As some of you are aware I am an avowed triple-A (Ari Aster Appreciator). I loved his two hit horror movies (HEREDITARY and MIDSOMMAR) and then I loved his flop comedy (BEAU IS AFRAID) even more, so obviously I was gonna see his new one EDDINGTON no matter what. When it was announced it was described as a western, which is a stretch – nobody would put this in the westerns section at a video store. But yeah, it has feuds and jurisdictional disagreements between a small town sheriff, the mayor and the Native law enforcement just over the border, trouble in a bar, various groups trying to profit from a big construction project, things devolving into a big shootout. I get it.
Of Aster’s other movies it’s closest to BEAU, but it’s less surreal and, to me at least, not nearly as funny. In fact it might’ve made me laugh less than any of them. But there are certainly some good ones in there and I did laugh just thinking about some of its ideas while discussing it with friends.
What it definitely does achieve is a stressful portrait of what our lives have become in the last half decade. It’s set in May of 2020 and begins with a series of confrontations over mask ordinances. Eddington, New Mexico Sheriff Joe Cross (Joaquin Phoenix, U TURN) doesn’t want to wear a mask when officers from the Pueblo tribe insist he follow the law in their jurisdiction. Later he forces a grocery store to allow in a guy who refuses to mask (James Cady, “Train Conductor,” HOSTILES). Mayor Ted Garcia (Pedro Pascal, THE EQUALIZER 2) happens to be there and tries to calmly reason with Joe, who then goes outside and does a livestream announcing that he’s running against him in the next election. (read the rest of this shit…)

This year THE HOST and 
Hollywood is always trying to shove these movies down our throats that are just about a bunch of Hollywood bullshit, like a kid and his talking horse use teleportation to win the Super Bowl, or there’s a serial killer holding a fighting tournament in the sewers to prove his love for a girl, or whatever all these popular movies are now, I would never watch them so I wouldn’t know. But it’s all super heroes and comics books and nothing for the rest of us. What about the grown ups who don’t want to see IRON SPIDER RISES PART 32 or STAR WARS IN THE DARKNESS, we just want to see a nice movie about a French couple in their 80s being miserable in their apartment as the wife becomes increasingly mentally and physically debilitated and the husband has to feed and bathe her and they’re both completely tormented by pain and boredom and we watch in long, static shots as they cry and look off into the distance and agonizingly wait for the sweet comfort of death? No wonder there’s all this piracy and video games, if Hollywood won’t deliver what the people really want. For what we want we gotta go to Michael Haneke.

















