Here’s another one that doesn’t really fit the slasher definition I was looking for, but it’s such a better version of kind of the same premise as HIDE AND GO SHRIEK that I welcome it. This one is Australian, the directical debut of Stephen Hopkins, whose second and third films were A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD and PREDATOR 2.
A group of Australian teens – handsome guy with convertible, girlfriend, new wave nerd, girl named Ziggy he has a crush on – plan to hang out after school. But first they have a conflict with Officer Murphy (Steven Grives), a local cop who has it out for the kid with the car. He hates him so much he shifts his car into neutral and rolls it into a no parking zone just to give him a ticket. (read the rest of this shit…)
THE LOVED ONES is a 2009 Australian horror picture about five teenagers on the night of the End of School Dance. Brent (Xavier Samuel) is a broody long-haired dude haunted by a recent personal tragedy. He goes for a walk before the dance and disappears, his mom and girlfriend figure something bad happened to him and try to find him. Only we know that a local psycho (John Brumpton) hit him over the head and brought him home for his daughter Lola (Robin McLeavy), who had asked Brent to the dance and been turned down.
This is yet another twist on the TEXAS CHAIN SAW MASSACRE setup: once again a victim (this time male) wakes up to find himself a forced participant in a demented parody of a traditional family dinner. Instead of force-feeding him human meat they give him what you could reasonably assume was roadkill of some kind. In this one there’s a prom theme, so he’s been put into a tux and there’s a disco ball. (read the rest of this shit…)
This is gonna surprise the shit out of you when I tell you this, but CROCODILE DUNDEE IN LOS ANGELES is what they call a fish-out-of-water comedy. The fish is Crocodile Dundee, the water is Australia, the place outside of the water is Los Angeles. Actually Dundee might be more of an amphibian, he’s somewhat familiar with L.A. and is able to show his son and his pal around and teach them some things about the urban American way of life. But also he’s from the outback or whatever so he has lots of misunderstandings that lead to clotheslining people or stabbing things like they do constantly in Australia. (read the rest of this shit…)
“Alice, have you seen my gun? I thought I packed it with the photos.”
That’s the first line in RED HILL. It describes kind of a random, odd occurrence, but it also tells us alot. Shane Cooper (Ryan Kwanten) is a cop, he’s just moved, his gun is as important to him as his family memories– or he thought it was, but then he misplaced it. Now he’s looking for it because shit, he has to get to his first day of work here in the small town of Red Hill and he’s gonna look like an idiot if he shows up with no gun.
The cover for the upcoming American DVD of ANIMAL KINGDOM says “Australia’s answer to GOODFELLAS.” As if the U.S. released GOODFELLAS and said, “What say ye, Australia?” And Australia comes back, “Australia has no response to GOODFELLAS at this time.”
Twenty years pass, not a word. Suddenly, out of the blue, America’s phone rings.
“Thank you for calling America, how can I help you?”
“We have Australia on the line. Please hold.”
“Okay.”
“Hello?”
“Yes. This is America. To whom am I speaking, please?”
