"CATCH YOU FUCKERS AT A BAD TIME?"

The Neverending Story

I guess this is a weird reason to revisit a family fantasy classic that’s treasured around the world, but I felt like after spending so much time on WARRIORS OF VIRTUE I had an ethical duty to review another first-English-language-movie-by-an-internationally-acclaimed-director, THE NEVERENDING STORY. I saw it in the theater 39 years ago and I remembered it enough to know WARRIORS kinda ripped off its kid-picked-on-by-bullies-given-large-leatherbound-book-magically-connected-to-a-fantasy-world format. I did not remember that in this one the kid just reads about the fantasy world, he doesn’t go there. But there was another detail that did stick in my brain, one that I had to question because it seems so fucking crazy: could it possibly be true that there are no kung fu animals in this one at all? Believe it or not, that is true. What the fuck kind of lunatic wants a story without kung fu animals to never end!? It’s absurd! But somehow they make it work.

Watching it again, I laughed at how quickly it gets into it – not the fantasy world, but the theme song. Limahl and Beth Anderson crooning “The Neverending Stoooor-ryyy, ooo ooow ooh oooowoo ooh, the Neverending Stooor-ryyy…” over Giorgio Moroder synths and footage of clouds. One thing this opening sequence gets across very clearly is that if you want to see a movie called THE NEVERENDING STORY, you came to the right place.

The kid is named Bastian, played by Barret Oliver (Kid #2, UNCOMMON VALOR). We don’t see too much of his life, but we pick up on a few things. His mom died fairly recently. His dad (Gerald McRaney, MOTORCYCLE GANG) is emotionally distant and tells him to keep his head out of the clouds, which the credits already told us is the opposite of what you gotta do in a neverending story. (read the rest of this shit…)

April 19th, 2023 | 28 Comments »

Warriors of Virtue

“Virtue be yours!”

There are several reasons I wanted to do a Ronny Yu retrospective, and coming in at around #3 (but maybe it should be higher) is the existence of this, his first American production, which is (to date) his only movie about kung fu kangaroos. WARRIORS OF VIRTUE is a crazy fuckin PG-rated family action adventure fantasy that mixes some of the elegant imagery and mythology of Yu’s previous work with a bizarre mix of NEVERENDING STORY and TEENAGE MUTANT NINJA TURTLES. It could be argued to be Yu’s worst movie, or his most unusual one. It’s totally derivative, yet there’s absolutely nothing like it. It’s hard to imagine it happening in any year besides 1997, and also it’s hard to imagine it happening in 1997. But it happened. I was there.

I mean I wasn’t in the magical world of Tao where it takes place, or on the soundstage in Beijing where it was filmed, but as a BRIDE WITH WHITE HAIR devotee at the time I did pay to see WARRIORS in the theater, and I’ve been fascinated by it ever since.

It’s the story of ordinary American kid Ryan Jeffers (Mario Yedidia, JACK), and it’s one of those depictions of youth that seems like it was concocted by a 150 year old who lives in a containment unit on Mars but has read some old magazine articles and thinks he has a pretty good idea what life must be like for the kids these days. To this guy it makes sense to open the movie with a dog dropping toast through a window to Ryan as he excitedly reads a stack of comic books in the bathroom. (read the rest of this shit…)

April 18th, 2023 | 13 Comments »

The Phantom Lover

THE PHANTOM LOVER is sadly not a documentary about me and how much I love the movie THE PHANTOM, but it’s the next best thing – a 1995 Hong Kong romantic melodrama. It has no martial arts, but it’s director Ronny Yu and cinematographer Peter Pau doing another lush, operatic fantasy about forbidden, doomed lovers, like THE BRIDE WITH WHITE HAIR. And like THE OCCUPANT it has a set of young characters learning about and having their lives influenced by the tragedy when they visit the site years later.

In this case the location is not an apartment building, but a magnificent Beijing theater. In 1936 it’s fire-damaged and cob-webbed enough that the broke-ass fledgling Sprout Troupe think they can afford to rent it for their musical Flaming Blood.

