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Posts Tagged ‘trains’

Kill

Wednesday, July 17th, 2024

KILL is a Hindi-language action movie currently playing in U.S. theaters via LionsGate. For some reason I was under the impression it was called KILL!, which is not the case, but the exclamation point is definitely implied.

It’s one of the more internationally accessible Indian films because it’s only 105 minutes, not a musical, and it begins with a very Hollywood sort of premise: DIE HARD on a train except not UNDER SIEGE 2: DARK TERRITORY.

But there’s a cultural aspect to the set up that wouldn’t be in the American version. When special forces commando Amrit (Lakshya, a TV star who gets an “introducing” credit) gets back from a mission, he finds out that his girlfriend Tulika (Tanya Maniktala, MUMBAIKAR) is being forced into an arranged marriage with someone else. So he and his mustachioed soldier buddy Viresh (Abhishek Chauhan, BAHUT HUA SAMMAAN) rush to the engagement party to try to whisk her away before it’s too late. But she fears what her powerful dad, wealthy industrialist Baldeo Singh Thakur (Harsh Chhaya, 24: India), would do, tells Amrit to back off, and later texts that she and her family are taking a train back to New Delhi. (read the rest of this shit…)

Bullet Train

Wednesday, August 10th, 2022

David Leitch’s BULLET TRAIN has plenty going for it. It has a strong ensemble of actors playing colorful characters, like a quippy modernized Murder on the Orient Express, except in this one everybody’s trying to murder each other and/or escape, it’s not so much of a whodunit. It’s a fun idea, it looks good, the action scenes are really well executed, with the actors really putting in the work, as we’ve come to expect from 87North (formerly 87Eleven) productions.

But to me the movie is a disappointment. For the last year or two I knew it was the big 87North movie with the crazy-good cast headed up by Brad Pitt fighting each other on a train, and I just took it for granted it was gonna be top of the line. On the surface it is – it’s colorful, has a sense of style, and mostly avoids that everything-is-green-screen feeling of so many modern movies. It even has a good soundtrack of (until Rare Earth on the end credits) non-obvious songs, from Shuggie Otis to Pussy Riot to a really strong use of “Holding Out For a Hero.” Strong because it’s not the original Bonnie Tyler version from FOOTLOOSE, but a Japanese cover made by Miki Asakura in 1984 as the theme for a show called School Wars (now remixed with some MORTAL KOMBAT-y dance music flourishes). (read the rest of this shit…)

Emperor of the North

Wednesday, May 2nd, 2018

EMPEROR OF THE NORTH (a.k.a. EMPEROR OF THE NORTH POLE) is a great 1973 tramp epic, a Depression-era tall tale of a battle between the champions of two rival kingdoms: a legend of the homeless counterculture pitted against the meanest, most heartless bastard among those lucky enough to have a job working the railroad. A-No.-1 (Lee motherfuckin Marvin [PAINT YOUR WAGON] in his followup to PRIME CUT) is a smart, experienced “bull” intent on riding the No. 19 all the way to Portland, Oregon. Shack (Ernest Borgnine, THE SPLIT) is the cruel sonofabitch conductor who takes that shit way too personally.

The opening scene sets the stakes high. Under a somewhat amusing Marty Robbins theme tune that personifies trains, the Shack chases down some poor guy trying to ride his rails and whacks him on the skull with a big metal mallet, like he’s Vinnie Jones in THE MIDNIGHT MEAT TRAIN. We have to hear the man’s screams as he falls and tumbles beneath the wheels and is left on the tracks separated into two pieces. Horrible. (read the rest of this shit…)

Train to Busan

Tuesday, March 21st, 2017

Most of the great zombie movies are not as much about zombies as about people and what they do when they band together and try to survive. This is the case with TRAIN TO BUSAN, last year’s South Korean smash hit about the passengers on a train during a sudden ghoulification outbreak.

It centers on this dude Seok-Woo (Gong Yoo, THE SUSPECT) who is kinda like John McClane in that he’s fucked things up with his family because of his work and you kinda feel sorry for him and know he wants to fix things even though to be honest he shoulda known better. But he’s unlike McClane in that he’s a handsome well-dressed fund manager guy. Totally different color of collar. Come to think of it he literally had a white collar because I noticed the tall collar on his shirt looked cool.

Anyway he’s got a bunch of shit going on at work but he reluctantly agrees to bring his young daughter Su-an (Kim Su-an) on the train to Busan to see her mother, because it’s her birthday and she kept threatening to go by herself and then he really blew it when trying to buy her a good present. (read the rest of this shit…)

Under Siege 2: Dark Territory – celebrating 20 years of nobody beating him in the kitchen

Tuesday, July 14th, 2015

tn_us2us2-20I know the internet reminds us that every day is the 20th anniversary of something or other, and that’s not always a good thing. There is too much nostalgia, and too many factoids. We need to learn how to live in the present, otherwise what the hell anniversary are we gonna celebrate 20 years from today? But today, my friends, is an important one: July 14th, 1995 was the day the world was gifted UNDER SIEGE 2: DARK TERRITORY.

