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Posts Tagged ‘Dick Anthony Williams’

Grizzly II: Revenge

Monday, August 7th, 2023

Last week we discussed GET CRAZY, a movie about a bunch of bands putting on a concert that was just barely released in August of ’83. Today we’re going to take a look at a 1983 film also about a bunch of bands putting on a concert, but this one wasn’t released at all until 2020, because it was never finished. Technically the thing they released is considered finished, but I’d dispute that description.

GRIZZLY II: REVENGE is officially the sequel to William Girdler’s GRIZZLY (1976). Over the years I’ve stumbled across it occasionally on IMDb when looking up various filmographies – I believe it used to be listed as GRIZZLY II: THE CONCERT and GRIZZLY II: THE PREDATOR – but it said the production fell apart before they finished filming. Little did I know there was an executive producer out there still determined to release it. (read the rest of this shit…)

Summer Rental

Friday, August 14th, 2020

August 9, 1985

I don’t review that many straight ahead comedies, but I admit sometimes there’s something kinda comforting about watching a mediocre one from when I was younger. I thought maybe I’d seen this one at the time, but if so it didn’t seem familiar. But it’s not the kind of movie you necessarily remember for 35 years.

It’s the story of Jack Chester (John Candy, THE SILENT PARTNER), an overworked air traffic controller – pushing tin, you know – who has a bad day on the job and is compelled by his boss to use the five weeks of vacation he has saved up. So he packs up the family – his wife Sandy (Karen Austin, S.O.B.), teenage daughter Jennifer (Kerri Green, who had only been in THE GOONIES), younger son Bobby (Joey Lawrence, Gimme a Break!) and toddler Laurie (Aubrey Jene, didn’t take up acting) – and heads for the beach town of Citrus Grove, Florida.

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The Loose Canon: Blood and Bone

Thursday, March 22nd, 2018

Every now and then I write a more-in-depth-than-usual study of a movie I consider important and influential in the evolution of Badass Cinema, or in this case one that I simply think is great. It’s a movie I believe most fans of the genre would love and all should see and have an opinion on. I call this series THE LOOSE CANON.

The Loose Canon: BLOOD AND BONE (2009)

There have been two proud moments in my getting-close-to-20-years of writing about action movies when a truly special one appeared inconspicuously in the DTV market and I was the first person I’m aware of to point to it and say holy shit you guys, check this out. One was John Hyams’ UNIVERSAL SOLDIER: REGENERATION, which later gained attention from some of the more respectable critics thanks to its great and very arty followup UNIVERSAL SOLDIER: DAY OF RECKONING. The other is BLOOD AND BONE, directed by Ben Ramsey (LOVE AND A BULLET). I do think it has grown something of a following, but not the credit it deserves as a perfect showcase for an under-recognized star in peak form, or as a stone cold classic of its genre. Like another Michael-Jai-White-starring DTV favorite, UNDISPUTED II: LAST MAN STANDING, BLOOD AND BONE isn’t even available on region A Blu-Ray. What the fuck, video industry? Too badass for hi-def?

The ten year anniversary of BLOOD AND BONE is coming up next year, so I’m giving the rights-holders and the gatekeepers a heads up. I want to see a cool, respectful collector’s edition Blu-Ray with added extras and a painted cover and shit. I want to see theatrical screenings. I am positive this will play great with audiences. Make it happen. A parade would be cool too, but that’s negotiable. (read the rest of this shit…)