Ten years earlier the theater was known from here to Tianjin, Shanghai as the home of the great Song Danping (played by the groom of the Bride With White Hair, Leslie Cheung), brilliant actor, beautiful singer, dreamy heartthrob, definitive essayer of Romeo (cheesy musical version). Hungry up-and-comer Wei Qing (Huang Lei, CJ7) bribes the caretaker with chocolates to tell the story, and it takes up the first half of the movie. Danping was in love with Du Yunyan (Chien-lien Wu, EAT DRINK MAN WOMAN), daughter of one of the local rich dudes (Wong Bing, THE FOUNDING OF A REPUBLIC), and she would meet him in the theater after hours for romantic interludes. (read the rest of this shit…)

April 17th, 2023 | 4 Comments »

The Bride With White Hair 2

THE BRIDE WITH WHITE HAIR 2 (1993) is directed by part 1 editor/co-writer David Wu, with Ronny Yu as producer and co-writer. I guess since he’s the editor Wu throws in a bunch of quick flashbacks (sometimes to new backstory, but mostly to the first movie, even though this came out around four months after the first one so anyone who’d seen it probly remembered). This story takes place at about the time of part 1’s flash-forward prologue, when Master Cho (Leslie Cheung, ONCE A THIEF) has been freezing his ass off sitting on a mountain for ten god damn years waiting for a flower to blossom and/or for his ex turned evil witch Li Ni-Chang (Brigitte Lin, DEADLY MELODY) to come talk to him.

She doesn’t, so he sits out almost the entire movie while a new generation of Wu Tang students deal with “the witch,” who now leads a cult made up entirely of women who have been wronged by men. Our new main character Kit (Sunny Chan) gets in trouble with the Wu Tang elders not for getting in fights and stuff but just for mentioning the name of “that coward” Master Cho. Kit is about to marry his girlfriend Lyre (Joey Maan, CENTURY OF THE DRAGON) when Ni-Chang flies in, kills some people with her hair, and abducts the bride to teach her to “never be so blindly loyal to these heartless men.” She brings her to her cult, where everybody hates men and bangs their swords together rhythmically, which seems pretty fun. Also they dress kinda like Queen Amidala.

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April 13th, 2023 | 1 Comment »

The Bride With White Hair

This is the one. THE BRIDE WITH WHITE HAIR is the movie that put Ronny Yu on the map. Or at least mine. This was 1993, back when people like me were first discovering Hong Kong cinema, and martial artists flying around on wires seemed like the greatest discovery since their primary antagonist, gravity. I remember waiting weeks for a widescreen, subtitled VHS I special ordered from Suncoast Motion Picture company in a mall somewhere. I must’ve watched it several times in the ’90s, but when I revisited it for this series it had been so long that I could only recall the look and feel of it, and basically nothing about the story.

The way I remember it, we all agreed back then that this movie was a masterpiece. But here I am 30 years later, and I don’t think the generation of film fans after mine would necessarily know who Ronny Yu was if I asked, or have heard of this movie. It has recently finally come to remastered blu-ray overseas, so a good transfer was on a streaming service for a while, and now can be bought digitally, but when I started writing this series there was only the old Tai Seng DVD – a pretty rough, non-anamorphic transfer. It made me wish I’d saved that tape. Watching it now, of course, it lacks the freshness and novelty it had in 1993, the thrill of a new world opening up to us. We’ve seen this kind of fantastic martial arts world imagined many more times and in much more detail over the last quarter century.

But I think THE BRIDE WITH WHITE HAIR still packs a punch. It’s a short, sweet, and stylish little tragic love story that speaks about good and evil but refuses to paint even its operatic fantasy world in such easily definable categories. And by looking at it as part of this Uncle Sam Wants Yu series I’m able to see it as a culmination of everything the director had been working on up to that point. (read the rest of this shit…)

April 12th, 2023 | 18 Comments »

Fist of the Condor

FIST OF THE CONDOR (El Puño del Cóndor), available now on the Hi-YAH! streaming network,* is the long-awaited (by me at least) reunion of Chilean martial arts star Marko Zaror (UNDISPUTED III, SAVAGE DOG, JOHN WICK CHAPTER 4) and writer/director Ernesto Díaz Espinoza. They came up together making KILTRO, MIRAGEMAN and MANDRILL, but this is their first together since REDEEMER in 2014. From the looks of it they spent that time training, meditating, and learning powerful secret techniques.