I think you know how I feel about this movie. It stands as one of Seagal’s best big studio movies, one of the great sequels in the history of action, and one of the best DIE HARD rip offs. It’s a cool, accessible Seagal with a great supporting cast (especially the villains) doing enjoyable special-effects-based spectacle action while also spreading the gospel of choking and wrist-snapping. I’m not sure I can write a new review of it, since of course I wrote a whole chapter about it for my book Seagalogy: The Ass-Kicking Films of Steven Seagal and talked a little more about it in my Cinefamily Journal last year. So instead, to honor the occasion, let’s take a look at some of the key players and consider how much they’ve accomplished in the two decades since. (read the rest of this shit…)

The Midnight Meat Train

Tuesday, January 27th, 2015

tn_mmt“Please, step away from the meat.”

Before THE HANGOVER made him a marquee name, and before he was nominated for Oscars three years in a row, Bradley Cooper was the star of THE MIDNIGHT MEAT TRAIN (2008). Sure, he’d already been in WET HOT AMERICAN SUMMER and WEDDING CRASHERS and some TV shows, like he was on Alias and he played “Jack Bourdain” in Darren Star’s short-lived TV version of Kitchen Confidential. But come on. Obviously nobody cares about that shit and I’m embarrassed that I just typed it. He was, and is, the star of THE MIDNIGHT MEAT TRAIN.

Loosely based on a Clive Barker short story, this is a tale of city life. It’s about fears of late night public transit, of deserted subway platforms and cars, and our curiosity about the other odd people who are out late. The model in the fur coat, the teens selling candy bars at 2 am, most of all the dour, weathered bruiser in the suit and tie (Vinnie Jones, GARFIELD: A TAIL OF TWO KITTIES), always hunched over clutching his bag and looking miserable.

Leon (Bradley Cooper, THE MIDNIGHT MEAT TRAIN) sees the guy and becomes obsessed with him. He follows him GHOST WORLD style, researches him, photographs him, dreams about him. Leon helps a lady escape from rapists, she goes missing that night, and he decides the man with the bag is involved. The more he investigates the creepier and crazier the whole thing seems. And he has a dream where he sees his own head on the guy’s body and it slits his throat and he sees his face reflected in the puddle of blood. You know, that old dream. (read the rest of this shit…)

Snowpiercer

Wednesday, July 2nd, 2014

tn_snowpiercerSNOWPIERCER, the Hollywood-stars/English words debut of South Korean director Bong Joon-ho, is the second best train movie I saw on the big screen in June. While UNDER SIEGE 2: DARK TERRITORY is DIE HARD on a boat on a train, SNOWPIERCER is  the post-apocalypse on a train. The whole world has been frozen over, eradicating all life except for the lucky bastards that got onto a giant train that has been traveling a globe-spanning track for 17 years.

It has similar themes of class inequality to ELYSIUM and the HUNGER GAMESes, but I liked it quite a bit more than those. The concept is that the poor people live in squalor at the back and the rich people in luxury at the front. It’s a brutal dictatorship; the tail dwellers get threatened and beaten, limbs severed as punishment for defiance, fed nothing but green jelly protein bars. Every once in a while a lady in a pretty yellow dress comes back with a tape measure to size up which of their children to steal. You can just feel the anger and humiliation of the people when this shit happens. It’s easy to hate those motherfuckers. (read the rest of this shit…)

Source Code

Monday, April 4th, 2011

tn_sourcecodeSOURCE CODE is a fun thriller with a clever sci-fi premise: what if for some reason they remade GROUNDHOG’S DAY as a DE JA VU type thriller, and instead of Bill Murray it’s the guy who looks like the guy who used to play Spider-man and instead of having one day to cover the weather he has 8 minutes to figure out who planted a bomb on a train? That would be kinda cool, right? (read the rest of this shit…)

Unstoppable (2010)

Tuesday, February 15th, 2011

tn_unstoppableAfter the one-two Avid fart punch of MAN ON FIRE and DOMINO, I swore off Tony Scott for life. Or, it turns out, for five years. Those two movies sounded up my alley but they were brutally murdered by Scott’s reckless disregard for visual storytelling. I just couldn’t trust him anymore, even if the movie sounded good, which his last couple have not, even if everybody said he calmed down a little.

Now, through the combined magic of blu-ray technology, boredom and Christian forgiveness, I have given Tony Scott another shot with the Denzel Washington-Chris Pine-speeding train motion picture UNSTOPPABLE. The bad news: I didn’t like the movie enough to justify ending my boycott. The good news: at least he’s curbed his instincts to mark his territory by stylistically peeing all over every frame of film.
(read the rest of this shit…)