After the one-two punch of THE TOXIC AVENGER PART II and THE TOXIC AVENGER PART III: THE LAST TEMPTATION OF TOXIE in 1989, the live action Toxic Avenger sat out the entire 1990s. He missed grunge, the rise and fall of Death Row Records, Hypercolor shirts, everything. During that time Lloyd Kaufman oversaw The Toxic Crusaders cartoon, went to court with New Line Cinema, and directed three non-Toxic movies: SGT. KABUKIMAN N.Y.P.D. (1990), TROMEO AND JULIET (1996) and TERROR FIRMER (1998).
By now Troma had become some sort of institution, with a younger generation working for them for little or no pay because they grew up on the movies. It was also a harder time to create humor more tasteless than what was popular. Kids had seen Tom Green pretend to hump a dead moose on cable, the whole world had been charmed by Cameron Diaz with semen in her hair, and Jackass started airing a month before CITIZEN TOXIE came out. In 1996 Troma had given a limited release to a 1993 indie called ALFRED PACKER: THE MUSICAL (retitled CANNIBAL! THE MUSICAL) by young filmmakers Trey Parker & Matt Stone. The following year, Parker & Stone’s South Park started on Comedy Central and became a pop culture phenomenon. It was during South Park season 4, while the two Troma-boys-made-big were being canonized as the edgy provocateurs and envelope-pushing satirists of their era, that the fourth TOXIC AVENGER movie finally hit the screen. (read the rest of this shit…)
Murakami Wolf Productions was an American animation studio founded in 1967 by Jimmy T. Murakami and Fred Wolf. Murakami was an animator at the UPA studio and then co-directed the live action Roger Corman films HUMANOIDS FROM THE DEEP and 
This is not a review of the 1992 Hong Kong FULL CONTACT starring Chow Yun Fat and directed by Ringo Lam. It’s a review of the 1993 American FULL CONTACT starring Jerry Trimble (
“I don’t have a life. I have a half life!”
CUTIE HONEY, like 
DEVILMAN (2004) is a live action fantasy-horror-action film based on the manga and anime of the same title created by Go Nagai – that guy who had the cameo as a food critic in 
THE TOXIC AVENGER
BENNY’S VIDEO (1992) is a disturbing psychological drama about a teenager whose fascination with violent videos blooms into actual sadistic violence. And you know how it always seems like parents have no idea what their little brats are up to? Well, when this kid’s parents find out about it they don’t have what most would consider a healthy or ethical response. The movie is very dry and unnerving, well made, and easy to read as a judgmental statement by someone who’s completely full of hot air – all trademarks of writer/director Michael Haneke’s early work. I don’t mean to diminish his filmography as a whole, which mostly does not deal with this theme of violent media’s connection to real violence. But this is his sophomore film, coming three years after his acclaimed debut THE SEVENTH CONTINENT and five years before the similarly themed 
THE TOXIC AVENGER (1984) is a classic of ‘80s smartass b-movies – the ones that carried the drive-in exploitation model of boobs and blood into the VHS era, but did it with a wink. It was directed by Michael Herz & Lloyd Kaufman, founders of Troma Entertainment. Kaufman had been peripherally involved with respected ‘70s classics including 
FISTFUL OF VENGEANCE is a new Netflix movie that’s a sequel to the show Wu Assassins. I think I watched two episodes of the show. It stars and is produced and choreographed by the great Iko Uwais, so it had good fights, and it was cool seeing him have a good lead role even speaking English. I also liked the idea of this kind of fantasy in a modern urban world of Triads and stuff. But I spend so much time reviewing movies I have a hard time watching whole shows, and the complicated mythology kinda lost me. Still, I decided to give the movie a shot, and thankfully the references to events from the show are not confusing. It works as a stand alone.