“Australia calling. We have prepared an answer re: GOODFELLAS. It’s called ANIMAL KINGDOM.” (read the rest of this shit…)
Watching the remake of LONG WEEKEND today something seemed awfully familiar. I mean not just the movie itself. It was the opening credits. Flying over Australian trees and bodies of water, gently pulsing electronic tones, for a second I thought I forgot to change the DVD because it seems like the exact same credits as the last movie I watched, STORM WARNING. I knew it was the same writer, Everett De Roche, but it turns out it’s the same director too, Jamie Blanks (also editor and composer). So he must’ve been on a De Roche kick just like I am. (read the rest of this shit…)
In my review of LONG WEEKEND I mentioned that the same Australian, Everett De Roche, had written that one, RAZORBACK, ROAD GAMES and LINK, and because a track record like that is rare for a non-director screenwriter I would definitely have to watch some of his other works. Since I am a man of honor and what not I’ve already done that with the much more recent STORM WARNING (2007). I’ve found references to the script being 25 years old, but I think De Roche worked with them to make the movie, they didn’t just find it in a closet somewhere and shoot it without telling him. (read the rest of this shit…)
Peter (John Hargreaves from DEATHCHEATERS) and Marcia (Briony Behets) are a couple who are really pissed off at each other when they decide to go camping on a beach out in Middle of Nowhere, Australia. There have been some serious betrayals and traumas that they’re still dealing with and spending the 3-day weekend together is supposed to maybe help, but only seems to be exacerbating things. You know these two aren’t the best for each other when Peter is introduced watching Marcia through a rifle scope. He also likes to fake at hitting her when she has her back turned to him. This guy might be kind of an asshole, I’m thinking. (read the rest of this shit…)
LINK is a really unusual horror picture that starts out like a normal monster movie (POV of unknown beast crawls into a little girl’s room at night) but succeeds by avoiding any of the obvious formulas. Terence THE LIMEY Stamp plays Dr. Phillip, an eccentric professor at London College known for his books and lectures about primates. Academy Award nominee Elizabeth Shue (PIRANHA 3D, THE HOLLOW MAN) plays Jane, an American student who wants to learn from him and manages to become his assistant, staying at his remote property where he does IQ experiments with his apes Imp, Voodoo and Link. (read the rest of this shit…)
THE HORSEMAN is an Australian revenge picture out on DVD in the U.S. today. At the start this guy’s daughter has already died of a heroin overdose just after filming a porno. It’s a low budget deal shot in a boxing gym – she’s not a Vivid girl or nothing. He doesn’t really know what happened but he blames the porn people for her death, so he’s tracking down everybody involved, burning them alive, etc. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Gary Jive on Fatal Deviation: “@The Cosh – I was at the GFT too! Yeah, the movie pretty much sucked but it was an interesting…” Apr 29, 07:27
Martijn on Fatal Deviation: “If you’re looking into first martial arts movies made in… an interesting one might be the Dutch film Fighting Fish…” Apr 28, 23:24
Adam C aka TaumpyTearrs on Fatal Deviation: “Seconding the love for 1900HOTDOG.com and the Dogg Zone podcast. They also did an episode about Trancers 2 right around…” Apr 28, 23:01
Adam C aka TaumpyTearrs on Redline (2009): “I am genuinely jealous you got to experience this on the big screen, the speed and fluidity of the animation…” Apr 28, 21:51
Hammer Time on Fatal Deviation: “Holy crap. You got chocolate in my peanut butter! You got peanut butter in my chocolate. Okay, so Cracked (name-checked…” Apr 28, 21:10
The Cosh on Fatal Deviation: “@Gary I actually saw that at the GFT. The only thing I remember about it was being surprised how young…” Apr 28, 16:26
Gary Jive on Fatal Deviation: “I once worked on The Purifiers – a Scottish kung fu movie. It was basically The Warriors in a futuristic…” Apr 28, 14:04
Stephen on Fatal Deviation: “Vern, I’m here for the Moving Target review if you ever end up doing one. Still feels surreal that Roger…” Apr 28, 14:04
Uncle-Imshi on Fatal Deviation: “This was mocked ruthlessly by the few people here in Ireland who knew of its existence. Classic begrudgery. I’m delighted…” Apr 28, 10:57
CJ Holden on Fatal Deviation: “Okay, Boyzone were NOT a rockband. They were a boygroup, but one of those that tried to pass as a…” Apr 28, 08:25
Schmoe Gunn on Bullet to the Head: “This one is uneven, but all the ingredients are strong flavors and they go well together. All the characters are…” Apr 27, 15:49
pegsman on The Getaway (1972): “As usual I’m late to the party (but I had to read everything just to see if anyone took a…” Apr 26, 22:57
Ben on They Will Kill You: “I think the big strength this has over say kill Bill is that kill Bill always felt like a homage…” Apr 26, 17:28
Rawbeard on Normal: “I’ve not seen Normal but I also want to recommend Free Fire by Ben Wheatley if you haven’t seen it…” Apr 26, 14:59
Curt on The Getaway (1972): “I completely agree about the 1970s being an interesting era for all those reasons. It’s the “I only like chocolate…” Apr 26, 10:27