake movie with an all star (more so now than then) cast, and I heard pretty good things about it, including a description of the best part of the movie (a famous scene involving Jon Voight) which was convincing. But somehow in all these years I never rented it. And then all the sudden last month Seattle’s S.I.F.F. Uptown screened it in a remastered DCP. The kind of thing I was hoping would happen to make up for all the theaters being forced to switch to digital. You take away our 35 mm, you better give us theatrical re-releases of ANACONDA and shit like that.
released June 15th, 2001