I loved this movie, and I think it follows the established Zaror/Diaz Espinoza pattern of being even better than the last one, but I have exactly one (1) caveat: I wish I’d remembered that the first trailer called it FIST OF THE CONDOR: PART ONE. It felt kinda like if I’d watched KILL BILL VOLUME 1 thinking it was the whole thing and expecting her to cross all the names off her list. When it ended I had to do a double take, rewind and watch the last scene again to get my bearings. But I understand it now. (read the rest of this shit…)

April 11th, 2023 | 4 Comments »

Shogun and Little Kitchen

SHOGUN AND LITTLE KITCHEN is Ronny Yu’s 1992 comedy about the residents of an old apartment building called Peace Avenue, possibly “the poorest place in Hong Kong.” Uncle Bo (Ng Man-tat, LEGACY OF RAGE, A BETTER TOMORROW 2, SHAOLIN SOCCER) is the owner, and he acts grouchy, but he loves them all like family. It’s kind of a shithole – the air conditioner will explode if you turn it on – but it’s good people. There’s a market right outside, people selling soup and sharpening knives and stuff, so there’s all kinds of activity, it’s a whole community. Somebody’s trying to buy the building for $10 million, but Bo won’t sell it because it has sentimental value. It belonged to his late wife. You don’t give your late wife’s building to some rich developer asshole. Or at least you shouldn’t. (read the rest of this shit…)

April 10th, 2023 | 1 Comment »

Great Pretenders

GREAT PRETENDERS a.k.a. THE GREAT PRETENDERS is from 1991, and it’s Ronny Yu’s con man comedy. It stars the great Tony Leung (a year before HARD BOILED) in a much broader role than what we normally associate him with. The type of comedy where he’s running around waving his arms. His character has a shaved head to wear different wigs, and there’s a whole sequence about him putting the wig on the wrong way and looking ridiculous, plus a montage of trying on a bunch of other wigs. Strangely, when he pretends to have a mohawk later on it uses a very obvious bald cap. I don’t know if that was a matter of his hair growing out or not wanting to glue the mohawk on, but it’s hard to accept people believing it’s his real hair. Not that it matters in a movie like this.

His character is named Snake Wai (alias “Tony Leung”), and he’s a conman running small time scams on the street. It’s the type of movie where you follow him and hopefully are charmed by him even as he’s lying to everybody, but you won’t feel too bad about it either way because most of the time everybody’s actually in on it or secretly playing their own angle. (read the rest of this shit…)

April 6th, 2023 | No Comments »

China White

CHINA WHITE (1989) is the movie where Ronny Yu tackles the ’80s Hong Kong gangster genre that we all fell in love with when we found out about John Woo, Ringo Lam and those guys. Like A BETTER TOMORROW or BULLET IN THE HEAD it chronicles the tragic rise and fall melodrama of dashing young anti-heroes who run a criminal empire and care about family and loyalty and what not. Like CITY ON FIRE it deals with somebody undercover getting too close to a crook, but in this case it’s a female informant falling in love with a guy who she doesn’t know is bad (so, a little bit like THE KILLER). But along with these standard genre themes we have the strongest example so far of Yu’s international world view.

That’s because it takes place in Amsterdam, where the Chow brothers, Bobby (Russell Wong, ROMEO MUST DIE, THE MUMMY: TOMB OF THE DRAGON EMPEROR) and Danny (Steven Vincent Leigh, RING OF FIRE, SWORD OF HONOR) have made a home, but must make peace or war with gangs of other nationalities. They’re most threatened by the Italians, led by Scalia (Billy Drago shortly before DELTA FORCE 2). This is a cutthroat internationalism, but Yu sees opportunity for these immigrants, and seems to come out in favor of cross-cultural/interracial relationships. (read the rest of this shit…)

April 5th, 2023 | 6 Comments »

Bless This House

Another Ronny Yu haunted house comedy, but without Chow Yun Fat? I don’t know, guys. In 1988, four years after THE OCCUPANT, Yu returned to his old haunt (that’s a pun) with BLESS THIS HOUSE. Fortunately by this time, when there were seven FRIDAY THE 13THs, four ELM STREETs and the first CHILD’S PLAY in existence, Yu had had a little more experience under his belt and was able to make something a little more accomplished than before, a little more stylish.

This one is about an architect named Bill (Bill Tung, reuniting with Yu after MUMMY DEAREST) who gets a promotion that allows him to move his family into a fancy house owned by the boss. He doesn’t catch on that it’s actually a punishment – the fuckin place is haunted as shit!

Of course the movie makes a point of Bill not being superstitious before he goes through this experience. He gets into trouble for disagreeing with his firm considering feng shui in their designs. His daughter Jane (Loletta Lee, THE DRAGON FROM RUSSIA, SEX & ZEN II) is more open to it and wonders if she should believe the “madman” from the nearby temple who keeps giving them the friendly advice that they should get the fuck out of there. (read the rest of this shit…)

April 4th, 2023 | 1 Comment »

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