Do you guys remember G.L.O.W.? Back in the ’80s, specifically 1986-1990, it was a weekly televised all women’s wrestling event. What I remember is it was taped in what looked like a hotel banquet room (turns out it was in a casino). And because of the time it happened there was alot of big hair, alot of glitter, alot of shiny aerobics type outfits. And face paint.
This movie is one of these nostalgic documentaries we’re gonna start seeing even more of because of Kickstarter. It’s HEY, REMEMBER G.L.O.W.?: THE MOVIE. Not alot of substance. But it’s an unusual topic that’s interesting to me, so I enjoyed the stroll down memory lane.
The director Brett Whitcomb and writer Bradford Thomason actually did another nostalgic documentary about a colorful pop culture oddity that only could’ve happened in the ’80s, THE ROCK-A-FIRE EXPLOSION. I recommend that to anybody that wants to see a movie about the animatronic bears and gorillas and shit that played music at the Show Biz Pizza chain, the weird guy that invented them, the crazy coke-fueled hey day when the company was on top of the world, the inevitable downfall, and the dilapidated warehouse where he still keeps all the old crap he has left. That’s real interesting stuff, GLOW actually seems kinda predictable compared to that but, you know, it’s about women who used to paint their faces and wave chainsaws around and rap and bodyslam each other on TV. I’m gonna watch it. (read the rest of this shit…)
When I was working on my DEMOLITION MAN review recently I noticed that one of Marco Brambilla’s few directing credits was on DESTRICTED, an anthology of experimental shorts that got some attention in 2006 when it played Cannes Critics Week and was an official selection at Sundance. The official websight describes it as “the first short film collection of its kind, bringing together sex and art in a series of films created by some of the world’s most visual and provocative artists and directors. They reveal the diverse attitudes by which we represent ourselves sexually.” The cover says “WARNING: Contains strong real sex and strobing effects.” (That last part is ’cause Gaspar Noe did one of the shorts.)
THUNDER SOUL is kind of like that movie WHEEDLE’S GROOVE, another documentary about a now-mostly-forgotten regional funk phenomenon of the ’70s, recounting the glory days through photo montage and vintage clips, with interviews of the musicians now that they’re all grown up and square with regular jobs and families but can use their rediscovery by young white record geeks as an excuse to reunite and prove to themselves that they’re still kinda cool. In my opinion that was a long sentence. 
THE BLACK POWER MIXTAPE 1967-1975 is an unusual documentary. The title means that the footage wasn’t made as part of one movie, it’s a collection of short pieces covering stories of the American civil rights movement, put together and recontextualized a little with voiceovers by activists (Angela Davis), poets (Abiodun Oyewole from the Last Poets) and musicians (Talib Kweli, Erykah Badu) talking about what they’re seeing. There’s coverage of Stokely Carmichael, young Nation of Islam spokesman Louis Farrakhan talking about his church, the Attica riots, Angela Davis in jail (wearing a red turtleneck) telling about the terror of racist bombings during her childhood to chastise an interviewer for asking her if she believes in violence. 
Is SUPER HEROES a DECLINE OF WESTERN CIVILIZATION for the Nerd Age? This more-interesting-than-I-expected documentary takes a look at the burgeoning subculture of “Real Life Super Heroes,” people who create their own comic book inspired personas and costumes and “fight crime” (which seems to mostly mean walking around at night with other Real Life Super Heroes).
It’s been a lackluster-verging-on-so-so movie summer. I kinda liked the X-MEN one, THOR was okay, SUPER 8 was pretty good, TRANSFORMERS was enjoyably awful. Definitely my favorite so far is FAST FIVE, and I love that movie but let’s face it, it’s no RAIDERS OF THE LOST ARK. We want to see adventure. We want to see thrills. We want to see ancient artifacts, that’s what summer movies is about. CAVE OF FORGOTTEN DREAMS is no RAIDERS either, but it’s a worthwhile 3D extravaganza about adventurers exploring the contents of a mysterious cave that went untouched by man for 32,000 years. It’s full of amazing visuals and ideas and raises alot of questions.
Visitors to Seattle, and people who talk about us on TV and stuff, have a certain stereotype of Seattle as white, latte drinking liberals, fish throwers and Space Needle polishers, Bill Gates personal assistants and sasquatch poachers standing in the rain talking about Nirvana doing a cover of Jimi Hendrix doing a song about Bruce Lee’s posse being on Broadway. All of it is true, but do they also know about our past as a hotbed of soul and funk music?
I finally caught up with the heavily hyped, Academy Award nominated, tired of reading about it when I haven’t seen it yet documentary EXIT THROUGH THE GIFT SHOP. I tried to look it up and apparently I am the very last person left who wanted to see it but hadn’t. But I guess wikipedia is not always the most reliable source, so in case they overlooked anybody I’ll explain what it is:
