KNIGHTS OF THE CITY is an incredible ‘80s b-movie fever dream that’s still only on VHS, and so up my dark, garbage strewn alley that it’s amazing I never knew about it before. Gives me hope for what else could still be out there.
It involves gangs, breakdancing, and a battle of the bands. It was released in 1986, but filmed in 1984, starring and written by Leon Isaac Kennedy, between PENITENTIARYs II and III. He plays Troy, leader of a street gang and also lead singer of a band. I never caught the name of the gang, and they wait until the final act to reveal that the band is called The Royal Rockers. They’re violent tough guys who collect protection money from area businesses, and participate in gang rumbles using canes, bats, chains and switchblades. Their band rehearses in a trashed, graffiti and mannequin filled punk apartment, but their music is danceable synth-based R&B love songs.
The unspecified Florida city’s street culture is like a collision of BREAKIN’ and DEATH WISH 3, so we see endless varieties of sleeveless shirts, headbands, leather jackets, fingerless gloves, sunglasses, studded belts, raised collars, mesh tank tops, berets, wristbands, armbands, camouflage, marching band jackets, New Wave blazers, and many types of mohawks. The villain Carlos (Jeff Moldovan, BLOODSPORT: THE DARK KUMITE), leader of the Mechanics, is introduced wearing a red vest over a red Hawaiian shirt tied up Daisy Duke style. His trademarks are a fedora and a cheap fake mustache cut in two with each half glued to the side of his mouth. When he takes off the fedora it reveals that he too has a mohawk. (read the rest of this shit…)
WEST SIDE STORY – it’s very clear when you see it – is a film by Steven Fucking Spielberg. That’s why I saw it. Usually when I write about a remake of a beloved classic I like to be somewhat knowledgeable about the source material, but this late in the game you’ve had plenty of time to read reviews from people who know the musical or the earlier Robert Wise movie forward and backward, can tell you all the things that Spielberg and screenwriter Tony Kushner (
“Even scumbags like us could change the future!”
WE DIE YOUNG is an odd thing: a straight-to-VOD (now on DVD) Jean-Claude Van Damme movie that has some violence and plenty of crime – it opens with a flash-forward to a car chase to assure you of this – but really is kind of an indie drama with Van Damme in supporting character actor mode. The main character is actually Lucas, played by Elijah Rodriguez, who was the kid being pressured into working for the cartel in 
CHI-RAQ (Chicago + Iraq, pronounced shy-rack) is the Spikiest Spike Lee Joint achieved so far. It seems like whatever itch Lee was trying to scratch with those musical numbers in 
“Jacques, as long as I’ve known you you’ve been in deep shit. I expect this.”
